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ABRs and electrically evoked ABRs in children / / Kimitaka Kaga, editor
| ABRs and electrically evoked ABRs in children / / Kimitaka Kaga, editor |
| Pubbl/distr/stampa | Tokyo, Japan : , : Springer, , [2022] |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 152.15 |
| Collana | Modern otology and neurotology |
| Soggetto topico |
Auditory perception
Brain stem - Diseases Hearing disorders Trastorns auditius Malalties cerebrals Tronc de l'encèfal Percepció auditiva Infants |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
9784431541899
9784431541882 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Preface -- Contents -- Abbreviations -- Part I: Introduction -- Chapter 1: History of ABR and EABR -- 1.1 Auditory Evoked Potentials (AEPs) -- 1.2 Electrically Auditory Brainstem Responses (EABRs) -- References -- Part II: ABRs -- Chapter 2: Origins of ABR -- 2.1 Origins of the ABR -- 2.1.1 Experiment 1: Whole Brainstem Mapping Study in the Cat -- 2.1.2 Experiment 2: Medial Geniculate Body Mapping Study in the Cat. ABR Wave P6 -- 2.2 Experiment 3: Origins of the Six Waves of the ABR Waveform in the Cat as Determined by Depth Recordings and Lesion Studies -- 2.2.1 Cochlear Nerve (Eighth Cranial Nerve): ABR Wave P1 -- 2.2.2 Cochlear Nucleus: ABR Wave P2 -- 2.2.3 Superior Olivary Complex: ABR Wave P3 -- 2.2.4 Inferior colliculus in the Midbrain: ABR Wave P4 and P5 -- 2.2.5 Medial Geniculate Body: ABR Wave P6 -- 2.2.6 Comments -- References -- Chapter 3: Gestational Development of the Human Auditory System Including the Cochlea and the Central Auditory Pathways -- 3.1 Gestational Development of Inner Ear -- 3.2 Development of the Inner Ear Hair Cells and the Ganglion Cells -- 3.2.1 Formation of the Otic Vesicle and the Development of the Inner Ear During Gestation -- 3.2.2 Differentiation of Inner Ear Hair Cells within the Organ of Corti -- 3.2.3 Differentiation of the Spiral Ganglion Cells within the Cochlea -- 3.2.4 Innervation of the Inner Ear Hair Cells -- 3.3 Development of the Central Ascending Auditory Pathway -- 3.3.1 Gestational Development of Myelination of the Human Cochlear Nerve -- 3.3.2 Development of the Rhombencephalon (Medulla Oblongata) -- 3.3.2.1 The Developmental Origin of the Cochlear Nucleus and Its Neural Proliferation -- 3.3.2.2 Migration of the Cochlear Nucleus During Fetal Development -- 3.3.2.3 Differentiation Between the Development of the Primary and Secondary Cochlear Nuclei.
3.3.2.4 Myelination of the Auditory Neural Substrate -- 3.4 Development of the Mesencephalon (Inferior Colliculus) -- 3.4.1 Differentiation of the Inferior Colliculus in the Midbrain -- 3.4.2 Myelination of the Inferior Colliculus -- 3.5 Development of the Diencephalon (Medial Geniculate Body) -- 3.5.1 Differentiation of the Medial Geniculate Body -- 3.5.2 Myelination of the Medial Geniculate Body -- 3.5.3 Development of the Telencephalon (the Auditory Cortex) -- 3.5.4 Neuronal Differentiation within the Auditory Cortex -- 3.5.5 Myelination of the Auditory Radiation -- 3.5.6 Cytoarchitectural and Axonal Maturation of the Human Auditory Cortex -- References -- Chapter 4: ABR Recording Technique and the Evaluation of Peripheral Hearing Loss -- 4.1 Requirements Necessary to Obtain ABR Recordings -- 4.1.1 Location (Montage) and Application of ABR Electrodes -- 4.1.2 Description of the Click Stimuli Employed to Provoke the ABR -- 4.2 ABR Wave V Peak Latency-Intensity Curves -- 4.2.1 ABRs from Normal Hearing Subjects -- 4.3 Peripheral