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Conservation of Modern Oil Paintings / / edited by Klaas Jan van den Berg, Ilaria Bonaduce, Aviva Burnstock, Bronwyn Ormsby, Mikkel Scharff, Leslie Carlyle, Gunnar Heydenreich, Katrien Keune
| Conservation of Modern Oil Paintings / / edited by Klaas Jan van den Berg, Ilaria Bonaduce, Aviva Burnstock, Bronwyn Ormsby, Mikkel Scharff, Leslie Carlyle, Gunnar Heydenreich, Katrien Keune |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2019 |
| Descrizione fisica | 1 online resource (XXVII, 606 p. 246 illus., 179 illus. in color.) |
| Disciplina | 698.140973 |
| Soggetto topico |
Ciència dels materials
Pintura a l'oli Materials per a artistes Materials science Analytical chemistry Cultural heritage Spectroscopy Microscopy Materials—Surfaces Thin films Nanotechnology Characterization and Evaluation of Materials Analytical Chemistry Cultural Heritage Spectroscopy and Microscopy Surfaces and Interfaces, Thin Films |
| Soggetto genere / forma | Llibres electrònics |
| ISBN | 3-030-19254-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Challenges in research: Connecting scientific analysis with conservation practice -- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study -- Paint Technology -- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection -- Meet the future: the creation of new pigments -- Zinc oxide in oil-based house paint: Insights from a paint chemist’s notebook dated 1949 -- A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914–1918) -- Approaches to the identification of Royal Talens’ ETA (emulsion) paint in objects of art -- Synthetic organic pigments in Royal Talens oil paint 1920-1950 – The case of vermillion imit -- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options -- Ellsworth Kelly: The Studio and Beyond -- A new vocabulary of color: Bocour oil paints and Barnett Newman -- Analysis of Modern Paints and Conservation at the Clyfford Still Museum -- Pigments of Soviet Artists in the 1950s - late 70s -- A View Through the Meander: A Study of Knifer’s Oil Paintings from the 1960s -- Preservation of Russian Abstract Art of the Second Part of the 20th Century -- Investigating colour changes in red and blue paints – a preliminary study of art materials and techniques in Edvard Munch’s Old Man in Warnemünde (1907) -- Aspects of Lovis Corinth’s Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film -- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Mérodack-Jeaneau, 1910-1913 -- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks -- Investigation on the speckles syndrome affecting late 1920s oil paintings by René Magritte -- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages.-Examination of paint delamination in C'est grace à nous by Asger Jorn -- A synchrotron photoluminescence microscopy study into the use and degradation of zinc white in The Woodcutters by Bart van der Leck -- ‘Breaking waves’. The relation between zinc-oxide degradation in a ground layer and extreme delamination on Beach Scene, by J.E.H. Akkeringa (1861-1942) -- Efflorescence on the paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light -- A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier; K. Helwig et al -- The Deterioration and Treatment of Some Late Paintings by Paul-Émile Borduas -- Colors before Zero: commercial alkyd-oil enamel paints in early reliefs by Jan J. Schoonhoven -- Some considerations when cleaning Robert Ryman’s oil paint(ings) -- Challenges of Surface Cleaning Paintings by Asger Jorn (1914-1973): An Inventory of Existing Practice.-Decision-making processes regarding the treatment of modern oil paintings (1950’s – present) exhibiting paint dripping and oil exudates -- Between rejection, ignorance, and preference: The history and dilemma of modern double-sided (recto/verso) paintings with regard to issues of conservation and presentation -- Model studies -- Novel microscopic strategy for the study of paint cross-sections -- Investigations into the mechanical properties of commercial artists’ oil paint by Dynamic Mechanical (Thermal) Analysis (DMA), Nanoindentation (UNHT), and Dynamic Vapour Sorption (DVS) -- A Preliminary Investigation into the Behavior of Modern Artists’ Oil Paints in a Hot and Humid Climate -- Inside the forger’s oven: identification of drying products in oil paints during and after accelerated drying with increased temperatures -- The influence of metal stearates on the water sensitivity of modern oil paints -- The rate of solvent action on modern oil paint -- Conservation treatment -- Water-sensitivity in modern oil paintings: Trends in phenomena and treatment options -- Modern oil paintings in Tate’s collection: a review of analytical findings and reflections on water sensitivity; -- Analytical