The boundaries of agreement [[electronic resource] /] / Manfred Frank |
Autore | Frank Manfred <1945-> |
Pubbl/distr/stampa | Aurora, CO, : Davies Group, 2005 |
Descrizione fisica | 1 online resource (114 p.) |
Disciplina | 302.2/01 |
Collana | Contemporary European cultural studies |
Soggetto topico |
Communication - Philosophy
Comprehension (Theory of knowledge) |
Soggetto genere / forma | Electronic books. |
ISBN | 1-935790-22-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910450366503321 |
Frank Manfred <1945->
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Aurora, CO, : Davies Group, 2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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The boundaries of agreement [[electronic resource] /] / Manfred Frank |
Autore | Frank Manfred <1945-> |
Pubbl/distr/stampa | Aurora, CO, : Davies Group, 2005 |
Descrizione fisica | 1 online resource (114 p.) |
Disciplina | 302.2/01 |
Collana | Contemporary European cultural studies |
Soggetto topico |
Communication - Philosophy
Comprehension (Theory of knowledge) |
ISBN | 1-935790-22-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910783573903321 |
Frank Manfred <1945->
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Aurora, CO, : Davies Group, 2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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The boundaries of agreement [[electronic resource] /] / Manfred Frank |
Autore | Frank Manfred <1945-> |
Pubbl/distr/stampa | Aurora, CO, : Davies Group, 2005 |
Descrizione fisica | 1 online resource (114 p.) |
Disciplina | 302.2/01 |
Collana | Contemporary European cultural studies |
Soggetto topico |
Communication - Philosophy
Comprehension (Theory of knowledge) |
ISBN | 1-935790-22-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910818913503321 |
Frank Manfred <1945->
![]() |
||
Aurora, CO, : Davies Group, 2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Epistemics of the virtual [[electronic resource] /] / Johan F. Hoorn |
Autore | Hoorn Johan |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (241 p.) |
Disciplina | 302.2/01 |
Collana | Linguistic approaches to literature |
Soggetto topico |
Communication - Philosophy
Communication and technology Information technology - Social aspects Mass media and language Rhetoric |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-39442-0
9786613572349 90-272-7477-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Epistemics of the Virtual; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction; 1. Where does it come from?; 2.1 Fakes and frauds; 2.2 Placebos; 3. Creativity, play, and arts; 4. Science and technology; 5. Why a theory of fiction?; 6. The liar paradox; 7. Overview; Chapter 1. The reality-fiction friction; 1. Fiction versus reality; 1.1 Physical versus mental world; 1.2 Information, beliefs, representations, knowledge; 1.3 Beliefs are culturally determined; 1.4 What can be trusted is true; 1.5 The ethics of truth; 1.6 Truth claims appeal to authority
1.7 Authority is who provides security1.8 Internal consistency and external contrast; 1.9 Knowledge through contrasts; 1.10 Contrasts help adapt to change; 1.11 Challenging the contrast approach; 1.12 Confirmation and falsification; 1.13 Believers and skeptics; 1.14 Is it all in our minds?; 1.15 Is it all in our hands?; 2. What fiction is; 2.1 Separate the artifact from its contents; 2.2 Information not personally verified remains fiction; 2.3 The categorization of fiction and reality; 2.4 Epistemic appraisals; 2.5 The fiction-reality framework; 3. Using the framework 4. The contours of a theoryAcknowledgements; Chapter 2. Enforcing the concepts: Genre labeling; 1. Genre labeling; 1.1 Genres are part of the physical world - as materialized concepts; 1.2 Pure genre does not exist, a work is prototypical for as long as it lasts; 1.3 Genre is culture-bound because belief systems are; 1.4 The number of genres is finite because the number of people and therefore the number of goals is; 1.5 Genres develop over time - change is everlasting; 1.6 The ontological function of genre labels; 1.7 All cows are animals but not all animals are cows 1.8 Represented reality and perceived realism2. Reality-based genre classification; 3. Applying genre to the fiction-reality framework; 4. Genre in the theory of fiction; Chapter 3. Derailing the concepts: From metamorphosis to impersonation to metaphor; 1. When the belief system hampers; 2. Natural metamorphosis opens the door to taking fiction for real; 3. Rules of metamorphosis; 3.1 Three test criteria; 4. True and false metamorphosis; 4.1 Impersonation; 4.2 What is an identity?; 4.3 Mistaken identity; 4.4 Identity theft; 5. Metaphor; 5.1 Metaphor, what is the extra meaning? 