Evolution on british television and radio : transmissions and transmutations / / Alexander Hall |
Autore | Hall Alexander |
Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
Descrizione fisica | 1 online resource (292 pages) |
Disciplina | 384.550941 |
Collana | Palgrave studies in science and popular culture |
Soggetto topico | Television broadcasting - Great Britain - History |
ISBN | 3-030-83043-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Preface -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- The Evolutionary Epic and Progressive Narratives in Science -- Synthetic Narratives in the History of Biology -- Media Histories and Studies of Science -- Humanist Blockbusters -- Approaches to Studying Media -- Surveying British Broadcasting on Evolution -- Summary of the Argument -- References -- Chapter 2: Situating the Story: The Early Years of Evolution on the Wireless -- The Stream of Life -- Controlling the Content, While Developing the Format(s) -- Post-war Consolidations and Contestations -- Conclusion -- References -- Chapter 3: Evolving Content for the Small Screen, from Radio to Early Television Formats -- Expanding the Cast -- Constructing an Official Institutional Position on Evolution -- Evolution on the Small Screen -- Conclusion -- References -- Chapter 4: The Most Malleable of Minds: Evolution in Educational Broadcasting -- Religious Contestation of Early Educational Radio on Evolution -- A Short History of BBC Educational Broadcasting -- Educating the Grown-Ups -- Televised Educational Output -- Evolution on Adult Education Television -- The BBC and the Open University -- Conclusion -- References -- Chapter 5: Imagining Evolution: Drama and Science Fiction -- Evolutionary Themes in Early Radio Dramas -- Orwell, Darwin and the Dramatisation of the Past -- Wells, Ethics and Dystopian Futures -- Evolutionary Themes in British Science Fiction Television -- Kneale and Literary British Science Fiction -- Newman and the Rise of the Serial -- Pedler and Techno-Scientific Anxieties -- Counterculture, Doom and Declensionism -- Conclusion -- References -- Chapter 6: Humanist Blockbusters: Depicting the Evolutionary Epic on Television -- The Ascent of Man -- Producing Ascent -- A Popular Success, the Reception of Ascent.
Other Popular Depictions of Evolution in the 1970s -- Nigel Calder's The Life Game -- The Ascent of Man's Influence on Metanarratives of Science -- Sledgehammers and Humanist Blockbusters, from Ascent to Life on Earth -- Conclusion: The Humanist Blockbuster Goes Global -- References -- Chapter 7: Creationism and Non-Darwinian Ideology in British Broadcasting -- Limited Airtime for Fundamentalists and Anti-evolutionists -- Non-Darwinian and Post-Darwinian Evolutionary Ideas -- Reporting on US Affairs or Creating Creationists? Creationism at the BBC -- Religious Metaphors on Science Broadcasts -- Conclusion -- References -- Chapter 8: Remembering or Deifying? The Darwin Anniversaries of 1959 and 2009 -- The Darwin Sesquicentennial Celebrations 1958-1959 -- The Darwin Centenary on Radio and Television -- Refining the Mythic Narrative of Darwin's Life and Influence -- Broadcasting the 2009 Darwin Anniversary, a Reflective Coda -- References -- Index. |
Record Nr. | UNINA-9910502622903321 |
Hall Alexander | ||
Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Das Fernsehen als Sinnproduzent : soziologische fallstudien / / Angela Keppler |
Autore | Keppler Angela |
Pubbl/distr/stampa | Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 384.550941 |
Collana | De Gruyter Studium |
Soggetto topico | Television - Great Britain - Production and direction |
Soggetto genere / forma | Electronic books. |
ISBN |
3-11-041376-0
3-11-043818-6 |
