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The Parameters of Postmodernism [[electronic resource]]
| The Parameters of Postmodernism [[electronic resource]] |
| Autore | Zurbrugg Nicholas |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2004 |
| Descrizione fisica | 1 online resource (201 p.) |
| Disciplina | 809.04 |
| Soggetto topico |
Postmodernism
Postmodernism (Literature) |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Preface; Acknowledgments; Anti-Art or Ante-Art?; Monumental Art or Submonumental Art?; Eagleton and the Apocalyptic Fallacy; Introducing the B-Effect; Introducing the C-Effect; Deploring/Exploring Hyperspace: Jameson and Cage; Stupefaction or Enlivenment?; Benjamin and the Loss of Aura; Barthes, Belsey, and the Death of the Author; Brger and the Death of the Avant-Garde; Bonito-Oliva, Baudrillard, and the Collapse of the New; Beckett, Brecht, and the Attractions of Antinarrative; Beckett's Poetics of Failure/Brecht's Poetics of Interrogation
Beckett, Brecht, and the Groan of the Text Eagleton, Jameson, and Dehistoricized Culture; Cage, Kostelanetz, and Value Judgments; Jameson, Rauschenberg, and Premature Exasperation; Cage, Rauschenberg, and Ryman; Cage and Consumption; Collective Narrative and the Struggle with Simulacra; Depersonalized Culture or Repersonalized Culture?; Cage and the Antilogic of the Text; Beckett, Cage, and Nothing; Beckett, Cage, and Programmatic Composition; Purposeful Purposelessness or Nothing to Be Done?; Jameson, Bourdieu, and the Destruction of Art and Taste; Chion, Cage, and New Aesthetic Rationales Postmodernism's Purist Aesthetic Postmodernism's Hybrid Aesthetic; Feldman, Crazy Contradiction, and the Conceptual, Artistic Life; Pure ~H~; Habermas and Communicative Rationality; Beuys, Adorno, and the Silence of Marcel Duchamp; Beuys, Cage, Buchloh, and the B-B-Effect; Jappe, Jameson, and the Concept of Utopia; Bense, Concrete Poetry, and the Dwindling of the Poetic Element; Chopin, Human Vitality, and Technological Civilization; Conz and the New Saints of the Avant-Garde; A Problem in Design: Lax and Mann; Postmodernism at Two Speeds: Hassan, Janco, and Seuphor Rainer, Robbe-Grillet, Reich, and the Turn to Interobjectivity Robbe-Grillet and the Re-turn to the Subjective Type of Writing; Rainer and the Re-turn to Identity; Reich and the Re-turn to Historical Realities; Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley; Monk and the Re-turn to Recurrence; Umberto Eco and the Re-turn to the Middle Ages; Grass and the Destruction of Mankind; Grass, Mann, and the Re-turn to Forbidden Literature; Ernst, Carrington, and the Re-turn of Surrealism; Carrington, Cage, Beuys, and the Poetics of Resistance Cage, Carrington, Barthes, Burroughs, Bense: From Artha to Moksha Cage, Wolf, and the Re-turn to the Third Alternative; Wolf, Mann, and the Authority of Literary Genres; Miller, Beuys, and the Elevation of the Berlin Wall; Miller, Brecht, and the Petrification of Hope; Miller, Wilson, and the Re-turn to the Classics; Huyssen and the Endgame of the Avant-Garde; Huyssen, Popper, and the Electrification of the Avant-Garde; Buuel, Breton, Benjamin, Baudrillard, and the Myths of Mechanical Depersonalization; DeLillo, Miller, Lyotard, Kroker, and the Panic Sensibility Ballard, The Kindness of Women, and Catharsis |
| Record Nr. | UNINA-9910451096803321 |
Zurbrugg Nicholas
|
||
| Hoboken, : Taylor and Francis, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The parameters of postmodernism [[electronic resource]]
