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From BetaMax to Blockbuster [[electronic resource] ] : video stores and the invention of movies on video / / Joshua M. Greenberg
| From BetaMax to Blockbuster [[electronic resource] ] : video stores and the invention of movies on video / / Joshua M. Greenberg |
| Autore | Greenberg Joshua M |
| Pubbl/distr/stampa | Cambridge, Mass., : The MIT Press, c2008 |
| Descrizione fisica | ix, 214 p. : ill., map |
| Disciplina | 384.55/8 |
| Soggetto topico |
Videocassette recorders
Video recordings industry - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-262-26076-X
1-282-09951-5 9786612099519 0-262-27428-0 1-4356-3524-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910451964003321 |
Greenberg Joshua M
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| Cambridge, Mass., : The MIT Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From BetaMax to Blockbuster [[electronic resource] ] : video stores and the invention of movies on video / / Joshua M. Greenberg
| From BetaMax to Blockbuster [[electronic resource] ] : video stores and the invention of movies on video / / Joshua M. Greenberg |
| Autore | Greenberg Joshua M |
| Pubbl/distr/stampa | Cambridge, Mass., : The MIT Press, c2008 |
| Descrizione fisica | ix, 214 p. : ill., map |
| Disciplina | 384.55/8 |
| Soggetto topico |
Videocassette recorders
Video recordings industry - History |
| ISBN |
0-262-26076-X
1-282-09951-5 9786612099519 0-262-27428-0 1-4356-3524-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910781837403321 |
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Greenberg Joshua M
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| Cambridge, Mass., : The MIT Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Home truths? : video production and domestic life / / David Buckingham, Rebekah Willett, and Maria Pini
| Home truths? : video production and domestic life / / David Buckingham, Rebekah Willett, and Maria Pini |
| Autore | Buckingham David |
| Pubbl/distr/stampa | University of Michigan Press, 2011 |
| Descrizione fisica | 1 online resource (162 pages) : digital, PDF file(s) |
| Disciplina | 384.55/8 |
| Collana | Technologies of the imagination Home truths? |
| Soggetto topico |
Video recordings - Production and direction
Video recordings - Social aspects Video recording |
| Soggetto non controllato | Amatuer video |
| ISBN |
0-472-90031-5
0-472-05137-7 0-472-07137-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Understanding home video -- Exploring the home mode : researching video practices -- Domesticating video -- The subject of video -- Learning video : the making of media literacy -- Conclusion. |
| Record Nr. | UNINA-9910132638303321 |
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Buckingham David
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| University of Michigan Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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There's No Place Like Home Video [[electronic resource]]
| There's No Place Like Home Video [[electronic resource]] |
| Autore | Moran James M |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina |
384.55/8
384.558 |
| Collana | Visible Evidence |
| Soggetto topico |
Video recordings
Video recordings - History and criticism Amateur films - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9280-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction: Medium Theory, Home Video, and Other Specifications; 1 What Is Video? Mapping Out Models of Medium Specificity; 2 From Reel Families to Families We Choose: Video in the Home Mode; 3 Modes of Distinction: The Home Mode, the Avant-Garde, and Event Videography; 4 Family Resemblances: The Home Mode as Chronotope; 5 The Video-in-the-Text: A Phenomenology and Narratology of Hybrid Spectatorship; Notes; Index |
| Record Nr. | UNINA-9910452229603321 |
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Moran James M
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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There's No Place Like Home Video [[electronic resource]]
| There's No Place Like Home Video [[electronic resource]] |
| Autore | Moran James M |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina |
384.55/8
384.558 |
| Collana | Visible Evidence |
| Soggetto topico |
Video recordings
Video recordings - History and criticism Amateur films - Production and direction |
| ISBN | 0-8166-9280-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction: Medium Theory, Home Video, and Other Specifications; 1 What Is Video? Mapping Out Models of Medium Specificity; 2 From Reel Families to Families We Choose: Video in the Home Mode; 3 Modes of Distinction: The Home Mode, the Avant-Garde, and Event Videography; 4 Family Resemblances: The Home Mode as Chronotope; 5 The Video-in-the-Text: A Phenomenology and Narratology of Hybrid Spectatorship; Notes; Index |
| Record Nr. | UNINA-9910784398803321 |
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Moran James M
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Veni, vidi, video [[electronic resource] ] : the Hollywood empire and the VCR / / Frederick Wasser
| Veni, vidi, video [[electronic resource] ] : the Hollywood empire and the VCR / / Frederick Wasser |
| Autore | Wasser Frederick |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2001 |
| Descrizione fisica | x, 245 p. : ill |
| Disciplina | 384.55/8 |
| Collana | Texas film and media studies series |
| Soggetto topico |
Video recordings industry