Classificazione | AP 34000 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Vorwort -- Einleitung: Perspektiven einer Soziologie des Fernsehens -- 1. Die wechselseitige Modifikation von Bildern und Texten in Fernsehen und Film -- 2. Zeigen ohne zu sagen. Zur Rhetorik des Fernsehbildes -- 3. Das Gleiche ist nicht immer gleich. Gewaltdarstellungen in Film und Fernsehen -- 4. Vom Unterhaltungswert der Werte. Über die Konjunktur der Tugendethik im Fernsehen -- 5. Formen der Moralisierung im Fernsehen -- 6. Wissen um Relevanzen. Zur Dramaturgie politischer Konflikte in Talkshows -- 7. Selbstrechtfertigung und Selbstkritik – ein Medienritual -- 8. ‚Medienreligion‘ ist keine Religion. Fünf Thesen zu den Grenzen einer erhellenden Analogie -- 9. Reality-TV: Ein Genre zwischen Dokumentation und Fiktion -- 10. Person und Figur. Dissonante Identifikationsangebote in Fernsehserien -- 11. Noch einmal: „Kann das Publikum wollen?“ Über den künstlerischen Status der Neuen Serien -- Transkriptionssystem -- Literaturverzeichnis -- Textnachweise |
Record Nr. | UNINA-9910460399003321 |
Keppler Angela | ||
Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Das Fernsehen als Sinnproduzent : soziologische fallstudien / / Angela Keppler |
Autore | Keppler Angela |
Pubbl/distr/stampa | Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 384.550941 |
Collana | De Gruyter Studium |
Soggetto topico | Television - Great Britain - Production and direction |
ISBN |
3-11-041376-0
3-11-043818-6 |
Classificazione | AP 34000 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Vorwort -- Einleitung: Perspektiven einer Soziologie des Fernsehens -- 1. Die wechselseitige Modifikation von Bildern und Texten in Fernsehen und Film -- 2. Zeigen ohne zu sagen. Zur Rhetorik des Fernsehbildes -- 3. Das Gleiche ist nicht immer gleich. Gewaltdarstellungen in Film und Fernsehen -- 4. Vom Unterhaltungswert der Werte. Über die Konjunktur der Tugendethik im Fernsehen -- 5. Formen der Moralisierung im Fernsehen -- 6. Wissen um Relevanzen. Zur Dramaturgie politischer Konflikte in Talkshows -- 7. Selbstrechtfertigung und Selbstkritik – ein Medienritual -- 8. ‚Medienreligion‘ ist keine Religion. Fünf Thesen zu den Grenzen einer erhellenden Analogie -- 9. Reality-TV: Ein Genre zwischen Dokumentation und Fiktion -- 10. Person und Figur. Dissonante Identifikationsangebote in Fernsehserien -- 11. Noch einmal: „Kann das Publikum wollen?“ Über den künstlerischen Status der Neuen Serien -- Transkriptionssystem -- Literaturverzeichnis -- Textnachweise |
Record Nr. | UNINA-9910797287703321 |
Keppler Angela | ||
Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Das Fernsehen als Sinnproduzent : soziologische fallstudien / / Angela Keppler |
Autore | Keppler Angela |
Pubbl/distr/stampa | Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 384.550941 |
Collana | De Gruyter Studium |
Soggetto topico | Television - Great Britain - Production and direction |
ISBN |
3-11-041376-0
3-11-043818-6 |
Classificazione | AP 34000 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Vorwort -- Einleitung: Perspektiven einer Soziologie des Fernsehens -- 1. Die wechselseitige Modifikation von Bildern und Texten in Fernsehen und Film -- 2. Zeigen ohne zu sagen. Zur Rhetorik des Fernsehbildes -- 3. Das Gleiche ist nicht immer gleich. Gewaltdarstellungen in Film und Fernsehen -- 4. Vom Unterhaltungswert der Werte. Über die Konjunktur der Tugendethik im Fernsehen -- 5. Formen der Moralisierung im Fernsehen -- 6. Wissen um Relevanzen. Zur Dramaturgie politischer Konflikte in Talkshows -- 7. Selbstrechtfertigung und Selbstkritik – ein Medienritual -- 8. ‚Medienreligion‘ ist keine Religion. Fünf Thesen zu den Grenzen einer erhellenden Analogie -- 9. Reality-TV: Ein Genre zwischen Dokumentation und Fiktion -- 10. Person und Figur. Dissonante Identifikationsangebote in Fernsehserien -- 11. Noch einmal: „Kann das Publikum wollen?“ Über den künstlerischen Status der Neuen Serien -- Transkriptionssystem -- Literaturverzeichnis -- Textnachweise |
Record Nr. | UNINA-9910807278303321 |
Keppler Angela | ||
Berlin, [Germany] : , : De Gruyter Oldenbourg, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Independent Television Production in the UK : From Cottage Industry to Big Business / / by David Lee |
Autore | Lee David |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (ix, 244 pages) |
Disciplina | 384.550941 |
Soggetto topico |
Motion pictures
Ethnology—Europe Cultural policy Film/TV Industry British Culture Cultural Policy and Politics |
