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Advertising and the transformation of screen cultures / / Bo Florin, Patrick Vonderau and Yvonne Zimmermann
| Advertising and the transformation of screen cultures / / Bo Florin, Patrick Vonderau and Yvonne Zimmermann |
| Autore | Florin Bo |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2021] |
| Descrizione fisica | 1 online resource (338 pages) : illustrations |
| Collana | Film culture in transition |
| Soggetto topico | Theater commercials (Motion pictures) - History |
| ISBN | 90-485-4156-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910494575103321 |
Florin Bo
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| Amsterdam : , : Amsterdam University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Advertising and the transformation of screen cultures / / Bo Florin, Patrick Vonderau and Yvonne Zimmermann
| Advertising and the transformation of screen cultures / / Bo Florin, Patrick Vonderau and Yvonne Zimmermann |
| Autore | Florin Bo |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2021] |
| Descrizione fisica | 1 online resource (338 pages) : illustrations |
| Collana | Film culture in transition |
| Soggetto topico | Theater commercials (Motion pictures) - History |
| ISBN | 90-485-4156-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996435448303316 |
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Florin Bo
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| Amsterdam : , : Amsterdam University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Advertising and the Transformation of Screen Cultures / Bo Florin, Patrick Vonderau and Yvonne Zimmermann / / Bo Florin, Patrick Vonderau, Yvonne Zimmermann
| Advertising and the Transformation of Screen Cultures / Bo Florin, Patrick Vonderau and Yvonne Zimmermann / / Bo Florin, Patrick Vonderau, Yvonne Zimmermann |
| Autore | Florin Bo <1961-> |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2021 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 792 |
| Soggetto topico | Theater |
| ISBN | 9789048541560 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910493729403321 |
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Florin Bo <1961->
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| Amsterdam : , : Amsterdam University Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Films That Work Harder : The Circulation of Industrial Film / / ed. by Yvonne Zimmermann, Scott Anthony, Florian Hoof, Vinzenz Hediger
| Films That Work Harder : The Circulation of Industrial Film / / ed. by Yvonne Zimmermann, Scott Anthony, Florian Hoof, Vinzenz Hediger |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (822 p.) |
| Collana | Film Culture in Transition |
| Soggetto topico | ART / Film & Video |
| Soggetto non controllato | Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture |
| ISBN | 90-485-3781-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996580163103316 |
| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Films That Work Harder : The Circulation of Industrial Film / / ed. by Yvonne Zimmermann, Scott Anthony, Florian Hoof, Vinzenz Hediger
| Films That Work Harder : The Circulation of Industrial Film / / ed. by Yvonne Zimmermann, Scott Anthony, Florian Hoof, Vinzenz Hediger |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (822 p.) |
| Disciplina | 070.18 |
| Collana | Film Culture in Transition |
| Soggetto topico | ART / Film & Video |
| Soggetto non controllato | Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture |
| ISBN |
1-003-69565-5
1-04-078671-5 90-485-3781-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction: A Sequel and a Shift -- Section 1 Networks and Flows: Visualizing Value Chains -- 1 The Aesthetics of the Global Value Chain Container Shipping, Media Networks and the Problem of Visibility in the Global Sphere of Circulation -- 2 Object Lessons and Infrastructural Imperialism -- 3 Energy and Industrial Film. Energo-Critical Registers -- 4 Digital Afterlife of Industrial Film . Weak Dispositives, Choice Architecture and the Distribution of Industrial Cinema -- Section 2 Operative Iconographies, Industry and the Nation State -- 5 Beautiful Luxembourg, Steel Works and a Swimming Pool . The Corporate Film Columeta and the Formation of a Corporate and a National Image -- 6 Hydropower for a Sealess Nation . Representation of Water Energy in Czech Visual Culture -- 7 Modern Water Sprites . History, People and the Landscape of Northern Sweden in Vattenfall's Film Production in the 1950s -- 8 Taxonomy of Techniques . Visions of Industrial Cinema in Post-war Japan -- 9 The Power of Flows . The Spatiality of Industrial Films on Hydropower in Switzerland -- Section 3 Institutions and Distribution Frameworks: Archives, Festivals, Fairs -- 10 Industry on Screen . The British Documentary in Distribution - British Transport Films: A Case Study -- 11 On the Red Carpet in Rouen . Industrial Film Festivals and a World Community of Filmmakers -- 12 Cinema and Industrial Design . Showmanship, Fairs and the Exhibition Film -- Section 4 Teaching Oneself and Others -- 13 Putting Films to Work . System, the Magazine for Business -- 14 New Media for the Schools of Tomorrow . The AV Instructional Films of Robert W. Wagner -- 15 We Must Know More Than We Can See . Images for