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Alarming reports : communicating conflict in the daily news / / Andrew Arno
| Alarming reports : communicating conflict in the daily news / / Andrew Arno |
| Autore | Arno Andrew |
| Pubbl/distr/stampa | New York, : Berghahn Books, 2009 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina | 302.2301/4 |
| Collana | Anthropology of media |
| Soggetto topico |
Social conflict in mass media
Discourse analysis - Social aspects Mass media - Social aspects Mass media and anthropology |
| ISBN |
0-85745-445-5
1-282-62774-0 9786612627743 1-84545-915-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | News and the anthropology of conflict communication -- The dark side of the media: news as control communication -- Two theories of news: the civic model and the conflict discourse systems model -- The news act: news analysis and semiotic theory -- News and law as conflict communication systems -- News in extra-textual terrain -- Policy talk: in law, on the street, and on television -- Order, disorder, and the news media in western society: whose side are they on? |
| Record Nr. | UNINA-9910826253103321 |
Arno Andrew
|
||
| New York, : Berghahn Books, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero
| Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 302.2301/4 |
| Collana | Benjamins Translation Library |
| Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-272-6942-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
| Record Nr. | UNINA-9910463813803321 |
| Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero
| Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 302.2301/4 |
| Collana | Benjamins Translation Library |
| Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
| ISBN | 90-272-6942-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
| Record Nr. | UNINA-9910787941203321 |
| Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero
| Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 302.2301/4 |
| Collana | Benjamins Translation Library |
| Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
| ISBN | 90-272-6942-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
| Record Nr. | UNINA-9910827375703321 |
| Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray
| Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2017] |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina | 302.2301/4 |
| Collana | Keywords |
| Soggetto topico |
Mass media
English language |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4798-1747-3 |
| Classificazione | AP 12810 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Access -- 2. Aesthetics -- 3. Affect -- 4. Appropriation -- 5. Assemblage -- 6. Audience -- 7. Author -- 8. Brand -- 9. Celebrity -- 10. Censorship -- 11. Citizenship -- 12. Class -- 13. Commodification -- 14. Convergence -- 15. Copyright -- 16. Cosmopolitanism -- 17. Data -- 18. Discourse -- 19. Domesticity -- 20. Fan -- 21. Feminism -- 22. Flow -- 23. Gaze -- 24. Gender -- 25. Genre -- 26. Globalization -- 27. Hegemony -- 28. Hybridity -- 29. Identity -- 30. Ideology -- 31. Industry -- 32. Infrastructure -- 33. Interactivity -- 34. Intersectionality -- 35. Irony -- 36. Labor -- 37. Mass -- 38. Memory -- 39. Myth -- 40. Nation -- 41. Network -- 42. New Media -- 43. Ordinary -- 44. Othering -- 45. Personalization -- 46. Play -- 47. Policy |
| Record Nr. | UNINA-9910162845403321 |
| New York, NY : , : New York University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray
| Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2017] |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina | 302.2301/4 |
| Collana | Keywords |
| Soggetto topico |
Mass media
English language |
| ISBN | 1-4798-1747-3 |