Hearing Loss -- 4.3.1 Conductive Hearing Loss as it Effects the ABR -- 4.3.2 Sensorineural Hearing Loss as Manifest by the ABR -- 4.4 Audiogram Patterns Compared to ABR Findings -- 4.4.1 ABR Findings of Patients with a Low-Frequency Hearing Loss but with Normal High-Frequency Hearing -- 4.4.2 ABR Recordings from Each Ear of a Patient with a Typical Noise-Induced Hearing Loss (an Audiometric Concave Frequency Loss Pattern) -- 4.5 ABR Recordings from Patients with High-Frequency Hearing Loss with Otherwise Normal Hearing Thresholds, Audiometrically, at the Low and Middle Frequencies -- 4.6 Unusual ABR Findings -- 4.6.1 A "Bump" in the ABR Appearing within the Expected Latency Range of Wave I (~ 1 Msec) with no Subsequently Evoked ABR Waves -- 4.6.2 Unusual ABR Findings Wherein Only Wave I or Waves I and II Are Evoked. 4.6.3 The Influence of Incomplete Brainstem Maturation in Preterm Infants and the Progression of Their ABRs with Development -- References -- Chapter 5: Auditory Neuropathy Spectrum Disorders -- 5.1 The First Report of Auditory Nerve Disease and Auditory Neuropathy in 1996 -- 5.2 Auditory Neuropathy Spectrum Disorders (ANSD) in Newborns -- 5.3 Our Classification of ANSD in Newborns, Infants, and Children -- 5.4 ANSD for Type III and Cochlear Implantation -- 5.5 Genetic Mutation -- 5.6 Adults AN and Newborns ANSD -- References -- Chapter 6: Normalization and Deterioration of Auditory Brainstem Response (ABR) in Child Neurology -- 6.1 Normalization and Deterioration of ABR in Children -- 6.1.1 What Constitutes the Difference Between Normal and Abnormal ABR? -- 6.1.2 What Causes the Normalization and Deterioration of the ABR? -- 6.2 Normalization -- 6.2.1 Normal Development of the ABR -- 6.2.2 Clinical Appreciation at NICU -- 6.2.3 Improvement of Conductive Hearing Loss -- 6.2.4 ABR Changes Pre- and Post-surgical Resection of Tumors on the Brainstem or Cerebellar -- 6.2.5 Normalization of the ABR as a Result of Effective Medical Treatment -- 6.2.6 Normalization of the ABR of Unknown Etiology -- 6.2.6.1 Case Reports Showing Normalization of the ABR of Unknown Etiology -- Five Patients Without Chromosomal Abnormalities -- Nine Patients with Chromosomal Abnormalities Including Down Syndrome and ABR Improvement -- 6.2.6.2 What Could Be the Underlying Cause/Causes of Normalization of the ABR in These Patients with Chromosomal Aberration? -- 6.2.7 Recovery from Severe Anoxic Events with Normalization of the ABR -- 6.2.7.1 ABRs in Anoxia -- 6.2.7.2 Case Reports of Anoxic Patients with Unexpected ABR Recovery -- 6.2.7.3 Discussion of Anoxic Patients with Unexpected ABR Recovery. 6.3 Deterioration of ABR in Child Neurology: Neurological Assessment of Childhood Deterioration of the ABR -- 6.3.1 Loss or Decline of Hearing Acuity -- 6.3.1.1 Intrauterine Infections -- 6.3.1.2 Neurocutaneous Syndrome as a Category of Genetically Determined Systemic Diseases with Central Nervous System Involvement -- 6.3.1.3 Progressive Hearing Loss in NICU Patients and the Graduates from NICU -- Patients with Hearing Loss Discovered in NICUs and in NICU Graduates -- Case Presentation of Patients With or Without PPHN and Delayed Hearing Impairment -- The Cause of the Later Deterioration of Hearing in Patients -- 6.3.2 Deterioration of ABR in Degenerative Diseases -- 6.3.2.1 Slow Virus Infection -- 6.3.2.2 Subacute Sclerosing Panencephalitis -- 6.3.3 Leukodystrophies -- 6.3.3.1 Adrenoleukodystrophy (ALD) -- 6.3.3.2 Krabbe Disease, Globoid Cell Leukodystrophy (GLD) -- 6.3.3.3 Metachromatic Leukodystrophy (MLD) -- 