| The parameters of postmodernism [[electronic resource]] |
| Autore | Zurbrugg Nicholas |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2004 |
| Descrizione fisica | 1 online resource (201 p.) |
| Disciplina | 809.04 |
| Soggetto topico |
Postmodernism
Postmodernism (Literature) |
| ISBN |
0-8093-1887-3
0-203-20517-0 1-134-84592-8 1-134-84591-X 0-203-28817-3 1-280-03237-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Preface; Acknowledgments; Anti-Art or Ante-Art?; Monumental Art or Submonumental Art?; Eagleton and the Apocalyptic Fallacy; Introducing the B-Effect; Introducing the C-Effect; Deploring/Exploring Hyperspace: Jameson and Cage; Stupefaction or Enlivenment?; Benjamin and the Loss of Aura; Barthes, Belsey, and the Death of the Author; Brger and the Death of the Avant-Garde; Bonito-Oliva, Baudrillard, and the Collapse of the New; Beckett, Brecht, and the Attractions of Antinarrative; Beckett's Poetics of Failure/Brecht's Poetics of Interrogation
Beckett, Brecht, and the Groan of the Text Eagleton, Jameson, and Dehistoricized Culture; Cage, Kostelanetz, and Value Judgments; Jameson, Rauschenberg, and Premature Exasperation; Cage, Rauschenberg, and Ryman; Cage and Consumption; Collective Narrative and the Struggle with Simulacra; Depersonalized Culture or Repersonalized Culture?; Cage and the Antilogic of the Text; Beckett, Cage, and Nothing; Beckett, Cage, and Programmatic Composition; Purposeful Purposelessness or Nothing to Be Done?; Jameson, Bourdieu, and the Destruction of Art and Taste; Chion, Cage, and New Aesthetic Rationales Postmodernism's Purist Aesthetic Postmodernism's Hybrid Aesthetic; Feldman, Crazy Contradiction, and the Conceptual, Artistic Life; Pure ~H~; Habermas and Communicative Rationality; Beuys, Adorno, and the Silence of Marcel Duchamp; Beuys, Cage, Buchloh, and the B-B-Effect; Jappe, Jameson, and the Concept of Utopia; Bense, Concrete Poetry, and the Dwindling of the Poetic Element; Chopin, Human Vitality, and Technological Civilization; Conz and the New Saints of the Avant-Garde; A Problem in Design: Lax and Mann; Postmodernism at Two Speeds: Hassan, Janco, and Seuphor Rainer, Robbe-Grillet, Reich, and the Turn to Interobjectivity Robbe-Grillet and the Re-turn to the Subjective Type of Writing; Rainer and the Re-turn to Identity; Reich and the Re-turn to Historical Realities; Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley; Monk and the Re-turn to Recurrence; Umberto Eco and the Re-turn to the Middle Ages; Grass and the Destruction of Mankind; Grass, Mann, and the Re-turn to Forbidden Literature; Ernst, Carrington, and the Re-turn of Surrealism; Carrington, Cage, Beuys, and the Poetics of Resistance Cage, Carrington, Barthes, Burroughs, Bense: From Artha to Moksha Cage, Wolf, and the Re-turn to the Third Alternative; Wolf, Mann, and the Authority of Literary Genres; Miller, Beuys, and the Elevation of the Berlin Wall; Miller, Brecht, and the Petrification of Hope; Miller, Wilson, and the Re-turn to the Classics; Huyssen and the Endgame of the Avant-Garde; Huyssen, Popper, and the Electrification of the Avant-Garde; Buuel, Breton, Benjamin, Baudrillard, and the Myths of Mechanical Depersonalization; DeLillo, Miller, Lyotard, Kroker, and the Panic Sensibility Ballard, The Kindness of Women, and Catharsis |
| Record Nr. | UNINA-9910783950003321 |
|
Zurbrugg Nicholas
|
||
| Hoboken, : Taylor and Francis, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||