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Les constructions référentielles dans les actualités télévisées : essai de typologie discursive / Beat Münch
| Les constructions référentielles dans les actualités télévisées : essai de typologie discursive / Beat Münch |
| Autore | Münch, Beat |
| Pubbl/distr/stampa | Berne ; New York : Peter Lang, [1992] |
| Descrizione fisica | 275 p. ; ill. ; 21 cm. |
| Disciplina | 070.195 |
| Collana | Sciences pour la communication. ; 34 |
| Soggetto topico | Televisione - Tipologie |
| ISBN | 3261045434 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNISALENTO-991002254469707536 |
Münch, Beat
|
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| Berne ; New York : Peter Lang, [1992] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Fascination : viewer friendly TV journalism / / Nancy Graham Holm
| Fascination : viewer friendly TV journalism / / Nancy Graham Holm |
| Autore | Holm Nancy Graham |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (136 p.) |
| Disciplina | 070.195 |
| Soggetto topico | Television broadcasting of news |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-43414-8
9786613434142 0-12-391472-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; 1 Overview; Natural Sound and Articulate Pictures; Story Styles; The Role of the TV Journalist; New Options, New Challenges; 2 Sound; Natural Sound Gives Information; The Ear Expects to Hear Sound; An A-V Tease Introduces the Story; A-V Bites Reinforce Significant Points; A-V Transitions Link Points and Chapters; Natural Sound Works Well with Split Audio; Use Music to Set an Emotional Tone; Beware of Edith Piaf!; Natural Sound or Music?; Walla; Room Tone; Microphones Are Stupid!; 3 Articulate Pictures
Avoid Wallpaper Video Two Types of Pictures for Storytelling; Fly-on-the-Wall Photography; Visual Proof; Different Shots, Different Sizes; Primary and Secondary Motion; Use Secondary Motion Only When it Is Motivated; Editing Primary and Secondary Motion Shots Together; Different Types of Photography; CUs Need a Context for Reference; CUs as Effective Transition Shots; The Tighter the Shot, the Less Time You Can Hold It; Close-Ups (CU) or Extreme Close-Ups (XCU) of the Human Face Give Special Problems; Material Objects Take on a New Dimension When Perceived in an Extreme Close-Up (XCU) The Relationship of Pictures to One Another Tertiary Motion: Editing; Rules! Rules! Rules!; Hard and Soft; Fundamental Rule: OOF!; Editing Gives Energy; The Best Edits Are Invisible; Overlapping Actions; Cutaways; Avoid the ""Tulip Cutaway""; Action/Reaction; Don't Be Lazy! Set a High Standard; What's the Essential Difference between a Hard Cut and a Dissolve?; Use a Dissolve to Show that Time Has Passed; Use a Dissolve to Cover a Jump Cut in an Interview; Respect Vectors; When Motion Vectors Distract; When Motion Vectors Allow the Viewer to Experience the Story; The Z Axis Tempo Is Determined by Editing VO FirstEdit with Rhythm; When Interviews Are Used as VO; Don't Step on the Natural Sound Bites; When Rhythm Doesn't Matter; Color or Black/White; 4 Deciding the Story's Treatment; Reporting: Top Down, Outside Looking In; Storytelling Through People Stories: Eye Level, Inside Looking Out; Significant Vision; Choosing the Story's Treatment; How Many Minutes Should the Story Be?; Is It a Picture Story?; BBIs; 5 Top-Down Features; African Dance is Popular in Denmark; Danish Folk High Schools are Unusual; News Features; 6 Top-Down Information Stories What About Identification and Fascination?The Storytelling Model; The Triple T Formula; T1: Finding the Angle (General); Producing the Angle; How Does Research Affect Your Angle?; Why We Don't Bury the Angle; Using a Case Study; T2: Context and Development (Specific); Fleshing Out the Model with Specific Points that Give the Details; Step by Step; Move the Story Forward!; T3: The Conclusion that Summaries the Story; Step-by-Step; Consider an AV Tag; The 70-30 Rule; 7 Eye Level People Stories; A Liberal Social Agenda; Facts Are Not the Only Way to Inform; The Narrative Model in TV Journalism ""Suicide Tourists"" (CBS, 2003) |
