At full speed [[electronic resource] ] : Hong Kong cinema in a borderless world / / Esther C.M. Yau, editor |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
Descrizione fisica | 351p |
Disciplina | 791.43/095125 |
Altri autori (Persone) | YauChing-Mei Esther |
Soggetto topico | Motion pictures - China - Hong Kong - History |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8166-8969-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910451759403321 |
Minneapolis, : University of Minnesota Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
At full speed [[electronic resource] ] : Hong Kong cinema in a borderless world / / Esther C.M. Yau, editor |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
Descrizione fisica | 351p |
Disciplina | 791.43/095125 |
Altri autori (Persone) | YauChing-Mei Esther |
Soggetto topico | Motion pictures - China - Hong Kong - History |
ISBN | 0-8166-8969-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910784500203321 |
Minneapolis, : University of Minnesota Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
At full speed : Hong Kong cinema in a borderless world / / Esther C.M. Yau, editor |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
Descrizione fisica | 351p |
Disciplina | 791.43/095125 |
Altri autori (Persone) | YauChing-Mei Esther |
Soggetto topico | Motion pictures - China - Hong Kong - History |
ISBN | 0-8166-8969-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Intro -- Contents -- Acknowledgments -- Introduction: Hong Kong Cinema in a Borderless World -- Part I. Hong Kong's New Wave Cinema -- 1. An Overview of Hong Kong's New Wave Cinema -- 2. The Emergence of the Hong Kong New Wave -- Part ll. In Action: Entertainment, Aesthetics, and Reinventions -- 3. Aesthetics in Action: Kungfu, Gunplay, and Cinematic Expressivity -- 4. The Killer: Cult Film and Transcultural (Mis)Reading -- 5. Life Imitates Entertainment: Home and Dislocation in the Films of Jackie Chan -- 6. Tsui Hark: National Style and Polemic -- 7. Hong Kong Hysteria: Martial Arts Tales from a Mutating World -- 8. Women on the Edges of Hong Kong Modernity: The Films of Ann Hui -- Part III. A Culture of Disappearance: Nostalgia, Nonsense, and Dislocation -- 9. A Souvenir of Love -- 10. Film and Enigmatization: Nostalgia, Nonsense, and Remembering -- 11. Transnational Exchanges, Questions of Culture, and Global Cinema: Defining the Dynamics of Changing Relationships -- 12. Transnationalization of the Local in Hong Kong Cinema of the 1990s -- 13. The Intimate Spaces of Wong Kar-wai -- Glossary -- Selected Bibliography -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z. |
Record Nr. | UNINA-9910808386303321 |
Minneapolis, : University of Minnesota Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to Hong Kong cinema / / edited by Esther M. K. Cheung, Gina Marchetti, and Esther C.M. Yau |
Pubbl/distr/stampa | Chichester, West Sussex, [England] : , : John Wiley & Sons, , 2015 |
Descrizione fisica | 1 online resource (642 pages) |
Disciplina | 791.43095125 |
Collana | Wiley Blackwell Companions to National Cinemas |
Soggetto topico |
Motion pictures - China - Hong Kong - History and criticism
Documentary films - China - Hong Kong - History and criticism Documentary films |
Soggetto genere / forma | Electronic books. |
ISBN |
1-119-06603-4
1-118-88354-3 1-118-88356-X 1-118-88359-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Esther M.K. Cheung, Gina Marchetti & Esther C. M. Yau -- Section A: Critical paradigms: defining Hong Kong cinema studies. Watchful partners, hidden currents: Hong Kong cinema moving into the mainland of China / Esther C.M. Yau -- The urban maze: crisis and topography in Hong Kong cinema / Esther M.K. Cheung -- Hong Kong cinema as ethnic borderland / Kwai-Cheung Lo -- Hong Kong cinema in the age of neoliberalization and mainlandization: Hong Kong SAR new wave as a cinema of anxiety / Mirana May Szeto & Yun-Chung Chen -- Commentary: dimensions of Hong Kong cinema / Sheldon Lu -- Section B: Critical geographies. Hong Kong cinema's exotic others: re-examining the Hong Kong body in the context of Asian regionalism / Olivia Khoo -- Animating the translocal: the Mcdull films as a cultural and visual expression of Hong Kong / Kimburley Wing-Yee Choi & Steve Fore -- Globalizing Hong Kong cinema through Japan / David Desser -- Creative cinematic geographies through the Hong Kong international film festival / Cindy Hing-Yuk Wong -- Postmodernity, Han normativity and Hong Kong cinema / Evans Chan -- Commentary: critical geographies / Stephen Yiu-Wai Chu -- The gendered body and queer configurations. Feminism, post-feminism, and Hong Kong women filmmakers / Gina Marchetti -- Love in the city: the placing of intimacy in urban romance films / Helen Hok-Sze Leung -- Regulating queer domesticity in the neoliberal diaspora / Audrey Yue -- Commentary: to love is to demand: a very short commentary / Shu-Mei Shih -- Hong Kong stars. Return of the dragon: handover, Hong Kong cinema, and Chinese ethno-nationalism / Paul Bowman -- Transitional stardom: the case of Jimmy Wang Yu / Tony Williams -- Camp stars of androgyny: a study of Leslie Cheung and Anita Mui's body images of desire / Natalia Siu-Hung Chan -- Cooling Faye Wong: a cosmopolitical intervention / Kin-Yan Szeto -- Commentary: Hong Kong stars and stardom / Gary Bettinson -- Section E: narratives and aesthetics. Making merry on time: a feast of nostalgia in watching Chinese New Year films / Fiona Yuk-Wa Law -- A pan-Asian cinema of allusion: Going home and Dumplings / Bliss Cua Lim -- Double agents, cameos, and the poor man's orchestra: music and place in Chungking Express / Giorgio Biancorosso -- Documenting sentiments in video diaries around 1997: archeology of forgotten screen practices / Linda Chiu-Han Lai -- Commentary: the dynamics of off-centeredness in Hong Kong cinema / Yingjin Zhang -- Section F: screen histories and documentary practices. The lightness of history: screening the past in Hong Kong cinema / Vivian P.Y. Lee -- The tales of Fang Peilin and Zhu Shilin: from rethinking Hong Kong cinema to rewriting Chinese film history / Ain-Ling Wong -- The documentary film in Hong Kong / Ian Aitken & Mike Ingham -- Representations of law in Hong Kong cinema / Marco Wan -- Commentary: cinema and the cultural politics of identity: Hong Kong no more? / Stephen Ching-Kiu Chan. |
Record Nr. | UNINA-9910131542403321 |
Chichester, West Sussex, [England] : , : John Wiley & Sons, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to Hong Kong cinema / / edited by Esther M. K. Cheung, Gina Marchetti, and Esther C.M. Yau |
Pubbl/distr/stampa | Chichester, West Sussex, [England] : , : John Wiley & Sons, , 2015 |
Descrizione fisica | 1 online resource (642 pages) |
Disciplina | 791.43095125 |
Collana | Wiley Blackwell Companions to National Cinemas |
Soggetto topico |
Motion pictures - China - Hong Kong - History and criticism
Documentary films - China - Hong Kong - History and criticism Documentary films |
ISBN |
1-119-06603-4
1-118-88354-3 1-118-88356-X 1-118-88359-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Esther M.K. Cheung, Gina Marchetti & Esther C. M. Yau -- Section A: Critical paradigms: defining Hong Kong cinema studies. Watchful partners, hidden currents: Hong Kong cinema moving into the mainland of China / Esther C.M. Yau -- The urban maze: crisis and topography in Hong Kong cinema / Esther M.K. Cheung -- Hong Kong cinema as ethnic borderland / Kwai-Cheung Lo -- Hong Kong cinema in the age of neoliberalization and mainlandization: Hong Kong SAR new wave as a cinema of anxiety / Mirana May Szeto & Yun-Chung Chen -- Commentary: dimensions of Hong Kong cinema / Sheldon Lu -- Section B: Critical geographies. Hong Kong cinema's exotic others: re-examining the Hong Kong body in the context of Asian regionalism / Olivia Khoo -- Animating the translocal: the Mcdull films as a cultural and visual expression of Hong Kong / Kimburley Wing-Yee Choi & Steve Fore -- Globalizing Hong Kong cinema through Japan / David Desser -- Creative cinematic geographies through the Hong Kong international film festival / Cindy Hing-Yuk Wong -- Postmodernity, Han normativity and Hong Kong cinema / Evans Chan -- Commentary: critical geographies / Stephen Yiu-Wai Chu -- The gendered body and queer configurations. Feminism, post-feminism, and Hong Kong women filmmakers / Gina Marchetti -- Love in the city: the placing of intimacy in urban romance films / Helen Hok-Sze Leung -- Regulating queer domesticity in the neoliberal diaspora / Audrey Yue -- Commentary: to love is to demand: a very short commentary / Shu-Mei Shih -- Hong Kong stars. Return of the dragon: handover, Hong Kong cinema, and Chinese ethno-nationalism / Paul Bowman -- Transitional stardom: the case of Jimmy Wang Yu / Tony Williams -- Camp stars of androgyny: a study of Leslie Cheung and Anita Mui's body images of desire / Natalia Siu-Hung Chan -- Cooling Faye Wong: a cosmopolitical intervention / Kin-Yan Szeto -- Commentary: Hong Kong