study to monitor the effectiveness of a combined liquid-dispensing and micro-aspiration system for the cleaning of modern oil paintings -- Ketone resins varnishes on canvas paintings from the collection of the Munch Museum -- Designing mock-up paintings for a study of novel surface cleaning techniques for Munch’s unvarnished Aula paintings -- Analysis of cleaning efficacy and clearance of silicone-based Pickering-type emulsions used in the cleaning of water-miscible oil paints -- Improving the surface cleaning of water sensitive oil paint by use of alternative application methods; M. Hintz et al -- Evolon® CR microfibre cloth as a tool for varnish removal -- Can Cellulosebeads save the Circling of the Planets? Cellulose-based consolidating filler to stabilise lifted brittle flakes on a large painting. |
| Record Nr. | UNINA-9910377838103321 |
| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Issues in Contemporary Oil Paint / / edited by Aviva Burnstock, Matthijs de Keijzer, Jay Krueger, Tom Learner, Alberto de Tagle, Gunnar Heydenreich, Klaas Jan van den Berg
| Issues in Contemporary Oil Paint / / edited by Aviva Burnstock, Matthijs de Keijzer, Jay Krueger, Tom Learner, Alberto de Tagle, Gunnar Heydenreich, Klaas Jan van den Berg |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2014 |
| Descrizione fisica | 1 online resource (435 p.) |
| Disciplina |
363.69
54 543 620.11 |
| Soggetto topico |
Analytical chemistry
Materials science Cultural heritage Spectroscopy Microscopy Materials—Surfaces Thin films Nanotechnology Analytical Chemistry Characterization and Evaluation of Materials Cultural Heritage Spectroscopy and Microscopy Surfaces and Interfaces, Thin Films |
| ISBN | 3-319-10100-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From the content: 1. 20th Century Oil Paint. The interface between science and conservation and the challenges for modern oil paint research -- 2. Do we see what we know or do we know what we see? Conservation of oil paintings in the Stedelijk Museum Amsterdam -- 3. Towards interpretation of making, meaning, and change in British 20th century oil paintings: the relevance of an artist’s paint archive -- 4. The delight of modern organic pigment creations -- 5. Modern Oil Paints – Formulations, organic additives, and degradation: some case studies -- 6. Distinction by micro-Raman spectroscopy and chemometrical analysis of copper phthalocyanine blue polymorphs in oil-based and acrylic paint samples -- 7. Charting the development of oil-based enamel paints through the correlation of historical paint technology manuals with scientific analysis -- 8. Hans Hofmann’s last lesson: a study of the artist’s materials in the last decade of his career. 9. Théorème de Gödel by Georges Mathieu, 1957. Study and restoration: consolidation through cohesive regeneration using a solvent -- 10. Non-traditionally painted oil painting: how to treat it properly? Josip Vaništa’s Cakes (1955) -- 11. Conservation Issues in Several 20th-Century Canadian Oil Paintings: The Role of Zinc Carboxylate Reaction Product -- 12. Zwei Jünglinge und Zwei Mädchen, a tempera painting by Otto Mueller, circa 1917. Paint analysis and reconstruction -- 13. Metal soaps and visual changes in a painting by René Magritte –The Menaced Assassin, 1927 -- 14. Fleurs Grises - A delicate surface. Difficult to clean - Essential to protect -- 15. Derivatisation technique for infrared spectroscopy - Characterisation of oxidative ageing products in modern oil paint. 16. Investigating fluidizing dripping pink commercial paint on Van Hemert’s Seven-series works from 1990-1995 -- 17. Hard dry paint, softening tacky paint, and exuding drips on Composition (1952) by Jean-Paul Riopelle -- 18. Zinc white and the influence of paint composition for stability in oil based media -- 19. It's surreal: zinc-oxide degradation and misperceptions in Salvador Dalí’s Couple with Clouds in their Heads, 1936 -- 20. Water Sensitive Oil Paints in the 20th Century: A study of the distribution of water-soluble degradation products in modern oil paint films -- 21. An investigation into the viability of removal of lead soap efflorescence from contemporary oil paintings -- 22. Set back the race: Treatment strategies for running oil paint -- 23. Sensitivity of modern oil paints to solvents. Effects on synthetic organic pigments -- 24. Dry Cleaning: research and practice -- 25. New Approaches to Surface Cleaning of Unvarnished Contemporary Oil Paintings - Moist Sponges and Cloths -- 26. Agar - a new tool for the surface cleaning of water sensitive oil paint? -- 27. Investigation into the surface conductivity of water-sensitive modern oil paints. |
| Record Nr. | UNINA-9910298642303321 |
| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||