Beyond hashtags : racial politics and Black digital networks / / Sarah Florini |
Autore | Florini Sarah |
Pubbl/distr/stampa | New York : , : New York University Press, , [2019] |
Descrizione fisica | 1 online resource (271 pages) |
Disciplina | 302.23089/96073 |
Collana | Critical cultural communication |
Soggetto topico |
Race in mass media
African Americans and mass media African American mass media Race dans les médias Médias noirs américains Noirs américains et médias |
Soggetto non controllato |
2016 US presidential election
Black Lives Matter Black Twitter Black cultural production Black enclaves Black innovation Black social spaces Ferguson Martin Luther King Jr Mike Brown This Week in Blackness Trayvon Martin Zimmerman affordances alternative media production anti-Black racism citizen journalism collective grieving colorblindness counterpublics digital technology historical narrative independent media production mainstream legacy media media narratives monetization neoliberal neoliberalism oscillating networked publics podcasts police brutality political engagement political establishment racial discourse racial landscape racial oppression social justice solidarity transplatform white supremacy |
ISBN | 1-4798-0718-4 |
Classificazione | AP 15965 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Mapping the transplatform network -- Enclaves and counter-publics: oscillating networked publics -- "MLK, I choose you!": using the past to understand the present -- "This is the resource our community needed right now": moments of trauma and crisis -- Conclusion. |
Record Nr. | UNISA-996571852303316 |
Florini Sarah
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New York : , : New York University Press, , [2019] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Beyond hashtags : racial politics and Black digital networks / / Sarah Florini |
Autore | Florini Sarah |
Pubbl/distr/stampa | New York : , : New York University Press, , [2019] |
Descrizione fisica | 1 online resource (271 pages) |
Disciplina | 302.23089/96073 |
Collana | Critical cultural communication |
Soggetto topico |
Race in mass media
African Americans and mass media African American mass media Race dans les médias Médias noirs américains Noirs américains et médias |
ISBN | 1-4798-0718-4 |
Classificazione | AP 15965 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Mapping the transplatform network -- Enclaves and counter-publics: oscillating networked publics -- "MLK, I choose you!": using the past to understand the present -- "This is the resource our community needed right now": moments of trauma and crisis -- Conclusion. |
Record Nr. | UNINA-9910627222003321 |
Florini Sarah
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New York : , : New York University Press, , [2019] | ||
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Lo trovi qui: Univ. Federico II | ||
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Distributed Blackness : African American cybercultures |
Autore | BROCK ANDR |
Pubbl/distr/stampa | [Place of publication not identified], : NEW YORK University Press, , 2020 |
Descrizione fisica | 1 online resource (ix, 271 pages ) : illustrations |
Disciplina | 302.23089/96073 |
Collana | Critical Cultural Communication |
Soggetto topico | LANGUAGE ARTS & DISCIPLINES - Linguistics |
Soggetto non controllato |
Black Twitter
Black culture Black cyberculture Black digital practice Black discursive identity Black identity Black kairos Black memetic subculture Black online identity Black pathos Black respectability politics Black technocultural matrix Man Crush Monday Western technoculture Woman Crush Wednesday appropriate technology use black technoculture call-out culture colored people time critical discourse analysis critical race theory critical technocultural discourse analysis ctda digital practice discourse analysis dogmatic digital practice double consciousness information studies interiority internet studies intersectionality invention libidinal economy memes mobile phones modernity networked counterpublics online community online identity post-present race and the digital racial battle fatigue racial enactment racial formation ratchet digital practice reflexive digital practice respectability as hygiene rhetorical frame satellite counterpublic science and technology studies social network sociality technoculture weak tie racism |
ISBN | 1-4798-1190-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- DISTRIBUTED BLACKNESS -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction
1. Distributing Blackness: Ayo Technology! Texts, Identities, and Blackness -- 2. Information Inspirations: The Web Browser as Racial Technology -- 3. “The Black Purposes of Space Travel”: Black Twitter as Black Technoculture -- 4. Black Online Discourse, Part 1: Ratchetry and Racism -- 5. Black Online Discourse, Part 2: Respectability -- 6. Making a Way out of No Way: Black Cyberculture and the Black Technocultural Matrix Acknowledgments -- Notes -- References -- Index -- About the Author |
Record Nr. | UNISA-996571849603316 |
BROCK ANDR
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[Place of publication not identified], : NEW YORK University Press, , 2020 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Distributed Blackness : African American cybercultures |
Autore | BROCK ANDR |
Pubbl/distr/stampa | [Place of publication not identified], : NEW YORK University Press, , 2020 |
