| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa |
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
|
| Descrizione fisica |
1 online resource (462 pages)
|
| Disciplina |
344.43097
|
| Collana |
Ius Gentium: Comparative Perspectives on Law and Justice
|
| Soggetto topico |
Law—Philosophy
Law
Conflict of laws
Cultural studies
Theories of Law, Philosophy of Law, Legal History
Private International Law, International & Foreign Law, Comparative Law
Cultural Studies
|
| ISBN |
3-319-90787-5
|
| Formato |
Materiale a stampa  |
| Livello bibliografico |
Monografia |
| Lingua di pubblicazione |
eng
|
| Nota di contenuto |
Chapter 1. Introduction -- Part I: Law, Justice and Art -- Chapter 2. The Bruges exhibition ‘The Art of Law’ -- Chapter 3. Law’s Manifestations: From Signs to Images – on Early Modern Legal Iconology -- Chapter 4. Works of Art as Criminal Punishment in the Low Countries (14th-17th c.) -- Chapter 5. “ut experiri et scire posset”. Pictorial Evidence and Judicial Inquiry in Hans Fries’ Kleiner Johannes Altar -- Part II: Moralising Law and Justice Representations in the Late Middle Ages and Early Modern Era -- Chapter 6. Changes in Late-Medieval Artistic Representations of Hell in the Last Judgment in North-Central Italy, ca. 1300-1400: A Visual Trick? -- Chapter 7. Medieval Iconography of Justice in a European Periphery: The Case of Sweden, ca. 1250-1550 -- Chapter 8. Justitia, Examples and Allegories of Justice, and Courts in Flemish Tapestry, 1450-1550 -- Chapter 9. The Judgment of Cambyses: Multiple Sources and Post-David Nachleben of a Rich Iconographical Topic -- Chapter 10. Multilayered Functions of Early Modern Court Room Equipment: Lüneburg for Example -- Part III: Lawyers and Justices: Their Books, Their Work, Their Symbols -- Chapter 11. Civic Bodies and their Identification with Justice and Law in Early Modern Flemish Portraiture -- Chapter 12. The Paradoxes of Lady Justice’s Blindfold -- Chapter 13. Lawyers and Litigants: The Corrupting Appeal and Effects of Civil Litigation in Hendrick Goltzius’ Litis abusus -- Chapter 14. Framing the Law. Legal Iconology of the Grotesque in the Sixteenth Century -- Chapter 15. The Mechanical Art of Rhetoric in an Ordinary Sixteenth Century German Formulary -- Chapter 16. A Ghostly Corpse in the City? Spatial Configurations and Iconographic Representations of Capital Punishment in the ‘Belgian’ space (16th-20th c.) -- Chapter 17. Liberté, Egalité, Fraternité ou la Mort. The Iconography of Injustice in the Work of Pierre Goetsbloets -- Part IV: Justice Architecture and Decorations in the Long 19th Century -- Chapter 18. Joseph-Jonas Dumont’s Prison Gatehouses: architecture parlante in Neo-Tudor Style -- Chapter 19. Experiencing Justice in the Cour d’Assises of Brabant (1893-1913). A Place of Education and Entertainment -- Chapter 20. The Judge, the Artist and the (Legal) Historian: Théophile Smekens, Pieter Van der Ouderaa, Pieter Génard and the Antwerp cour d’assises -- Chapter 21. Images of Justice in the Colonial Courts of British India. The Judicial Iconography of the Bombay High Court. .
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| Record Nr. | UNINA-9910299862203321 |
Info
The Art of Law : Artistic Representations and Iconography of Law and Justice in Context, from the Middle Ages to the First World War / / edited by Stefan Huygebaert, Georges Martyn, Vanessa Paumen, Eric Bousmar, Xavier Rousseaux
