Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Countercultures and popular music / / edited by Sheila Whiteley [and] Jedediah Sklower
| Countercultures and popular music / / edited by Sheila Whiteley [and] Jedediah Sklower |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina | 306.4/8424 |
| Altri autori (Persone) |
SklowerJedediah
WhiteleySheila <1941-> |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
Popular music - Social aspects
Counterculture |
| ISBN |
1-315-57447-0
1-317-15891-1 1-4724-2107-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic
4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene 5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960's and 1970's; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Part IV Countercultural Scenes - Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960's Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index |
| Record Nr. | UNINA-9910792161903321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Countercultures and popular music / / edited by Sheila Whiteley [and] Jedediah Sklower
| Countercultures and popular music / / edited by Sheila Whiteley [and] Jedediah Sklower |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina | 306.4/8424 |
| Altri autori (Persone) |
SklowerJedediah
WhiteleySheila <1941-> |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
Popular music - Social aspects
Counterculture |
| ISBN |
1-315-57447-0
1-317-15891-1 1-4724-2107-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic
4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene 5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960's and 1970's; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Part IV Countercultural Scenes - Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960's Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index |
| Record Nr. | UNINA-9910816905603321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Countercultures and popular music / / edited by Sheila Whiteley and Jedediah Sklower ; contributors Gina Arnold [and seventeen others]
| Countercultures and popular music / / edited by Sheila Whiteley and Jedediah Sklower ; contributors Gina Arnold [and seventeen others] |
| Pubbl/distr/stampa | Farnham, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina | 306.4/8424 |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
Popular music - Social aspects
Counterculture |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-15891-1
1-4724-2107-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic
4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene 5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960's and 1970's; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Part IV Countercultural Scenes - Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960's Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index |
| Record Nr. | UNINA-9910465222503321 |
| Farnham, England ; ; Burlington, Vermont : , : Ashgate, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin
| Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (324 p.) |
| Disciplina | 306.4/8424 |
| Altri autori (Persone) |
HoltFabian
WerginCarsten |
| Collana | Routledge Research in Music |
| Soggetto topico |
Popular music - Social aspects - Europe
Popular music - Social aspects - United States Popular music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-15782-4
0-203-07892-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Front Cover""; ""Musical Performance and the Changing City""; ""Copyright Page""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Introduction: Musical Performance and the Changing City""; ""Part I: Placemaking""; ""1. “From the Big Dig to the Big Gig�: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008""; ""2. Sounding Austin: Live Music, Race, and the Selling of a City""; ""3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience""
""4. Destination “Three Days Awake�: Cultural Urbanism at a Popular Music Festival Outside the City""""Part II: Scenes and Venues""; ""5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City""; ""6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York""; ""7. Collectivities and Mixed-Mediations in Amsterdam�s Translocal Jazz Scene""; ""8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry""; ""Part III: Nightlife""; ""9. Crowd Solidarity on the Dance Floor in Paris and Berlin"" ""10. The Sound Culture of Dubstep in London""""11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic Moment""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910464908803321 |
| New York ; ; London : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin
| Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (324 p.) |
| Disciplina | 306.4/8424 |
| Altri autori (Persone) |
HoltFabian
WerginCarsten |
| Collana | Routledge Research in Music |
| Soggetto topico |
Popular music - Social aspects - Europe
Popular music - Social aspects - United States Popular music - History and criticism |
| ISBN |
1-136-15782-4
0-203-07892-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Front Cover""; ""Musical Performance and the Changing City""; ""Copyright Page""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Introduction: Musical Performance and the Changing City""; ""Part I: Placemaking""; ""1. “From the Big Dig to the Big Gig�: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008""; ""2. Sounding Austin: Live Music, Race, and the Selling of a City""; ""3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience""
""4. Destination “Three Days Awake�: Cultural Urbanism at a Popular Music Festival Outside the City""""Part II: Scenes and Venues""; ""5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City""; ""6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York""; ""7. Collectivities and Mixed-Mediations in Amsterdam�s Translocal Jazz Scene""; ""8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry""; ""Part III: Nightlife""; ""9. Crowd Solidarity on the Dance Floor in Paris and Berlin"" ""10. The Sound Culture of Dubstep in London""""11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic Moment""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910786423603321 |
| New York ; ; London : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin
| Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (324 p.) |
| Disciplina | 306.4/8424 |
| Altri autori (Persone) |
HoltFabian
WerginCarsten |
| Collana | Routledge Research in Music |
| Soggetto topico |
Popular music - Social aspects - Europe
Popular music - Social aspects - United States Popular music - History and criticism |
| ISBN |
1-136-15782-4
0-203-07892-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Front Cover""; ""Musical Performance and the Changing City""; ""Copyright Page""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Introduction: Musical Performance and the Changing City""; ""Part I: Placemaking""; ""1. “From the Big Dig to the Big Gig�: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008""; ""2. Sounding Austin: Live Music, Race, and the Selling of a City""; ""3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience""
""4. Destination “Three Days Awake�: Cultural Urbanism at a Popular Music Festival Outside the City""""Part II: Scenes and Venues""; ""5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City""; ""6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York""; ""7. Collectivities and Mixed-Mediations in Amsterdam�s Translocal Jazz Scene""; ""8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry""; ""Part III: Nightlife""; ""9. Crowd Solidarity on the Dance Floor in Paris and Berlin"" ""10. The Sound Culture of Dubstep in London""""11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic Moment""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910813389903321 |
| New York ; ; London : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||