6.3.3.4 Alexander Disease (AXD) -- 6.3.3.5 Pelizaeus-Merzbacher Disease (PMD) -- 6.3.3.6 Leukodystrophy of Unknown Origin -- 6.3.4 Lysosomal Diseases -- 6.3.4.1 Lipidosis -- Tay-Sachs Disease -- Metachromatic Leukodystrophy (MLD) -- Globoid Cell Leukodystrophy (GLD), Krabbe Disease -- Mucopolysaccaridosis (MPS) -- Gaucher Disease -- 6.3.5 Degenerative Diseases of Cerebral Gray Matter -- 6.3.5.1 Neuronal Ceroid Lipofuscinosis -- 6.3.5.2 Nieman-Pick Disease Type C (NPC) -- 6.3.5.3 Mitochondrial Diseases -- 6.3.6 Degenerative Diseases Mainly Effecting the Cerebellum and Spinal Cord (Spinocerebellar Degeneration, SCD) -- 6.3.6.1 Dentate-Rubro-Pallido-Luysian Atrophy -- 6.3.6.2 Joubert Syndrome -- 6.3.7 Degenerative Disease of Peripheral Nervous System -- 6.3.7.1 Charcot-Marie-Tooth Disease -- 6.3.7.2 Giant Axonal Neuropathy -- References -- Chapter 7: Hypoxic and Anoxic Brain Damage -- 7.1 Hypoxic and Anoxic Brain Damage in Infants and Children. 7.2 Hypoxic Brain Damage in Near-Suffocation (Hypoxic) Group -- 7.3 Brain Damage in the Near-Drowning (Anoxic) Group -- 7.4 Pathophysiology of Hypoxic and Anoxic Brain Damage Due to Near-Suffocation and Near-Drowning Accidents -- 7.5 Effects of Deep Hypothermia and Circulatory Arrest on the ABR and the EEG Undergoing Cardiac Surgery -- 7.6 ABRs from the Cat During Artificial Respiratory Arrest and Restoration -- References -- Chapter 8: Only Wave I, II of the ABR with Residual Hearing Acuity -- 8.1 Introduction -- 8.2 Pelizaeus-Merzbacher Disease -- 8.3 Adrenoleukodystrophy -- 8.4 Metabolic Disease -- 8.4.1 Gaucher's Disease -- 8.4.2 Tay-Sachs Disease -- 8.4.2.1 Case Report -- 8.5 Brainstem Tumor -- 8.5.1 Case Report -- References -- Chapter 9: Auditory Agnosia and Later Cortical Deafness in a Child over 29 Years Follow-Up -- 9.1 Bilateral Auditory Cortex Lesions and Hearing -- 9.2 Case Report: Long-Term Follow-Up of a Pediatric Patient over 29 Years Who Manifested Auditory Agnosia and Later Cortical Deafness Caused by Herpes Encephalitis -- 9.3 Schema of the Auditory Cortex or the Auditory Radiation Lesions in Auditory Agnosia and Cortical Deafness -- 9.4 Cortical Deafness Following Auditory Agnosia -- References -- Part III: Electrically Evoked ABRs (EABRs) -- Chapter 10: Electrically Evoked Auditory Brainstem Responses (EABRs), Recording Techniques, Normal (Control) and Abnormal Waveforms of the EABR -- 10.1 Two Types of EABRs Recordings for Patient -- 10.2 EABR Recording Protocol -- 10.2.1 Montage of Skin Needle Electrodes for Recording EABRs -- 10.2.2 Electrical Stimulation from Intracochlear Electrodes -- 10.2.3 Recording Conditions -- 10.3 Measurement of the Amplitudes and Latencies of eIII and eV -- 10.4 Typical Waveform of the EABR in Control (Normal) Subjects. 10.4.1 EABRs Waveforms Recorded from Each of the Twelve Intracochlear Electrodes of an Intracochlear Implant. |
| Record Nr. | UNINA-9910624376603321 |
| Tokyo, Japan : , : Springer, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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An introduction to the psychology of hearing / Brian C. J. Moore
| An introduction to the psychology of hearing / Brian C. J. Moore |
| Autore | Moore, Brian C. J. |
| Edizione | [3nd ed.] |
| Pubbl/distr/stampa | London ; San Diego [etc.] : Academic press, 1989 |
| Descrizione fisica | XVI, 350 p. : ill. ; 23 cm |
| Disciplina | 152.15 |
| Soggetto non controllato | Percezione uditiva |
| ISBN | 0-12-505624-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-990007944560403321 |
Moore, Brian C. J.