| Classificazione | AP 12810 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Access -- 2. Aesthetics -- 3. Affect -- 4. Appropriation -- 5. Assemblage -- 6. Audience -- 7. Author -- 8. Brand -- 9. Celebrity -- 10. Censorship -- 11. Citizenship -- 12. Class -- 13. Commodification -- 14. Convergence -- 15. Copyright -- 16. Cosmopolitanism -- 17. Data -- 18. Discourse -- 19. Domesticity -- 20. Fan -- 21. Feminism -- 22. Flow -- 23. Gaze -- 24. Gender -- 25. Genre -- 26. Globalization -- 27. Hegemony -- 28. Hybridity -- 29. Identity -- 30. Ideology -- 31. Industry -- 32. Infrastructure -- 33. Interactivity -- 34. Intersectionality -- 35. Irony -- 36. Labor -- 37. Mass -- 38. Memory -- 39. Myth -- 40. Nation -- 41. Network -- 42. New Media -- 43. Ordinary -- 44. Othering -- 45. Personalization -- 46. Play -- 47. Policy |
| Record Nr. | UNINA-9910792617503321 |
| New York, NY : , : New York University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray
| Keywords for Media Studies / / Laurie Ouellette, Jonathan Gray |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2017] |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina | 302.2301/4 |
| Collana | Keywords |
| Soggetto topico |
Mass media
English language |
| ISBN | 1-4798-1747-3 |
| Classificazione | AP 12810 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Access -- 2. Aesthetics -- 3. Affect -- 4. Appropriation -- 5. Assemblage -- 6. Audience -- 7. Author -- 8. Brand -- 9. Celebrity -- 10. Censorship -- 11. Citizenship -- 12. Class -- 13. Commodification -- 14. Convergence -- 15. Copyright -- 16. Cosmopolitanism -- 17. Data -- 18. Discourse -- 19. Domesticity -- 20. Fan -- 21. Feminism -- 22. Flow -- 23. Gaze -- 24. Gender -- 25. Genre -- 26. Globalization -- 27. Hegemony -- 28. Hybridity -- 29. Identity -- 30. Ideology -- 31. Industry -- 32. Infrastructure -- 33. Interactivity -- 34. Intersectionality -- 35. Irony -- 36. Labor -- 37. Mass -- 38. Memory -- 39. Myth -- 40. Nation -- 41. Network -- 42. New Media -- 43. Ordinary -- 44. Othering -- 45. Personalization -- 46. Play -- 47. Policy |
| Record Nr. | UNINA-9910818019003321 |
| New York, NY : , : New York University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Media intertextualities [[electronic resource] /] / edited by Mie Hiramoto
| Media intertextualities [[electronic resource] /] / edited by Mie Hiramoto |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (150 p.) |
| Disciplina | 302.2301/4 |
| Altri autori (Persone) | HiramotoMie |
| Collana | Benjamins current topics |
| Soggetto topico |
Intertextuality
Mass media and language Semiotics Discourse analysis - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-39440-4
9786613572325 90-272-7457-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Media Intertextualities; Editorial page; Title page; LCC data; Table of contents; Media intertextualities; 1. Introduction; 2. Pragmatics, Society, and Media intertextuality; 3. Overview of this issue; Acknowledgements; References; Images of "good English" in the Korean conservative press; 1. Introduction; 2. "Good English" in the success stories of English language learning; 3. Interdiscursive processes in the success stories; 3.1 Spatiotemporal extension; 3.2 Recursivity; 3.3 Mediatization; 4. Conclusions; Acknowledgments; References; The global metastereotyping of Hollywood 'dudes'
1. Introduction2. Data; 2.1 Spoofing Bill and Ted: 6:40, beginning at 16:41 GMT +2, November 18, 2008; 2.2 Pass the Courvoisier: 1:14, beginning at 20:08 GMT +2, November 19, 2008; 2.3 Dumb and Dumber: 3:53, beginning at 20:19 GMT +2, November 19, 2008; 2.4 Dazed and Confused: 4:09, beginning at 20:32 GMT +2, November 19, 2008; 3. Metastereotyping features from the film; 3.1 N-th, n + 1st, and n + 2nd order representations; 3.2 N-th and n + 1st order representations only; 3.3 N + 1st and n + 2nd order representations only 4. Broader stylistic ideologies: N + 2nd order features sourced from beyond the film5. The ideological evaluation of the dude persona; 6. Conclusion; References; Appendix. Transcription Conventions; Anime and intertextualities; 1. Introduction: Media intertextuality; 2. Data and methodology; 3. Masculine and feminine voices; 4. Standard