Vocational Training and the Emergence of Cognitive Ergonomics -- 16 Free Enterprise Film . Aims of Industry, Economic Propaganda and the Development of a Neoliberal Cinema -- Section 5 Post/Colonial Industries and Third Industrial Cinemas -- 17 Framing Local and International Sentiments and Sounds . Unilever and Royal Dutch Shell in a Changing Nigeria -- 18 Working through the End of Empire -- 19 Cinema-going on the Railway Tracks . Transportation, Circulation and Exhibition of Information Film in Colonial India -- 20 The Latin American Process Film -- Section 6 Production Cultures and/of the Industrial Film: Amateurs and Professionals -- 21 Soviet Industrial Film across Categories . Negotiating between Utility, Art and Science -- 22 "There Is No Life More Reckless and Adventuresome Than That of the Oil Prospector" . ENI's Geologist-Filmmakers in Iran -- 23 Industrial Film from the Home Studio . Amateur Cinema and Low-Budget Corporate Moving Image Culture in West Germany (1950 to 1977) -- 24 Movie and Industry in Italy . The "Golden Age" of Italian Industrial Documentary (1950-1970) -- 25 A Film That Doesn't Seem to Work . A Shot of Renault's Early Assembly Line (1920 to 1929) - A Case Study, Methodology and 3D Restitution for Film Analysis -- Section 7 Ephemeral Artistry: Ecologies of Authorship in Industrial Cinema -- 26 Business and Art . Pharmaceutical Industries, Film Production and Circulation, and the French Film Production Company ScienceFilm, 1960-1980 -- 27 Transfer of Power . Films Officers in the British Coal Industry -- 28 Saudi Arabia's John Ford? . Robert Yarnall Richie, Desert Venture and Ephemeral Authorship in Industrial Film -- 29 Sounds Industrial . Understanding the Contribution of Music and Sound in Industrial Films -- 30 Creative Films for Creative Corporations . Music and Musicians in Experimental Italian Industrial Films -- Indices |
| Record Nr. | UNINA-9910768500603321 |
| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener
| How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (530 p.) |
| Collana | Film Culture in Transition |
| Soggetto topico | HISTORY / Historiography |
| Soggetto non controllato | Film History, Media Archaeology, Historiography |
| ISBN | 90-485-5457-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction: Unpacking Film History's Own Histories -- I Models of Film Historiography: Philosophy and Time -- 1 The Aporias of Cinema History -- 2 What Next? The Historical Time Theory of Film History -- 3 Relativist Perspectivism -- 4 The Discovery of Early Cinema -- II Film History in the Making: Processes and Agendas -- 5 Consistency, Explosion, and the Writing of Film History -- 6 Defeats that Were Almost Victories -- 7 A Film-maker's Film Histories -- 8 Hans Richter and the "Struggle for the Film History" -- III Revisiting Film History: Institutions, Knowledge, and Circulation -- 9 Historicizing the Gulf Moving Image Archives -- 10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis -- 11 The Rise and Fall of Secular Realism -- 12 What Was a Film Society? -- IV Rewriting Film History with Images: Audiovisual Forms of Historiography -- 13 A Televisual Cinematheque Film Histories on West German Television -- 14 The History of Film on Film -- 15 Audiovisual Film Histories for the Digital Age -- V Into the Digital: New Approaches and Revisions -- 16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience -- 17 Tipping the Scales of Film History -- 18 Representing the Unknown -- Select Bibliography -- Index |
| Record Nr. | UNISA-996565567803316 |
| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener
| How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (530 p.) |
| Disciplina | 791.4309 |
| Collana | Film Culture in Transition |
| Soggetto topico | HISTORY / Historiography |
| Soggetto non controllato | Film History, Media Archaeology, Historiography |
| ISBN |
9789048554577
9048554578 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction: Unpacking Film History's Own Histories -- I Models of Film Historiography: Philosophy and Time -- 1 The Aporias of Cinema History -- 2 What Next? The Historical Time Theory of Film History -- 3 Relativist Perspectivism -- 4 The Discovery of Early Cinema -- II Film History in the Making: Processes and Agendas -- 5 Consistency, Explosion, and the Writing of Film History -- 6 Defeats that Were Almost Victories -- 7 A Film-maker's Film Histories -- 8 Hans Richter and the "Struggle for the Film History" -- III Revisiting Film History: Institutions, Knowledge, and Circulation -- 9 Historicizing the Gulf Moving Image Archives -- 10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis -- 11 The Rise and Fall of Secular Realism -- 12 What Was a Film Society? -- IV Rewriting Film History with Images: Audiovisual Forms of Historiography -- 13 A Televisual Cinematheque Film Histories on West German Television -- 14 The History of Film on Film -- 15 Audiovisual Film Histories for the Digital Age -- V Into the Digital: New Approaches and Revisions -- 16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience -- 17 Tipping the Scales of Film History -- 18 Representing the Unknown -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910831806603321 |
| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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