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The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-84353-6
1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910461978303321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| ISBN |
1-135-72007-X
1-283-84353-6 1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910786335603321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| ISBN |
1-135-72007-X
1-283-84353-6 1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910808882003321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon
| Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon |
| Autore | Dixon Wheeler W. <1950-> |
| Pubbl/distr/stampa | New Brunswick, NJ, : Rutgers University Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 384/.80979494 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico |
Motion picture studios - California - Los Angeles - History - 20th century
Motion picture industry - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8135-5376-8
1-283-68556-6 0-8135-5378-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Prologue -- 1. The Postwar Collapse -- 2. White Fang at Columbia -- 3. Z for Zanuck -- 4. Mayer's MGM -- 5. Zukor and Paramount -- 6. The Major Minors -- 7. Universal Goes Corporate -- 8. That's All, Folks: Jack Warner's Lost Kingdom -- Works Cited and Consulted -- Index -- About the Author |
| Record Nr. | UNINA-9910463587903321 |
Dixon Wheeler W. <1950->
|
||
| New Brunswick, NJ, : Rutgers University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon
| Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon |
| Autore | Dixon Wheeler W. <1950-> |
| Pubbl/distr/stampa | New Brunswick, NJ, : Rutgers University Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 384/.80979494 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico |
Motion picture studios - California - Los Angeles - History - 20th century
Motion picture industry - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| ISBN |
0-8135-5376-8
1-283-68556-6 0-8135-5378-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Prologue -- 1. The Postwar Collapse -- 2. White Fang at Columbia -- 3. Z for Zanuck -- 4. Mayer's MGM -- 5. Zukor and Paramount -- 6. The Major Minors -- 7. Universal Goes Corporate -- 8. That's All, Folks: Jack Warner's Lost Kingdom -- Works Cited and Consulted -- Index -- About the Author |
| Record Nr. | UNINA-9910788682903321 |
|
Dixon Wheeler W. <1950->
|
||
| New Brunswick, NJ, : Rutgers University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon
| Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon |
| Autore | Dixon Wheeler W. <1950-> |
| Pubbl/distr/stampa | New Brunswick, NJ, : Rutgers University Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 384/.80979494 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico |
Motion picture studios - California - Los Angeles - History - 20th century
Motion picture industry - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| ISBN |
0-8135-5376-8
1-283-68556-6 0-8135-5378-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Prologue -- 1. The Postwar Collapse -- 2. White Fang at Columbia -- 3. Z for Zanuck -- 4. Mayer's MGM -- 5. Zukor and Paramount -- 6. The Major Minors -- 7. Universal Goes Corporate -- 8. That's All, Folks: Jack Warner's Lost Kingdom -- Works Cited and Consulted -- Index -- About the Author |
| Record Nr. | UNINA-9910816250303321 |
|
Dixon Wheeler W. <1950->
|
||
| New Brunswick, NJ, : Rutgers University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Debating Disney : pedagogical perspectives on commercial cinema / / edited by Douglas Brode and Shea T. Brode
| Debating Disney : pedagogical perspectives on commercial cinema / / edited by Douglas Brode and Shea T. Brode |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , 2016 |
| Descrizione fisica | 1 online resource (254 p.) |
| Disciplina | 384/.80979494 |
| Soggetto topico |
Motion pictures - Social aspects - United States
Animated films - Social aspects - United States |
| ISBN | 1-4422-6609-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: pleasure, pedagogy, and popular culture / Douglas Brode -- A less than wonderful "world": challenging Disney myths / Janet Wasko -- Gender and genre: brains, brawn, and masculine desire in Walt Disney's science fiction classic science-fiction film -- James W. Maertens -- The past as product in the present: Disney and the imagineering of history / Scott Schaeffer -- Changing people, altering places: Disney's two Japans / Cynthia J. Miller & A. Bowdoin Van Riper -- "With a smile and a song": Walt Disney and the birth of the American fairytale / Tracy Mollet -- Seeing white: children of color and the Disney fairy tale: Princess / Dorothy l. Hurley -- Seeing black: critical reactions to The princess and the frog / Shea T. Brode -- Objectivism versus altruism---a choice of heroes for the 1950s: Stanley Kramer's High noon (1952) and Walt Disney's Davy Crockett, king of the wild frontier (1954-1955) / Douglas Brode -- "Savages, savages, barely even human": native American representations in Disney films / Myles Russell-Cook -- "Roar!": representations of gender, sexuailty, and race in Walt Disney's The lion king / Georgia Vraketta -- "A family of wolves I knew": Disney's Wonderful world of nature / David Haworth -- "Who's watching the kids?": caregiving and parenting in Disney films / Jeanne Holcomb, Daniel Fernandez-Baca, and Kenzic Lathau -- Cinematic existentialism, political agendas: Walt Disney's Aladdin / Samantha Heydt -- The ambiguous Captain Jack Sparrow: destabilizing gender, politics, and religion in Pirates of the Caribbean / Jennifer Porter -- "Death be not proud": the "Final curtain" in Disney Entertainment / Gary Laderman -- Fantasy worlds and Disney girls: frozen, brave, and re-imagined 21st century romance / Victoria Amador -- Upon a dream once more: beauty redacted in Disney's re-adapted classics / Allison Craven -- Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison -- Anti-semitism, American style and a man named Disney / Douglas Brode. |