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| London ; San Diego [etc.] : Academic press, 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The audiovisual chord : embodied listening in film / / Martine Huvenne
| The audiovisual chord : embodied listening in film / / Martine Huvenne |
| Autore | Huvenne Martine |
| Pubbl/distr/stampa | Singapore : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (322 pages) |
| Disciplina | 152.15 |
| Collana | Palgrave studies in sound |
| Soggetto topico |
Auditory perception - Philosophy
Phenomenology |
| ISBN |
9789811948077
9811948070 9789811948060 9811948062 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Foreword -- Acknowledgements -- Funding -- Contents -- 1: Introduction -- Part I: From Bresson Towards a Phenomenological Approach to Film and Film Sound: Phenomenology Delivers a Useful Theoretical Framework -- 2: "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going." -- A Man Escaped or The Wind Blows Wherever It Pleases -- The Opening Scene of A Man Escaped -- A Focus on the Audience's Experience -- Bresson's Inner Style -- The Use of Sound in A Man Escaped, in the Writings of Truffaut, Bordwell and Thompson, and Chion -- François Truffaut: A Break with the Canon of Classical Cinema, Moving with Instead of Identifying with the Character -- David Bordwell and Kristin Thompson: Sound Anticipates and Guides Our Expectations -- Michel Chion: Topography of Sounds -- Reading the Critics and Scholars, a Question Arises -- Bresson as a Phenomenologist? -- Le cinématographe as a Writing in Movement with Moving Images and Sounds -- References -- 3: Audiovisual Perception: The Audiovisual Contract, Heautonomy of Sound and Image and Filmic Listening -- Some Different Approaches to the Intertwining of Sound and Image -- A Fragment of A Man Escaped as Starting Point -- Different Perspectives from Which to Analyse Sound in Film -- Michel Chion: Audio-Vision -- Gilles Deleuze: The Heautonomous Sound -- The Filmic Listening of Véronique Campan -- References -- 4: Phenomenology, an Introduction -- Phenomenology as Theoretical Framework for Film Sound? -- Phenomenology -- Edmund Husserl -- Husserl's Static Phenomenology -- How Does This Work for Sound? -- Franz Brentano: Sound as a Mental Phenomenon -- Husserl's Genetic Phenomenology -- How We Can Relate Inner Time-Consciousness to Sound in Film and to Film as a Time-Object?.
The Difference Between an Event and an Experience in Bresson's A Man Escaped -- Perception of Another Body: Husserl's Concept of Paarung (Pairing or Coupling) -- Maurice Merleau-Ponty -- One's Body as a Being-in-the-World and a Being-Towards-the-World -- The Body Schema as an Experience of the Body in the World and the Body as a Knot of Significations -- A Pre-reflective Intentionality of the Body -- Bodily Resonance and the Situatedness of the Body in Space -- The Lived Space and Concrete and Abstract Movements Evoking Spaces -- The World as the Primordial Unity of All Our Experiences, Revealed by Passive Synthesis -- Bresson's Cinématographe and the Cinématographer as "Metteur en ordre" -- References -- Part II: A Phenomenological Approach to the Experience and Perception of Film Sound and Film Yields New Insights: Thinking in Movement, Auditory Spaces and the Audiovisual Chord -- References -- 5: A Phenomenological Approach to Audiovisual Experience in Practice -- A Phenomenological Approach to Film Sound with the Body of the Listener/Spectator at the Centre of His/Her Experience -- Case Studies -- Alan Clarke's Elephant (1989) -- Sound and Listening in Elephant -- Walking -- Gunshots -- Car Noise as Sonic Event, Sound Environment or Sonic Field? -- Céline Sciamma's Portrait of a Lady on Fire (2019) -- Audiovisual Experience Without Hierarchy Between Sound and Image? Sensory Information Evoking a Life-World -- Listening to /Sound/ in an Audiovisual Context -- Michel Chion -- Walter Murch -- Phenomenological Approaches to Film, /Sound/ and Music -- A Phenomenological Approach to Film -- A Phenomenological Approach to /Sound/ -- Don Ihde: Listening and Voice-A Phenomenology of Sound -- Roland Barthes: Panic Listening -- Embodied Listening