stars and stardom / Gary Bettinson -- Section E: narratives and aesthetics. Making merry on time: a feast of nostalgia in watching Chinese New Year films / Fiona Yuk-Wa Law -- A pan-Asian cinema of allusion: Going home and Dumplings / Bliss Cua Lim -- Double agents, cameos, and the poor man's orchestra: music and place in Chungking Express / Giorgio Biancorosso -- Documenting sentiments in video diaries around 1997: archeology of forgotten screen practices / Linda Chiu-Han Lai -- Commentary: the dynamics of off-centeredness in Hong Kong cinema / Yingjin Zhang -- Section F: screen histories and documentary practices. The lightness of history: screening the past in Hong Kong cinema / Vivian P.Y. Lee -- The tales of Fang Peilin and Zhu Shilin: from rethinking Hong Kong cinema to rewriting Chinese film history / Ain-Ling Wong -- The documentary film in Hong Kong / Ian Aitken & Mike Ingham -- Representations of law in Hong Kong cinema / Marco Wan -- Commentary: cinema and the cultural politics of identity: Hong Kong no more? / Stephen Ching-Kiu Chan. |
Record Nr. | UNINA-9910831033303321 |
Chichester, West Sussex, [England] : , : John Wiley & Sons, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hong Kong neo-noir / / edited by Esther C.M. Yau and Tony Williams [[electronic resource]] |
Autore | Yau Esther |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press Ltd, , 2017 |
Descrizione fisica | 1 online resource (xiv, 266 pages) : digital, PDF file(s) |
Disciplina | 791.43/655095125 |
Collana | Edinburgh studies in East Asian film |
Soggetto topico | Film noir - China - Hong Kong - History and criticism |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-4744-1268-8
1-4744-1267-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Seeds of Noir in Hong Kong Cinema -- 'A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Lisa Odham Stokes -- Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Law Kar -- Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Kristof Van den Troost -- Neo-Noir Films in Close-Up -- Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Adam Bingham -- Running on Karma: Hong Kong Noir and the Political Unconscious / Gina Marchetti -- Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / David Desser -- Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Kwai-Cheung Lo -- Three Cosmopolitan Cityspace and Neo-Noir -- ; 8. Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Julian Stringer -- Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Kenneth E. Hall -- Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / Jinhee Choi -- The Tentacles of History: Shinjuku Incident's Return of the Repressed / Tony Williams. |
Record Nr. | UNINA-9910792835003321 |
Yau Esther | ||
Edinburgh : , : Edinburgh University Press Ltd, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hong Kong neo-noir / / edited by Esther C.M. Yau and Tony Williams [[electronic resource]] |
Autore | Yau Esther |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press Ltd, , 2017 |
Descrizione fisica | 1 online resource (xiv, 266 pages) : digital, PDF file(s) |
Disciplina | 791.43/655095125 |
Collana | Edinburgh studies in East Asian film |
Soggetto topico | Film noir - China - Hong Kong - History and criticism |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-4744-1268-8
1-4744-1267-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Seeds of Noir in Hong Kong Cinema -- 'A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid / Lisa Odham Stokes -- Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57 / Law Kar -- Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir / Kristof Van den Troost -- Neo-Noir Films in Close-Up -- Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir / Adam Bingham -- Running on Karma: Hong Kong Noir and the Political Unconscious / Gina Marchetti -- Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema / David Desser -- Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films / Kwai-Cheung Lo -- Three Cosmopolitan Cityspace and Neo-Noir -- ; 8. Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene / Julian Stringer -- Running Out of Time, Hard-Boiled and 24-Hour Cityspace / Kenneth E. Hall -- Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism / Jinhee Choi -- The Tentacles of History: Shinjuku Incident's Return of the Repressed / Tony Williams. |
Record Nr. | UNINA-9910811047403321 |
Yau Esther | ||
Edinburgh : , : Edinburgh University Press Ltd, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|