and non-standard voices; 5. Foreigners' voices; 6. Conclusions: Hegemonic normativity, iconization, and naturalization; Acknowledgements; DVD; References; Intertextuality, mediation, and members' categories in focus groups on humor; 1. Introduction 2. Literature review3. Methods; 4. Interpretive frames; 4.1 Doing being Local; 4.2 White-washed; 4.3 A different kind of humor; 5. Discussion; 6. Conclusion; Acknowledgements; References; Transcription conventions; Appendix; Performing the 'lifeworld' in public education campaigns; 1. Introduction; 2. National campaigns and social governance; 3. The role of media interdiscursivity in social governance; 4. Performing the lifeworld in the SARS and courtesy campaigns; 4.1 The ordinariness and quasi-personhood status of PCK; 4.2 PCK's register and speech style; 4.3 The use of Singlish 4.4 Enacting community5. Summary and conclusion; Acknowledgement; References; Appendices; 1.SAR-Vivor Rap (Lyrics of SARS Rap); 2. A Happy Journey Starts Like That (Lyrics of Courtesy Rap); Recycling mediatized personae across participation frameworks; 1. Introduction; 2. Audiences and target markets; 3. Troping on stereotypic inputs; 4. Uptake in social interaction; Papers under commentary; References |
| Record Nr. | UNINA-9910451877703321 |
| Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Media intertextualities [[electronic resource] /] / edited by Mie Hiramoto
| Media intertextualities [[electronic resource] /] / edited by Mie Hiramoto |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (150 p.) |
| Disciplina | 302.2301/4 |
| Altri autori (Persone) | HiramotoMie |
| Collana | Benjamins current topics |
| Soggetto topico |
Intertextuality
Mass media and language Semiotics Discourse analysis - Social aspects |
| ISBN |
1-280-39440-4
9786613572325 90-272-7457-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Media Intertextualities; Editorial page; Title page; LCC data; Table of contents; Media intertextualities; 1. Introduction; 2. Pragmatics, Society, and Media intertextuality; 3. Overview of this issue; Acknowledgements; References; Images of "good English" in the Korean conservative press; 1. Introduction; 2. "Good English" in the success stories of English language learning; 3. Interdiscursive processes in the success stories; 3.1 Spatiotemporal extension; 3.2 Recursivity; 3.3 Mediatization; 4. Conclusions; Acknowledgments; References; The global metastereotyping of Hollywood 'dudes'
1. Introduction2. Data; 2.1 Spoofing Bill and Ted: 6:40, beginning at 16:41 GMT +2, November 18, 2008; 2.2 Pass the Courvoisier: 1:14, beginning at 20:08 GMT +2, November 19, 2008; 2.3 Dumb and Dumber: 3:53, beginning at 20:19 GMT +2, November 19, 2008; 2.4 Dazed and Confused: 4:09, beginning at 20:32 GMT +2, November 19, 2008; 3. Metastereotyping features from the film; 3.1 N-th, n + 1st, and n + 2nd order representations; 3.2 N-th and n + 1st order representations only; 3.3 N + 1st and n + 2nd order representations only 4. Broader stylistic ideologies: N + 2nd order features sourced from beyond the film5. The ideological evaluation of the dude persona; 6. Conclusion; References; Appendix. Transcription Conventions; Anime and intertextualities; 1. Introduction: Media intertextuality; 2. Data and methodology; 3. Masculine and feminine voices; 4. Standard and non-standard voices; 5. Foreigners' voices; 6. Conclusions: Hegemonic normativity, iconization, and naturalization; Acknowledgements; DVD; References; Intertextuality, mediation, and members' categories in focus groups on humor; 1. Introduction 2. Literature review3. Methods; 4. Interpretive frames; 4.1 Doing being Local; 4.2 White-washed; 4.3 A different kind of humor; 5. Discussion; 6. Conclusion; Acknowledgements; References; Transcription conventions; Appendix; Performing the 'lifeworld' in public education campaigns; 1. Introduction; 2. National campaigns and social governance; 3. The role of media interdiscursivity in social governance; 4. Performing the lifeworld in the SARS and courtesy campaigns; 4.1 The ordinariness and quasi-personhood status of PCK; 4.2 PCK's register and speech style; 4.3 The use of Singlish 4.4 Enacting community5. Summary and conclusion; Acknowledgement; References; Appendices; 1.SAR-Vivor Rap (Lyrics of SARS Rap); 2. A Happy Journey Starts Like That (Lyrics of Courtesy Rap); Recycling mediatized personae across participation frameworks; 1. Introduction; 2. Audiences and target markets; 3. Troping on stereotypic inputs; 4. Uptake in social interaction; Papers under commentary; References |