Descrizione fisica | 1 online resource (ix, 271 pages ) : illustrations |
Disciplina | 302.23089/96073 |
Collana | Critical Cultural Communication |
Soggetto topico | LANGUAGE ARTS & DISCIPLINES - Linguistics |
ISBN | 1-4798-1190-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- DISTRIBUTED BLACKNESS -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction
1. Distributing Blackness: Ayo Technology! Texts, Identities, and Blackness -- 2. Information Inspirations: The Web Browser as Racial Technology -- 3. “The Black Purposes of Space Travel”: Black Twitter as Black Technoculture -- 4. Black Online Discourse, Part 1: Ratchetry and Racism -- 5. Black Online Discourse, Part 2: Respectability -- 6. Making a Way out of No Way: Black Cyberculture and the Black Technocultural Matrix Acknowledgments -- Notes -- References -- Index -- About the Author |
Record Nr. | UNINA-9910552762903321 |
BROCK ANDR
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[Place of publication not identified], : NEW YORK University Press, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Equal time [[electronic resource] ] : television and the civil rights movement / / Aniko Bodroghkozy |
Autore | Bodroghkozy Aniko <1960-> |
Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
Descrizione fisica | 1 online resource (282 p.) |
Disciplina | 302.23089/96073 |
Collana | The history of communication |
Soggetto topico |
Television and politics - United States
Television broadcasting of news - Political aspects - United States African Americans on television Race relations on television African Americans in television broadcasting - History - 20th century Civil rights movements - United States - History - 20th century Television broadcasting - United States - Influence |
Soggetto genere / forma | Electronic books. |
ISBN |
0-252-09378-X
1-283-99250-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Propaganda tool for racial progress? -- Network news in the civil rights years. The chosen instrument of the revolution? -- Fighting for equal time: segregationists vs. integrationists -- The March on Washington and a peek into racial utopia -- Selma in the "glaring light of television" -- Civil Rights in prime time entertainment. Bringing "urgent issues" to the vast wasteland: East side/West side -- Is this what you mean by color tv?: Julia -- Prime time, Good times -- Epilogue: the return of civil rights television: the Obama victory. |
Record Nr. | UNINA-9910453144303321 |
Bodroghkozy Aniko <1960->
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Urbana, : University of Illinois Press, c2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Equal time [[electronic resource] ] : television and the civil rights movement / / Aniko Bodroghkozy |
Autore | Bodroghkozy Aniko <1960-> |
Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
Descrizione fisica | 1 online resource (282 p.) |
Disciplina | 302.23089/96073 |
Collana | The history of communication |
Soggetto topico |
Television and politics - United States
Television broadcasting of news - Political aspects - United States African Americans on television Race relations on television African Americans in television broadcasting - History - 20th century Civil rights movements - United States - History - 20th century Television broadcasting - United States - Influence |
ISBN |
0-252-09378-X
1-283-99250-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Propaganda tool for racial progress? -- Network news in the civil rights years. The chosen instrument of the revolution? -- Fighting for equal time: segregationists vs. integrationists -- The March on Washington and a peek into racial utopia -- Selma in the "glaring light of television" -- Civil Rights in prime time entertainment. Bringing "urgent issues" to the vast wasteland: East side/West side -- Is this what you mean by color tv?: Julia -- Prime time, Good times -- Epilogue: the return of civil rights television: the Obama victory. |
Record Nr. | UNINA-9910779462203321 |
Bodroghkozy Aniko <1960->
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Urbana, : University of Illinois Press, c2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
Descrizione fisica | 1 online resource (341 p.) |
Disciplina | 302.23089/96073 |
Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
Soggetto genere / forma | Electronic books. |
ISBN | 1-62674-028-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
Record Nr. | UNINA-9910461371903321 |
Jackson : , : University Press of Mississippi, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
Descrizione fisica | 1 online resource (341 p.) |
Disciplina | 302.23089/96073 |
Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
ISBN | 1-62674-028-3 |
Classificazione | SOC001000SOC022000LIT004040 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
Record Nr. | UNINA-9910797652103321 |
Jackson : , : University Press of Mississippi, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
Descrizione fisica | 1 online resource (341 p.) |
Disciplina | 302.23089/96073 |
Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
ISBN | 1-62674-028-3 |
Classificazione | SOC001000SOC022000LIT004040 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
Record Nr. | UNINA-9910822418603321 |
Jackson : , : University Press of Mississippi, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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