| Record Nr. | UNINA-9910461499103321 |
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Holm Nancy Graham
|
||
| Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fascination : viewer friendly TV journalism / / Nancy Graham Holm
| Fascination : viewer friendly TV journalism / / Nancy Graham Holm |
| Autore | Holm Nancy Graham |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (136 p.) |
| Disciplina | 070.195 |
| Soggetto topico | Television broadcasting of news |
| ISBN |
1-283-43414-8
9786613434142 0-12-391472-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; 1 Overview; Natural Sound and Articulate Pictures; Story Styles; The Role of the TV Journalist; New Options, New Challenges; 2 Sound; Natural Sound Gives Information; The Ear Expects to Hear Sound; An A-V Tease Introduces the Story; A-V Bites Reinforce Significant Points; A-V Transitions Link Points and Chapters; Natural Sound Works Well with Split Audio; Use Music to Set an Emotional Tone; Beware of Edith Piaf!; Natural Sound or Music?; Walla; Room Tone; Microphones Are Stupid!; 3 Articulate Pictures
Avoid Wallpaper Video Two Types of Pictures for Storytelling; Fly-on-the-Wall Photography; Visual Proof; Different Shots, Different Sizes; Primary and Secondary Motion; Use Secondary Motion Only When it Is Motivated; Editing Primary and Secondary Motion Shots Together; Different Types of Photography; CUs Need a Context for Reference; CUs as Effective Transition Shots; The Tighter the Shot, the Less Time You Can Hold It; Close-Ups (CU) or Extreme Close-Ups (XCU) of the Human Face Give Special Problems; Material Objects Take on a New Dimension When Perceived in an Extreme Close-Up (XCU) The Relationship of Pictures to One Another Tertiary Motion: Editing; Rules! Rules! Rules!; Hard and Soft; Fundamental Rule: OOF!; Editing Gives Energy; The Best Edits Are Invisible; Overlapping Actions; Cutaways; Avoid the ""Tulip Cutaway""; Action/Reaction; Don't Be Lazy! Set a High Standard; What's the Essential Difference between a Hard Cut and a Dissolve?; Use a Dissolve to Show that Time Has Passed; Use a Dissolve to Cover a Jump Cut in an Interview; Respect Vectors; When Motion Vectors Distract; When Motion Vectors Allow the Viewer to Experience the Story; The Z Axis Tempo Is Determined by Editing VO FirstEdit with Rhythm; When Interviews Are Used as VO; Don't Step on the Natural Sound Bites; When Rhythm Doesn't Matter; Color or Black/White; 4 Deciding the Story's Treatment; Reporting: Top Down, Outside Looking In; Storytelling Through People Stories: Eye Level, Inside Looking Out; Significant Vision; Choosing the Story's Treatment; How Many Minutes Should the Story Be?; Is It a Picture Story?; BBIs; 5 Top-Down Features; African Dance is Popular in Denmark; Danish Folk High Schools are Unusual; News Features; 6 Top-Down Information Stories What About Identification and Fascination?The Storytelling Model; The Triple T Formula; T1: Finding the Angle (General); Producing the Angle; How Does Research Affect Your Angle?; Why We Don't Bury the Angle; Using a Case Study; T2: Context and Development (Specific); Fleshing Out the Model with Specific Points that Give the Details; Step by Step; Move the Story Forward!; T3: The Conclusion that Summaries the Story; Step-by-Step; Consider an AV Tag; The 70-30 Rule; 7 Eye Level People Stories; A Liberal Social Agenda; Facts Are Not the Only Way to Inform; The Narrative Model in TV Journalism ""Suicide Tourists"" (CBS, 2003) |
| Record Nr. | UNINA-9910790470703321 |
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Holm Nancy Graham
|
||
| Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fascination : viewer friendly TV journalism / / Nancy Graham Holm
| Fascination : viewer friendly TV journalism / / Nancy Graham Holm |