ISBN | 3-319-71670-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter 1: Introduction: Situating Independent Television in the cultural economy -- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK - Chapter 2. The creation of the independent sector in the UK -- 3. Chapter 3. Creative Industries policy and the rise of the ‘mega-indies’; Independent television production in the age of New Labour -- 4. Part II: Working in independent television - Chapter 4: Creative labour and social change -- 5. Chapter 5 Working in the Indies: Precarity, value and burnout -- 6. Chapter 6 Networks, social capital and the burden of performativity -- 7. Part III: Cultural Value - Chapter 7 Independent Creativity -- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production -- 9. Chapter 9. Conclusion: towards a moral economy of independent television production. . |
Record Nr. | UNINA-9910300003803321 |
Lee David | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Network nations : a transnational history of British and American broadcasting / / Michele Hilmes |
Autore | Hilmes Michele <1953-, > |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | xii, 358 p |
Disciplina | 384.550941 |
Soggetto topico |
Television broadcasting - Great Britain - History
Television broadcasting - United States - History |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-68440-2
1-136-91119-7 9786613661340 0-203-84320-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chaos and control -- 2. National broadcasting in Britain -- 3. The "American system" -- 4. Enormous changes at the last minute -- 5. The politics and poetics of neutrality -- 6. In it together : wartime radio -- 7. Disentangling and differentiation, 1946-1955 -- 8. New directions and disputes, 1955-1964 -- 9. Transatlantic partnerships, 1964-1975 -- 10. Towards "globalization". |
Record Nr. | UNINA-9910462015803321 |
Hilmes Michele <1953-, > | ||
New York : , : Routledge, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Network nations : a transnational history of British and American broadcasting / / Michele Hilmes |
Autore | Hilmes Michele <1953-, > |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | xii, 358 p |
Disciplina | 384.550941 |
Soggetto topico |
Television broadcasting - Great Britain - History
Television broadcasting - United States - History |
ISBN |
1-136-91118-9
1-280-68440-2 1-136-91119-7 9786613661340 0-203-84320-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chaos and control -- 2. National broadcasting in Britain -- 3. The "American system" -- 4. Enormous changes at the last minute -- 5. The politics and poetics of neutrality -- 6. In it together : wartime radio -- 7. Disentangling and differentiation, 1946-1955 -- 8. New directions and disputes, 1955-1964 -- 9. Transatlantic partnerships, 1964-1975 -- 10. Towards "globalization". |
Record Nr. | UNINA-9910790231903321 |
Hilmes Michele <1953-, > | ||
New York : , : Routledge, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Network nations : a transnational history of British and American broadcasting / / Michele Hilmes |
Autore | Hilmes Michele <1953-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Routledge, 2012 |
Descrizione fisica | xii, 358 p |
Disciplina | 384.550941 |
Soggetto topico |
Television broadcasting - Great Britain - History
Television broadcasting - United States - History |
ISBN |
1-136-91118-9
1-280-68440-2 1-136-91119-7 9786613661340 0-203-84320-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chaos and control -- 2. National broadcasting in Britain -- 3. The "American system" -- 4. Enormous changes at the last minute -- 5. The politics and poetics of neutrality -- 6. In it together : wartime radio -- 7. Disentangling and differentiation, 1946-1955 -- 8. New directions and disputes, 1955-1964 -- 9. Transatlantic partnerships, 1964-1975 -- 10. Towards "globalization". |
Record Nr. | UNINA-9910806298303321 |
Hilmes Michele <1953-> | ||
New York, : Routledge, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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