| Record Nr. | UNINA-9910779192803321 |
| Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Media intertextualities / / edited by Mie Hiramoto
| Media intertextualities / / edited by Mie Hiramoto |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 |
| Descrizione fisica | 1 online resource (150 p.) |
| Disciplina | 302.2301/4 |
| Altri autori (Persone) | HiramotoMie |
| Collana | Benjamins current topics |
| Soggetto topico |
Intertextuality
Mass media and language Semiotics Discourse analysis - Social aspects |
| ISBN |
1-280-39440-4
9786613572325 90-272-7457-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Media Intertextualities; Editorial page; Title page; LCC data; Table of contents; Media intertextualities; 1. Introduction; 2. Pragmatics, Society, and Media intertextuality; 3. Overview of this issue; Acknowledgements; References; Images of "good English" in the Korean conservative press; 1. Introduction; 2. "Good English" in the success stories of English language learning; 3. Interdiscursive processes in the success stories; 3.1 Spatiotemporal extension; 3.2 Recursivity; 3.3 Mediatization; 4. Conclusions; Acknowledgments; References; The global metastereotyping of Hollywood 'dudes'
1. Introduction2. Data; 2.1 Spoofing Bill and Ted: 6:40, beginning at 16:41 GMT +2, November 18, 2008; 2.2 Pass the Courvoisier: 1:14, beginning at 20:08 GMT +2, November 19, 2008; 2.3 Dumb and Dumber: 3:53, beginning at 20:19 GMT +2, November 19, 2008; 2.4 Dazed and Confused: 4:09, beginning at 20:32 GMT +2, November 19, 2008; 3. Metastereotyping features from the film; 3.1 N-th, n + 1st, and n + 2nd order representations; 3.2 N-th and n + 1st order representations only; 3.3 N + 1st and n + 2nd order representations only 4. Broader stylistic ideologies: N + 2nd order features sourced from beyond the film5. The ideological evaluation of the dude persona; 6. Conclusion; References; Appendix. Transcription Conventions; Anime and intertextualities; 1. Introduction: Media intertextuality; 2. Data and methodology; 3. Masculine and feminine voices; 4. Standard and non-standard voices; 5. Foreigners' voices; 6. Conclusions: Hegemonic normativity, iconization, and naturalization; Acknowledgements; DVD; References; Intertextuality, mediation, and members' categories in focus groups on humor; 1. Introduction 2. Literature review3. Methods; 4. Interpretive frames; 4.1 Doing being Local; 4.2 White-washed; 4.3 A different kind of humor; 5. Discussion; 6. Conclusion; Acknowledgements; References; Transcription conventions; Appendix; Performing the 'lifeworld' in public education campaigns; 1. Introduction; 2. National campaigns and social governance; 3. The role of media interdiscursivity in social governance; 4. Performing the lifeworld in the SARS and courtesy campaigns; 4.1 The ordinariness and quasi-personhood status of PCK; 4.2 PCK's register and speech style; 4.3 The use of Singlish 4.4 Enacting community5. Summary and conclusion; Acknowledgement; References; Appendices; 1.SAR-Vivor Rap (Lyrics of SARS Rap); 2. A Happy Journey Starts Like That (Lyrics of Courtesy Rap); Recycling mediatized personae across participation frameworks; 1. Introduction; 2. Audiences and target markets; 3. Troping on stereotypic inputs; 4. Uptake in social interaction; Papers under commentary; References |
| Record Nr. | UNINA-9910808335403321 |
| Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