| Record Nr. | UNINA-9910798231903321 |
| Lanham : , : Rowman & Littlefield, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Debating Disney : pedagogical perspectives on commercial cinema / / edited by Douglas Brode and Shea T. Brode
| Debating Disney : pedagogical perspectives on commercial cinema / / edited by Douglas Brode and Shea T. Brode |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , 2016 |
| Descrizione fisica | 1 online resource (254 p.) |
| Disciplina | 384/.80979494 |
| Soggetto topico |
Motion pictures - Social aspects - United States
Animated films - Social aspects - United States |
| ISBN | 1-4422-6609-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: pleasure, pedagogy, and popular culture / Douglas Brode -- A less than wonderful "world": challenging Disney myths / Janet Wasko -- Gender and genre: brains, brawn, and masculine desire in Walt Disney's science fiction classic science-fiction film -- James W. Maertens -- The past as product in the present: Disney and the imagineering of history / Scott Schaeffer -- Changing people, altering places: Disney's two Japans / Cynthia J. Miller & A. Bowdoin Van Riper -- "With a smile and a song": Walt Disney and the birth of the American fairytale / Tracy Mollet -- Seeing white: children of color and the Disney fairy tale: Princess / Dorothy l. Hurley -- Seeing black: critical reactions to The princess and the frog / Shea T. Brode -- Objectivism versus altruism---a choice of heroes for the 1950s: Stanley Kramer's High noon (1952) and Walt Disney's Davy Crockett, king of the wild frontier (1954-1955) / Douglas Brode -- "Savages, savages, barely even human": native American representations in Disney films / Myles Russell-Cook -- "Roar!": representations of gender, sexuailty, and race in Walt Disney's The lion king / Georgia Vraketta -- "A family of wolves I knew": Disney's Wonderful world of nature / David Haworth -- "Who's watching the kids?": caregiving and parenting in Disney films / Jeanne Holcomb, Daniel Fernandez-Baca, and Kenzic Lathau -- Cinematic existentialism, political agendas: Walt Disney's Aladdin / Samantha Heydt -- The ambiguous Captain Jack Sparrow: destabilizing gender, politics, and religion in Pirates of the Caribbean / Jennifer Porter -- "Death be not proud": the "Final curtain" in Disney Entertainment / Gary Laderman -- Fantasy worlds and Disney girls: frozen, brave, and re-imagined 21st century romance / Victoria Amador -- Upon a dream once more: beauty redacted in Disney's re-adapted classics / Allison Craven -- Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison -- Anti-semitism, American style and a man named Disney / Douglas Brode. |
| Record Nr. | UNINA-9910822514603321 |
| Lanham : , : Rowman & Littlefield, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney culture / / John Wills
| Disney culture / / John Wills |
| Autore | Wills John <1971-> |
| Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , 2017 |
| Descrizione fisica | 1 online resource (168 pages) |
| Disciplina | 384/.80979494 |
| Collana | Quick takes: Movies and Popular Culture |
| Soggetto topico | Corporate culture |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8135-8333-0
0-8135-8334-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Making Disney Magic -- 2. The World According To Disney -- 3. Disney Dollars -- 4. Disney Values -- Acknowledgments -- Further Reading -- Works Cited -- Index -- About The Author |
| Record Nr. | UNINA-9910465923003321 |
|
Wills John <1971->
|
||
| New Brunswick, New Jersey : , : Rutgers University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney culture [[electronic resource] /] / John Wills
| Disney culture [[electronic resource] /] / John Wills |
| Autore | Wills John <1971-> |
| Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , 2017 |
| Descrizione fisica | 1 online resource (168 pages) |
| Disciplina | 384/.80979494 |
| Collana | Quick takes: Movies and Popular Culture |
| Soggetto topico |
Corporate culture
Walt Disney Productions |
| ISBN |
0-8135-8333-0
0-8135-8334-9 |
| Classificazione | PER004030SOC022000SOC052000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Making Disney Magic -- 2. The World According To Disney -- 3. Disney Dollars -- 4. Disney Values -- Acknowledgments -- Further Reading -- Works Cited -- Index -- About The Author |
| Record Nr. | UNINA-9910792837803321 |
|
Wills John <1971->
|
||
| New Brunswick, New Jersey : , : Rutgers University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
