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Cult Media : Re-packaged, Re-released and Restored / / edited by Jonathan Wroot, Andy Willis
| Cult Media : Re-packaged, Re-released and Restored / / edited by Jonathan Wroot, Andy Willis |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 227 p. 7 illus. in color.) |
| Disciplina | 791.43653 |
| Soggetto topico |
Motion pictures
Communication Motion pictures - Production and direction Film/TV Technology Film/TV Industry Media Studies Film and TV Production |
| ISBN | 3-319-63679-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction – Jonathan Wroot and Andy Willis -- 2. I – The Cult Business: Creating Consumption: Jonathan Wroot, ‘Battle Royale as a One Film Franchise: Charting a Commercial Cult Phenomenon through DVD and Blu-ray releases’ -- 3. Mark McKenna, ‘Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution’ -- 4. Matt Hills, ‘A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neocultural Capital’ -- 5. Lee Broughton, ‘Restoration, Restoration, Restoration: charting the changing appearance of The Good, the Bad and the Ugly on British home video’ -- 6. Katie Barnett, ‘It’s Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks’ -- 7. II – Cult Practices: The Consumption and Reception of Cult Media: E.W. Nikdel, ‘Cult Fandom and Experiential Cinema’ -- 8. Virginia Crisp, ‘Pirates and Proprietary Rights: Perceptions of ‘Ownership’ and Media Objects within Filesharing Communities’ -- 9. E. Charlotte Stevens, ‘On Vidding: The Home Media Archive and Vernacular Historiography’ -- 10. Oliver Carter and Simon Barber, ‘The Dragon Lives Again: Distributing “Bruceploitation” via Home Entertainment’ -- 11. Rayna Denison, ‘Bollywood DVD: The Relationship between Distributive Technology and Content in Transnational Cinema’ -- 12. Fraser Elliot, ‘The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain's Reception Context’. . |
| Record Nr. | UNINA-9910255072703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
DVD, Blu-ray and Beyond : Navigating Formats and Platforms within Media Consumption / / edited by Jonathan Wroot, Andy Willis
| DVD, Blu-ray and Beyond : Navigating Formats and Platforms within Media Consumption / / edited by Jonathan Wroot, Andy Willis |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XIII, 244 p. 14 illus., 11 illus. in color.) |
| Disciplina | 791.4 |
| Soggetto topico |
Motion pictures and television
Culture Technology Communication Digital media Screen Studies Culture and Technology Media and Communication Digital/New Media |
| ISBN | 3-319-62758-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction – Jonathan Wroot and Andy Willis -- 2. I. The Continuing Significance of Discs in Film Consumption - Jason Scott, ‘Disneyizing Home Entertainment Distribution’ -- 3. Andrew James Myers, ‘“Now I am the Master:” Home Video, Canon, and Authorship among George, Lucasfilm, Fox, and Fans’ -- 4. Christopher Holliday, ‘Combining Nemo: Pixar Home Media and the DVD of Narrative Integration’ -- 5. Jonathan Wroot, ‘Letting the Fans Be Involved: Third Window’s Cultivation of an Audience for Disc Releases’ -- 6. Ruari Elkington, ‘The Education Market for Screen Media: DVD in a time of Digital Abundance’ -- 7. II. Contexts: Patterns of Distribution, Exhibition and Consumption - Roderik Smits, ‘Film Distribution: A Changing Business’ -- 8. Shane O’Sullivan, ‘The Rise of the Feature Documentary – Fact or Fiction? -- 9. Matthew Freeman, ‘Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytelling’ -- 10. Samuel Ward, ‘Between Box Sets and the Set-top Box: The Promotion of On Demand Television in Britain’ -- 11. Oliver Carter, ‘A Labour of Love: Fantrepeneurship in Home Video Media Distribution’ -- 12. Ksenia Frolova, ‘”To Own or Not to Own?..”: Video on Demand, DVD and Family Everyday Viewing and Consumption Practices’. |
| Record Nr. | UNINA-9910255087403321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||