Nota di contenuto |
Chapter 1: Introduction: “Totem and Tattoo” -- Part I: TATTOOING (AS) ART -- Chapter 2: “A Medium, Not a Phenomenon: An Argument for An Art Historical Approach to Western Tattooing” -- Chapter 3: “Contemporary Western Tattooing as an Inherently Collaborative Practice: The Contingent Authorial Input and Operational Mode of the Tattooist” -- Chapter 4: “Branch out, Perform, Interlink: Reading Tattoos as Soma-Hypertexts in Shelley Jackson's SKIN and Skin Motion's Soundwave Tattoos” -- Part II: TRANSCULTURAL TATTOOING -- Chapter 5: “Hüh tu pu/ To Mark with Tattoo: Chen Naga Tiger-Spirit Tattoos and Indigenous Ontologies in Northeast India” -- Chapter 6: “The last generation of tattooed Bedouin women in southern Jordan: When tradition and climate change collided in Wadi Rum” -- Chapter 7: “Tattoos, ‘Tattoos,’ Vikings, ‘Vikings,’ and Vikings” -- Part III: TATTOOING THE POLITICAL BODY -- Chapter 8: “Herman Melville’s (Un)Readables: Tattoos” -- Chapter 9: “The Life of the Tattoo: Subcutaneous Surveillances and the Economy of the Stigmatization” -- Chapter 10: “Democratic Hieroglyphs: On the People’s Indecipherable Flesh in Moby-Dick” -- Part IV: TATTOOING LITERATURES -- Chapter 11: “Jeff VanderMeer’s Southern Reach Trilogy: Writing Out the Body Between Grammatology and Exscription” -- Chapter 12: “Tattooing Terminable Interminable: Psychoanalysis, Corporeal Marking and Literature” -- Chapter 13: “Effluvial Exhalations: Genet’s ontological quandary” -- Chapter 14: “Limited Ink: Of Repressence, Inkorporation, and Marineation” -- Chapter 15: “Derrida & Deleuze as Tattooed Savages”.
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