and Bodily Felt Sound: Listening from Within -- A Phenomenological Approach to Music -- Merleau-Ponty and Cinema. References -- 6: Thinking in Movement, and Different Ways to Create Space in Film Sound -- The Body as the Centre of a Film Experience: Transmodality of the Felt (Film) Sound and the Film as a Whole -- How to Develop a Phenomenological Approach to Film Sound with the Body at the Centre of the Audiovisual Experience and thus, Perception -- A Phenomenological Approach Must Start from Experience -- Listening as an "Entrance Gate" in Film Theory -- Sound in Film as a Dynamic Transmodal Movement -- Sound as a Dynamic Movement: Forms of Vitality (Daniel Stern) and Effort Theory (Rudolf von Laban) -- Forms of Vitality at the Basis of a Thinking in Movement -- The Dynamic Body Schema as a Being-in-the-World and Being-Towards-the-World -- John Hull, the Whole-Body-Seer: Do We Need Sight to Create Space? -- How Is Listening Related to the Body Schema? -- The Creation of Space from the Perspective of a Body Schema -- The Contribution of the Auditory Space to the Filmic Space -- The Auditory Space Within Le Cinématographe of Bresson -- Filmic Space Constituted from Within and from Without -- Exploring Auditory Spaces in Some Case Studies -- La ville Louvre (1990) by Nicolas Philibert: "Spaces Speak" -- The First Sequence from Elephant (1989) by Alan Clarke: The Experience of a Space -- Lo sguardo di Michelangelo (2004) by Michelangelo Antonioni -- A(n) (Auditory) Space Experienced During the Feast of St Johns in the Piazza Navona in Rome Described: The Auditory Space as a Surrounding Sphere -- Rumble Fish (Francis Ford Coppola, 1983): Spaces Created in the Mind, Expressed as Invisible Spaces in Sound -- Cold Mountain (Anthony Mingella, 2003) and It's Only the End of the World (Xavier Dolan, 2016) Experiential Inner Spaces -- 2001: A Space Odyssey (Stanley Kubrick, 1968) Immersion as a Loss of Spatial Referentiality, When Inner and External Spaces Merge. Exploring the Auditory Space as a (Inter)Human Sphere -- In Film Experience, the Audience Creates the (Virtual) Filmic Space -- References -- 7: The Audiovisual Chord, an Invitation to the Audience to Interact -- From Fragmented Appearances to a Whole -- The Audiovisual Chord in Film as a Co-Respondence of Movements -- The Audiovisual Chord as a Tool in Film Composition -- Case Studies -- Rear Window (1954) by Alfred Hitchcock and Là-bas (2006) by Chantal Akerman -- Paranoid Park (Gus Van Sant, 2007): Polychrony and Polytopy- The Audiovisual Chord as Part of the Film as a Whole -- The Audiovisual Chord, a Structuring Element in Film Composition: A Man Escaped by Bresson -- Portrait of a Lady on Fire by Céline Sciamma: The Starting Knot for the Creation of Her Film and the Importance of Forms of Vitality in the Experience of an Audiovisual Chord -- References -- Part III: The Audiovisual Chord with the Body as the Sense of Movement at the Centre of the Listener/Spectator's Film Experience, in the Perspective of Film as an Audiovisual Composition: Revisiting Early Sound Film, Film Sound, Film Editing and the Process of Film-Making -- An Innovative Perspective in the History of Sound Film? -- 8: Embodied Listening, Felt Sound and the Audiovisual Chord in Film History -- The Beginnings of the Sound Film -- Exploring the Possibilities of the Sound Film -- Enthusiasm (1931) by Dziga Vertov: The Importance of Synchronicity, the Superimposition of Spaces and Sound as an Energetic Movement -- Asynchronism (1929) and The Deserter (1933) by Vsevolod Pudovkin: Combining Sound and Image in Film Versus Sound and Image in Real Life, and the Possibility of Using Sound to Reveal Inner Space -- Counterpoint and the Montage of Attraction in Alexander Nevsky (1938) by Sergei Eisenstein -- Jean Vigo: Zero for Conduct (Zéro de conduite, 1933). Béla Balázs, "Tonfilm" (1930): /Sound/ and Space -- M (1931) by Fritz Lang -- Citizen Kane (1941) by Orson Welles: Spaces and the Importance of the Ear in Editing -- Space, Movement and Rhythm as the Most Important Elements in Early Sound Films -- References -- 9: The Audiovisual Chord in Relation to Film as an Audiovisual Composition -- Sound as a Natural Partner of Image in Film as an Audiovisual Composition -- Rhythm and Time at the Basis of Film as an Audiovisual Composition -- Possible Constellations of the Audiovisual Chord as Compositional Strategies -- Overview of Possible Audiovisual Chords -- Synchresis -- Synchronicity But Different Life-Worlds Referring to Different Characters or Events -- The Observer at the Same Spot, But Different Life-worlds Presented in Sound and Image -- The Audiovisual Chord Revealing the Body Schema and the Being-in-the-World and Towards-the-World of a Character -- The Audiovisual Chord from an Auditory Perspective -- Inner and External Spaces Combine in the Audiovisual Chord -- The Importance of Elaborated Audiovisual Chords in the Transmission of an Experience: Three Monkeys (2008) by Nuri Bilge Ceylan as Case Study -- References -- 10: The Importance of Embodied (Panic) Listening in Film as an Audiovisual Composition -- Music and /Sound/ as Two Different Filmic Elements that Choreograph the Listener/Spectator Differently -- Overview of Spaces -- Case Study: Gerry (2002) by Gus Van Sant -- Case Study: Institute Benjamenta (1996) by the Quay Brothers -- Music as a Felt Sound in Film -- The Organisation of the Forms of Vitality at the Basis of a Musical Composition -- The Musical Composition Within the Film Composition -- Listening to Film with a Resonant Body -- References -- 11: A Phenomenological Approach to Film Sound and Film at the Basis of Film-Making. How to Implement the Proposed Key Concepts and Tools in Film-Making?. |
| Record Nr. | UNINA-9910635383503321 |
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Huvenne Martine
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| Singapore : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Auditory and visual pattern recognition / / edited by David J. Getty, James H. Howard, Jr
| Auditory and visual pattern recognition / / edited by David J. Getty, James H. Howard, Jr |
| Pubbl/distr/stampa | London : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 152.15 |
| Altri autori (Persone) |
GettyDavid J
HowardJames H <1947-> (James Henry) |
| Collana | Psychology Library Editions : Perception |
| Soggetto topico |
Auditory perception
Visual perception Pattern perception |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-315-53261-1
1-315-53260-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Perception of complex auditory patterns -- pt. II. Perception of complex visual patterns -- pt. III. Theoretical approaches to pattern recognition -- pt. IV. Multidimensional perceptual spaces. |
| Record Nr. | UNINA-9910511757303321 |
| London : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Auditory and visual pattern recognition / / edited by David J. Getty, James H. Howard, Jr
| Auditory and visual pattern recognition / / edited by David J. Getty, James H. Howard, Jr |
| Pubbl/distr/stampa | London : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 152.15 |
| Altri autori (Persone) |
GettyDavid J
HowardJames H <1947-> (James Henry) |
| Collana | Psychology Library Editions : Perception |
| Soggetto topico |
Auditory perception
Visual perception Pattern perception |
| ISBN |
1-315-53261-1
1-315-53260-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Perception of complex auditory patterns -- pt. II. Perception of complex visual patterns -- pt. III. Theoretical approaches to pattern recognition -- pt. IV. Multidimensional perceptual spaces. |
| Record Nr. | UNINA-9910792864603321 |
| London : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Auditory scene analysis : the perceptual organization of sound / Albert S. Bregman
| Auditory scene analysis : the perceptual organization of sound / Albert S. Bregman |
| Autore | Bregman, Albert S. |
| Pubbl/distr/stampa | Cambridge : The MIT press, 1994 |
| Descrizione fisica | XIII,773 p. : ill. ; 23 cm |
| Disciplina | 152.15 |
| Collana | Bradford books |
| Soggetto non controllato |
Suono - Percezione
Percezione uditiva |
| ISBN | 0-262-52195-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-990007955230403321 |
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Bregman, Albert S.