5.2 Different kinds of metaphor5.3 Words trigger more words; 5.4 Different references of features; 5.5 Understanding novel comparisons; 6. Seven types of metamorphosis; 6.1 Metamorphosis in the theory of fiction; 6.2 Form and meaning; 7. Metamorphosis in the fiction-reality framework; Chapter 4. Illusions and deviation tolerance; 1. Illusions in the experience of fiction; 2. Illusions in perception; 3. From 3D illusions to virtual worlds; 4. Signal detection; 4.1 Signal strength and individual sensitivity; 4.2 Tolerance and criterion placement; 4.3 The probability that fiction occurred 4.4 People living in an illusion (or not?) |
Record Nr. | UNINA-9910462164803321 |
Hoorn Johan
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Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Epistemics of the virtual [[electronic resource] /] / Johan F. Hoorn |
Autore | Hoorn Johan |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (241 p.) |
Disciplina | 302.2/01 |
Collana | Linguistic approaches to literature |
Soggetto topico |
Communication - Philosophy
Communication and technology Information technology - Social aspects Mass media and language Rhetoric |
ISBN |
1-280-39442-0
9786613572349 90-272-7477-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Epistemics of the Virtual; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction; 1. Where does it come from?; 2.1 Fakes and frauds; 2.2 Placebos; 3. Creativity, play, and arts; 4. Science and technology; 5. Why a theory of fiction?; 6. The liar paradox; 7. Overview; Chapter 1. The reality-fiction friction; 1. Fiction versus reality; 1.1 Physical versus mental world; 1.2 Information, beliefs, representations, knowledge; 1.3 Beliefs are culturally determined; 1.4 What can be trusted is true; 1.5 The ethics of truth; 1.6 Truth claims appeal to authority
1.7 Authority is who provides security1.8 Internal consistency and external contrast; 1.9 Knowledge through contrasts; 1.10 Contrasts help adapt to change; 1.11 Challenging the contrast approach; 1.12 Confirmation and falsification; 1.13 Believers and skeptics; 1.14 Is it all in our minds?; 1.15 Is it all in our hands?; 2. What fiction is; 2.1 Separate the artifact from its contents; 2.2 Information not personally verified remains fiction; 2.3 The categorization of fiction and reality; 2.4 Epistemic appraisals; 2.5 The fiction-reality framework; 3. Using the framework 4. The contours of a theoryAcknowledgements; Chapter 2. Enforcing the concepts: Genre labeling; 1. Genre labeling; 1.1 Genres are part of the physical world - as materialized concepts; 1.2 Pure genre does not exist, a work is prototypical for as long as it lasts; 1.3 Genre is culture-bound because belief systems are; 1.4 The number of genres is finite because the number of people and therefore the number of goals is; 1.5 Genres develop over time - change is everlasting; 1.6 The ontological function of genre labels; 1.7 All cows are animals but not all animals are cows 1.8 Represented reality and perceived realism2. Reality-based genre classification; 3. Applying genre to the fiction-reality framework; 4. Genre in the theory of fiction; Chapter 3. Derailing the concepts: From metamorphosis to impersonation to metaphor; 1. When the belief system hampers; 2. Natural metamorphosis opens the door to taking fiction for real; 3. Rules of metamorphosis; 3.1 Three test criteria; 4. True and false metamorphosis; 4.1 Impersonation; 4.2 What is an identity?; 4.3 Mistaken identity; 4.4 Identity theft; 5. Metaphor; 5.1 Metaphor, what is the extra meaning? 5.2 Different kinds of metaphor5.3 Words trigger more words; 5.4 Different references of features; 5.5 Understanding novel comparisons; 6. Seven types of metamorphosis; 6.1 Metamorphosis in the theory of fiction; 6.2 Form and meaning; 7. Metamorphosis in the fiction-reality framework; Chapter 4. Illusions and deviation tolerance; 1. Illusions in the experience of fiction; 2. Illusions in perception; 3. From 3D illusions to virtual worlds; 4. Signal detection; 4.1 Signal strength and individual sensitivity; 4.2 Tolerance and criterion placement; 4.3 The probability that fiction occurred 4.4 People living in an illusion (or not?) |