Video recordings |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-79896-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments ix -- Signs of the Time -- The American Film Industry before Video 5 -- The American Film Industry and Video lo -- The Political Economy of Distribution 14 -- Video and the Audience 17 -- Structure of the Study 18 -- 23 Film Distribution and Home Viewing before the VCR -- A Brief Review of the Early Days of the Movie Industry 24 -- From Universal Audiences to Feature-Length Films 26 -- Movies at Home 28 -- Tiered Releasing 29 -- Broadcasting: The Other Entertainment Medium 31 -- Postwar Film Exhibition 36 -- Distributing Films to Smaller Audiences 39 -- Television Advertising and Jaws: Marketing the Shark Wide -- and Deep 44 -- 48 The Development of Video Recording -- Broadcast Networks and Recording Technology 51 -- Television and Recording 55 -- Home Video 1: Playback-only Systems 60 -- Home Video 2: Japanese Recorder System Development 70 -- 76 Home Video:The Early Years -- Choice, "Harried" Leisure, and New Technologies 77 -- The Emergence of Cable 81 -- The Universal Lawsuit 82 -- VCR and Subversion 91 -- X-rated Cassettes 92 -- The Majors Start Video Distribution 95 -- Videotape Pricing 95 -- Renting 98 -- 104 The Years of Independence: 1981-1986 -- Independence on the Cusp of Video 105 -- New Companies Get into Video Business 106 -- Hollywood Tries to Control Rentals no -- Video, Theater, and Cable 116 -- Pre-Selling/Pre-Buying 121 -- Video and New Genres 125 -- Vestron's Video Publishing 127 -- Conclusion 129 -- 131 Video Becomes Big Business -- The Development of Two-Tiered Pricing 132 -- The New Movie Theater 135 -- Microeconomics i: Overview 138 -- Microeconomics 2: Rental 141 -- Video and Other Commodities 145 -- Retailing Consolidation 146 -- Breadth versus Depth 149 -- Video Advertising 151 -- Video and Revenue Streams 152 -- Production Increase 154 -- More Money, Same Product 154 -- 158 Consolidation and Shakeouts -- High Concept 161 -- Disney Comes Back On-line 162 -- The Majors Hold the Line on Production Expansion 165 -- Vestron Responds 171 -- The Fate of Pre-Selling and the Mini-Majors 176 -- LIVE, Miramax, and New Line 180 -- Conclusion 183 -- 185 The Lessons of the Video Revolution -- Media Industries after the VCR 185 -- Home Video and Changes in the Form of Film 194 -- Images of Audience Time 200 -- A Philosophic View of Film and Audience 202 -- Whither the Mass Audience? 204 -- Notes 207 -- Bibliography 227 -- Index 237. |
| Record Nr. | UNINA-9910451270403321 |
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Wasser Frederick
|
||
| Austin, : University of Texas Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Veni, vidi, video [[electronic resource] ] : the Hollywood empire and the VCR / / Frederick Wasser
| Veni, vidi, video [[electronic resource] ] : the Hollywood empire and the VCR / / Frederick Wasser |
| Autore | Wasser Frederick |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2001 |
| Descrizione fisica | x, 245 p. : ill |
| Disciplina | 384.55/8 |
| Collana | Texas film and media studies series |
| Soggetto topico |
Video recordings industry
Video recordings |
| ISBN | 0-292-79896-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments ix -- Signs of the Time -- The American Film Industry before Video 5 -- The American Film Industry and Video lo -- The Political Economy of Distribution 14 -- Video and the Audience 17 -- Structure of the Study 18 -- 23 Film Distribution and Home Viewing before the VCR -- A Brief Review of the Early Days of the Movie Industry 24 -- From Universal Audiences to Feature-Length Films 26 -- Movies at Home 28 -- Tiered Releasing 29 -- Broadcasting: The Other Entertainment Medium 31 -- Postwar Film Exhibition 36 -- Distributing Films to Smaller Audiences 39 -- Television Advertising and Jaws: Marketing the Shark Wide -- and Deep 44 -- 48 The Development of Video Recording -- Broadcast Networks and Recording Technology 51 -- Television and Recording 55 -- Home Video 1: Playback-only Systems 60 -- Home Video 2: Japanese Recorder System Development 70 -- 76 Home Video:The Early Years -- Choice, "Harried" Leisure, and New Technologies 77 -- The Emergence of Cable 81 -- The Universal Lawsuit 82 -- VCR and Subversion 91 -- X-rated Cassettes 92 -- The Majors Start Video Distribution 95 -- Videotape Pricing 95 -- Renting 98 -- 104 The Years of Independence: 1981-1986 -- Independence on the Cusp of Video 105 -- New Companies Get into Video Business 106 -- Hollywood Tries to Control Rentals no -- Video, Theater, and Cable 116 -- Pre-Selling/Pre-Buying 121 -- Video and New Genres 125 -- Vestron's Video Publishing 127 -- Conclusion 129 -- 131 Video Becomes Big Business -- The Development of Two-Tiered Pricing 132 -- The New Movie Theater 135 -- Microeconomics i: Overview 138 -- Microeconomics 2: Rental 141 -- Video and Other Commodities 145 -- Retailing Consolidation 146 -- Breadth versus Depth 149 -- Video Advertising 151 -- Video and Revenue Streams 152 -- Production Increase 154 -- More Money, Same Product 154 -- 158 Consolidation and Shakeouts -- High Concept 161 -- Disney Comes Back On-line 162 -- The Majors Hold the Line on Production Expansion 165 -- Vestron Responds 171 -- The Fate of Pre-Selling and the Mini-Majors 176 -- LIVE, Miramax, and New Line 180 -- Conclusion 183 -- 185 The Lessons of the Video Revolution -- Media Industries after the VCR 185 -- Home Video and Changes in the Form of Film 194 -- Images of Audience Time 200 -- A Philosophic View of Film and Audience 202 -- Whither the Mass Audience? 204 -- Notes 207 -- Bibliography 227 -- Index 237. |
| Record Nr. | UNINA-9910777003203321 |
|
Wasser Frederick
|
||
| Austin, : University of Texas Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