| Autore | Holm Nancy Graham |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (136 p.) |
| Disciplina | 070.195 |
| Soggetto topico | Television broadcasting of news |
| ISBN |
1-283-43414-8
9786613434142 0-12-391472-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; 1 Overview; Natural Sound and Articulate Pictures; Story Styles; The Role of the TV Journalist; New Options, New Challenges; 2 Sound; Natural Sound Gives Information; The Ear Expects to Hear Sound; An A-V Tease Introduces the Story; A-V Bites Reinforce Significant Points; A-V Transitions Link Points and Chapters; Natural Sound Works Well with Split Audio; Use Music to Set an Emotional Tone; Beware of Edith Piaf!; Natural Sound or Music?; Walla; Room Tone; Microphones Are Stupid!; 3 Articulate Pictures
Avoid Wallpaper Video Two Types of Pictures for Storytelling; Fly-on-the-Wall Photography; Visual Proof; Different Shots, Different Sizes; Primary and Secondary Motion; Use Secondary Motion Only When it Is Motivated; Editing Primary and Secondary Motion Shots Together; Different Types of Photography; CUs Need a Context for Reference; CUs as Effective Transition Shots; The Tighter the Shot, the Less Time You Can Hold It; Close-Ups (CU) or Extreme Close-Ups (XCU) of the Human Face Give Special Problems; Material Objects Take on a New Dimension When Perceived in an Extreme Close-Up (XCU) The Relationship of Pictures to One Another Tertiary Motion: Editing; Rules! Rules! Rules!; Hard and Soft; Fundamental Rule: OOF!; Editing Gives Energy; The Best Edits Are Invisible; Overlapping Actions; Cutaways; Avoid the ""Tulip Cutaway""; Action/Reaction; Don't Be Lazy! Set a High Standard; What's the Essential Difference between a Hard Cut and a Dissolve?; Use a Dissolve to Show that Time Has Passed; Use a Dissolve to Cover a Jump Cut in an Interview; Respect Vectors; When Motion Vectors Distract; When Motion Vectors Allow the Viewer to Experience the Story; The Z Axis Tempo Is Determined by Editing VO FirstEdit with Rhythm; When Interviews Are Used as VO; Don't Step on the Natural Sound Bites; When Rhythm Doesn't Matter; Color or Black/White; 4 Deciding the Story's Treatment; Reporting: Top Down, Outside Looking In; Storytelling Through People Stories: Eye Level, Inside Looking Out; Significant Vision; Choosing the Story's Treatment; How Many Minutes Should the Story Be?; Is It a Picture Story?; BBIs; 5 Top-Down Features; African Dance is Popular in Denmark; Danish Folk High Schools are Unusual; News Features; 6 Top-Down Information Stories What About Identification and Fascination?The Storytelling Model; The Triple T Formula; T1: Finding the Angle (General); Producing the Angle; How Does Research Affect Your Angle?; Why We Don't Bury the Angle; Using a Case Study; T2: Context and Development (Specific); Fleshing Out the Model with Specific Points that Give the Details; Step by Step; Move the Story Forward!; T3: The Conclusion that Summaries the Story; Step-by-Step; Consider an AV Tag; The 70-30 Rule; 7 Eye Level People Stories; A Liberal Social Agenda; Facts Are Not the Only Way to Inform; The Narrative Model in TV Journalism ""Suicide Tourists"" (CBS, 2003) |
| Record Nr. | UNINA-9910823949103321 |
|
Holm Nancy Graham
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| Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Französische Fernsehnachrichten als kultureller Text / Richard Batz
| Französische Fernsehnachrichten als kultureller Text / Richard Batz |
| Autore | Batz, Richard |
| Pubbl/distr/stampa | Tübingen : Niemeyer, 1992 |
| Descrizione fisica | IX, 204 p. ; 24 cm |
| Disciplina |
070.195
448 |
| Collana | Beihefte zur Zeitschrift für romanische Philologie |
| Soggetto non controllato | Giornalismo televisivo - Studio linguistico - Francia |
| ISBN | 3-484-52244-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-990004648600403321 |
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Batz, Richard