Record Nr. | UNINA-9910790371103321 |
Hoorn Johan
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||
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Epistemics of the virtual [[electronic resource] /] / Johan F. Hoorn |
Autore | Hoorn Johan |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 |
Descrizione fisica | 1 online resource (241 p.) |
Disciplina | 302.2/01 |
Collana | Linguistic approaches to literature |
Soggetto topico |
Communication - Philosophy
Communication and technology Information technology - Social aspects Mass media and language Rhetoric |
ISBN |
1-280-39442-0
9786613572349 90-272-7477-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Epistemics of the Virtual; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction; 1. Where does it come from?; 2.1 Fakes and frauds; 2.2 Placebos; 3. Creativity, play, and arts; 4. Science and technology; 5. Why a theory of fiction?; 6. The liar paradox; 7. Overview; Chapter 1. The reality-fiction friction; 1. Fiction versus reality; 1.1 Physical versus mental world; 1.2 Information, beliefs, representations, knowledge; 1.3 Beliefs are culturally determined; 1.4 What can be trusted is true; 1.5 The ethics of truth; 1.6 Truth claims appeal to authority
1.7 Authority is who provides security1.8 Internal consistency and external contrast; 1.9 Knowledge through contrasts; 1.10 Contrasts help adapt to change; 1.11 Challenging the contrast approach; 1.12 Confirmation and falsification; 1.13 Believers and skeptics; 1.14 Is it all in our minds?; 1.15 Is it all in our hands?; 2. What fiction is; 2.1 Separate the artifact from its contents; 2.2 Information not personally verified remains fiction; 2.3 The categorization of fiction and reality; 2.4 Epistemic appraisals; 2.5 The fiction-reality framework; 3. Using the framework 4. The contours of a theoryAcknowledgements; Chapter 2. Enforcing the concepts: Genre labeling; 1. Genre labeling; 1.1 Genres are part of the physical world - as materialized concepts; 1.2 Pure genre does not exist, a work is prototypical for as long as it lasts; 1.3 Genre is culture-bound because belief systems are; 1.4 The number of genres is finite because the number of people and therefore the number of goals is; 1.5 Genres develop over time - change is everlasting; 1.6 The ontological function of genre labels; 1.7 All cows are animals but not all animals are cows 1.8 Represented reality and perceived realism2. Reality-based genre classification; 3. Applying genre to the fiction-reality framework; 4. Genre in the theory of fiction; Chapter 3. Derailing the concepts: From metamorphosis to impersonation to metaphor; 1. When the belief system hampers; 2. Natural metamorphosis opens the door to taking fiction for real; 3. Rules of metamorphosis; 3.1 Three test criteria; 4. True and false metamorphosis; 4.1 Impersonation; 4.2 What is an identity?; 4.3 Mistaken identity; 4.4 Identity theft; 5. Metaphor; 5.1 Metaphor, what is the extra meaning? 5.2 Different kinds of metaphor5.3 Words trigger more words; 5.4 Different references of features; 5.5 Understanding novel comparisons; 6. Seven types of metamorphosis; 6.1 Metamorphosis in the theory of fiction; 6.2 Form and meaning; 7. Metamorphosis in the fiction-reality framework; Chapter 4. Illusions and deviation tolerance; 1. Illusions in the experience of fiction; 2. Illusions in perception; 3. From 3D illusions to virtual worlds; 4. Signal detection; 4.1 Signal strength and individual sensitivity; 4.2 Tolerance and criterion placement; 4.3 The probability that fiction occurred 4.4 People living in an illusion (or not?) |
Record Nr. | UNINA-9910816815803321 |
Hoorn Johan
![]() |
||
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., c2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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