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The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi
| The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi |
| Autore | Winston Brian |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) : illustrations |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - History and criticism
Documentary films - Production and direction |
| ISBN |
1-5013-0920-X
1-5013-0919-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | AN AGENDA -- 1. "A Much Hailed Triumph" -- 2. "The Shakiest of Foundations" -- 3. The Act of Documenting -- PART ONE: DIGITAL POTENTIALS -- 1. "A Walk in the Woods" -- Image: -- AUTHENTICITY: Indexing -- Evidence -- TRUST: Manipulation -- Judgment -- SAVVY: Inferences -- Probability -- 2. "A breath of fresh air for documentary" -- Kit: -- CONTRADICTION: Digitization -- Standards -- GLOBALIZATIONi: Proliferation-- Resistance -- 3. "Life as narrativized" -- Story: -- INTERPASSIVITY: Navigation -- Feedback -- Intervention -- HOMO NARRANS: Texts -- Stories -- SCRIPTRIX NARRANS: Challenge --Paths -- PART TWO: ACTUAL EFFECTS.... -- .... on THE FILMED -- 4. "To thine own self be true" -- Performing: -- APPEARING: Distrust -- Presentational Acting -- Representational Being -- BEHAVING: Performativity -- Casting -- 5. "Giving Voice" -- Co-creating: -- CONTROL: Engagement -- Empowerment -- CHANGE: Facilitating -- Embedding -- .... on THE FILMER -- 6. "To Make Space For The Un-Thought" -- Subjectivities: -- GENDER: Narcissism -- Auto -- Biography -- EMANCIPATION: Exclusions -- "Facts" -- 7. "Nous somme dans le bain" -- "We are implicated" -- Care: -- HARM: Involvement -- Consequences -- RIGHTS: Protocols -- Control -- .... on THE SPECTATOR -- 8. "You have to make up your own mind" -- Perception: -- EXPECTATIONS: Truth -- Omission -- ASSUMPTONS: Wow! -- Ostranenie -- 9. "When the lights go up" -- Reception -- OUTCOMES: Impact -- Engagement -- Research -- CONDITIONS: Autonomy -- Hazards -- MINUTES: THE ACT OF DOCUMENTING -- Considerations |
| Record Nr. | UNINA-9910150305003321 |
Winston Brian
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| New York : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-520-95493-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910465709503321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto non controllato |
accomplished filmmakers
boston cambridge carpenter center cosmopolitan approach documentary movies ed pincus ethnography film and television film study center groundbreaking films history of film history influential filmmakers john marshall michel negroponte miriam weinstein mit film section nina davenport performing arts personal documentary professional relationships robb moss robert gardner timothy asch visual and environmental studies department at harvard |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910792022803321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American ethnographic film and personal documentary : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910814002103321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-54951-4
9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910465834803321 |
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Friedman Jeffrey <1951->
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| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910791933103321 |
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Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making / / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making / / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910819076403321 |
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Friedman Jeffrey <1951->
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| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Avant-doc : intersections of documentary and avant-garde cinema : an oral panorama
| Avant-doc : intersections of documentary and avant-garde cinema : an oral panorama |
| Autore | MacDonald |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - History and criticism
Experimental films - History and criticism Motion picture producers and directors Music, Dance, Drama & Film Film |
| ISBN | 0-19-938874-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910154326303321 |
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MacDonald
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| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Crafting truth [[electronic resource] ] : documentary form and meaning / / Louise Spence and Vinicius Navarro
| Crafting truth [[electronic resource] ] : documentary form and meaning / / Louise Spence and Vinicius Navarro |
| Autore | Spence Louise |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, 2011 |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina |
070.1/8
070.18 |
| Altri autori (Persone) | NavarroVinicius |
| Soggetto topico |
Documentary films - History and criticism
Documentary films - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-86458-4
0-8135-5232-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. General concepts -- pt. 2. Structural organization -- pt. 3. Formal techniques. |
| Record Nr. | UNINA-9910461719503321 |
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Spence Louise
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| New Brunswick, N.J., : Rutgers University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Crafting truth [[electronic resource] ] : documentary form and meaning / / Louise Spence and Vinicius Navarro
| Crafting truth [[electronic resource] ] : documentary form and meaning / / Louise Spence and Vinicius Navarro |
| Autore | Spence Louise |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, 2011 |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina |
070.1/8
070.18 |
| Altri autori (Persone) | NavarroVinicius |
| Soggetto topico |
Documentary films - History and criticism
Documentary films - Production and direction |
| ISBN |
1-283-86458-4
0-8135-5232-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. General concepts -- pt. 2. Structural organization -- pt. 3. Formal techniques. |
| Record Nr. | UNINA-9910789979303321 |
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Spence Louise
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| New Brunswick, N.J., : Rutgers University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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