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| Tübingen : Niemeyer, 1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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I telegiornali : istruzioni per l'uso / Omar Calabrese e Ugo Volli
| I telegiornali : istruzioni per l'uso / Omar Calabrese e Ugo Volli |
| Autore | CALABRESE, Omar |
| Pubbl/distr/stampa | Roma [etc.] : Laterza, 1995 |
| Descrizione fisica | 261 p. ; 21 cm |
| Disciplina | 070.195 |
| Altri autori (Persone) | VOLLI, Ugo |
| Collana | EL |
| Soggetto topico |
Trasmissioni televisive - Notiziari
Giornalismo televisivo |
| ISBN | 88-420-4710-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990000328180203316 |
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CALABRESE, Omar
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| Roma [etc.] : Laterza, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Il rotocalco elettronico : dalla fabbrica dei sogni alla fiera delle curiosità / di Paolo Balbi
| Il rotocalco elettronico : dalla fabbrica dei sogni alla fiera delle curiosità / di Paolo Balbi |
| Autore | BALDI, Paolo |
| Pubbl/distr/stampa | Torino, : Edizioni Rai radiotelevisione italiana, 1988 |
| Descrizione fisica | 202 p., c. di tav. : ill. ; 21 cm |
| Disciplina | 070.195(MEDIA DOCUMENTARI, DIDATTICI, DI NOTIZIE, GIORNALISMO, EDITORIA. Televisione) |
| Soggetto topico |
TELEVISIONE GIORNALISMO
GIORNALISMO TELEVISIVO |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIOR-UON00231224 |
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BALDI, Paolo
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| Torino, : Edizioni Rai radiotelevisione italiana, 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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Il giornalismo televisivo / Pino Di Salvo
| Il giornalismo televisivo / Pino Di Salvo |
| Autore | DI SALVO, Pino |
| Pubbl/distr/stampa | Roma : Carocci, [2004] |
| Descrizione fisica | 204 p. ; 20 cm |
| Disciplina | 070.195 |
| Collana | Università, Scienze della Comunicazione |
| Soggetto topico | Giornalismo televisivo |
| ISBN | 88-430-2950-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990002421600203316 |
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DI SALVO, Pino
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| Roma : Carocci, [2004] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Il giornalista radiofonico : istruzioni per l'uso / Patrizia Simonetti
| Il giornalista radiofonico : istruzioni per l'uso / Patrizia Simonetti |
| Autore | SIMONETTI, Patrizia |
| Pubbl/distr/stampa | Roma : Armando, 2011 |
| Descrizione fisica | 79 p. ; 19 cm |
| Disciplina | 070.195 |
| Collana | Comunicazione e mass-media |
| Soggetto topico | Giornalismo radiofonico |
| ISBN | 978-88-6081-900-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003621020203316 |
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SIMONETTI, Patrizia
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| Roma : Armando, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Il reporter televisivo : manuale pratico per un giornalismo televisivo credibile e di (buona) qualità / Wolfgang M. Achtner
| Il reporter televisivo : manuale pratico per un giornalismo televisivo credibile e di (buona) qualità / Wolfgang M. Achtner |
| Autore | Achtner, Wolfgang M. |
| Edizione | [Nuova ed.] |
| Pubbl/distr/stampa | Perugia : Morlacchi, 2007 |
| Descrizione fisica | XXXIV, 496 p. : ill. ; 23 cm |
| Disciplina | 070.195 |
| Collana | Saggi, Scienze sociali |
| Soggetto non controllato | Giornalismo televisivo |
| ISBN | 88-6074-030-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990009183490403321 |
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Achtner, Wolfgang M.
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| Perugia : Morlacchi, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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