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| Cambridge : The MIT press, 1994 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Auditory System at the Cocktail Party / / edited by John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay
| The Auditory System at the Cocktail Party / / edited by John C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2017 |
| Descrizione fisica | 1 online resource (XIV, 291 p. 41 illus., 14 illus. in color.) |
| Disciplina | 152.15 |
| Collana | Springer Handbook of Auditory Research |
| Soggetto topico |
Neurosciences
Otorhinolaryngology Neurobiology |
| ISBN | 3-319-51662-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction to the Cocktail Party -- Auditory Object Formation and Selection -- Spatial Mechanisms for Scene Analysis -- Informational masking and masking release -- Models of Stream Segregation -- Spatial Stream Segregation in the Auditory Cortex -- Neurophysiology and Neuroimaging of Auditory Stream Segregation in Humans -- Development -- Aging -- Cochlear implants and hearing aids. |
| Record Nr. | UNINA-9910253923303321 |
| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Elements of Psychophysical Theory [[electronic resource]]
| Elements of Psychophysical Theory [[electronic resource]] |
| Autore | Falmagne Jean-Claude |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2002 |
| Descrizione fisica | 1 online resource (400 p.) |
| Disciplina |
151.1
152.1 152.15 |
| Collana | Oxford psychology series Elements of psychophysical theory |
| Soggetto topico |
Psychology
Psychometrics Psychophysics Psychophysics - Mathematical models Mathematics Behavioral Sciences Natural Science Disciplines Diagnostic Techniques and Procedures Psychological Tests Behavioral Disciplines and Activities Diagnosis Disciplines and Occupations Psychiatry and Psychology Analytical, Diagnostic and Therapeutic Techniques and Equipment Social Sciences |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-83347-5
0-19-802058-9 9786610833474 1-4237-7557-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Table of Symbols; Classical Versus Modern Psychophysics; On the Uniqueness of Models and Representations; Laws Versus Models; On the Content of This Book; Notation and Conventions; Part I. BACKGROUND; Part II. THEORY; References; Answers or Hints to Selected Exercises; Author Index; Subject Index |
| Record Nr. | UNINA-9910451768103321 |
|
Falmagne Jean-Claude
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| New York, : Oxford University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Elements of Psychophysical Theory [[electronic resource]]
| Elements of Psychophysical Theory [[electronic resource]] |
| Autore | Falmagne Jean-Claude |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2002 |
| Descrizione fisica | 1 online resource (400 pages) |
| Disciplina |
151.1
152.1 152.15 |
| Collana | Oxford psychology series Elements of psychophysical theory |
| Soggetto topico |
Psychology
Psychometrics Psychophysics Psychophysics - Mathematical models Mathematics Behavioral Sciences Natural Science Disciplines Diagnostic Techniques and Procedures Psychological Tests Behavioral Disciplines and Activities Diagnosis |
| ISBN |
0-19-773525-8
1-280-83347-5 0-19-802058-9 9786610833474 1-4237-7557-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Table of Symbols; Classical Versus Modern Psychophysics; On the Uniqueness of Models and Representations; Laws Versus Models; On the Content of This Book; Notation and Conventions; Part I. BACKGROUND; Part II. THEORY; References; Answers or Hints to Selected Exercises; Author Index; Subject Index |
| Record Nr. | UNINA-9910777451403321 |
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Falmagne Jean-Claude
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| New York : , : Oxford University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hearing : an introduction to psychological and physiological acoustics / Stanley A. Gelfand
| Hearing : an introduction to psychological and physiological acoustics / Stanley A. Gelfand |
| Autore | Gelfand, Stanley A. |
| Edizione | [3nd ed.revised and expanded] |
| Pubbl/distr/stampa | New York : Dekker, c1998 |
| Descrizione fisica | VIII, 470 p. : ill. ; 26 cm |
| Disciplina | 152.15 |
| Soggetto non controllato | Psicologia fisiologica - Percezione uditiva |
| ISBN | 0-8247-0143-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-990007954350403321 |
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Gelfand, Stanley A.
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| New York : Dekker, c1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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