Dancing to transform : how concert dance becomes religious in American Christianity / / Emily Wright |
Autore | Wright Emily <1965-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd, , [2021] |
Descrizione fisica | 1 online resource (179 pages) |
Disciplina | 793.3 |
Soggetto topico |
Dance - Religious aspects - Christianity
Dance - Social aspects |
ISBN |
1-78938-328-5
1-78938-329-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Dancing to Transform: How Concert Dance Becomes Religious in American Christianity -- Copyright -- Contents -- Acknowledgments -- Introduction -- Dancing | Christian -- Methodology -- Extending and expanding: Dance, religion, practice, performance -- Overview of chapters -- Conclusion -- 1 Making Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle Ages -- Greco-Roman influences -- Jewish influences -- The hymn of the dance -- The orans posture -- The Middle Ages: Dancing dominion and diversity -- Pilgrimage and labyrinths -- Elisabeth of Spalbeek -- Choreomania -- The danse macabre -- Renaissance | Reformation | Enlightenment -- European Renaissance -- Protestant Reformation -- The age of Enlightenment -- 2 American Christianity from the Seventeenth to the Nineteenth Century -- Contesting dance in America -- The Shakers -- American Methodism: Conversion and camp meetings -- The Methodist ring shout -- Institutionalization and segregation -- Native American dances: Reinvention and resilience -- The Indian Shaker Church -- The Ghost Dance -- The Holiness Movement: Walking by faith -- Conclusion -- 3 Dancing as American and/or Christian in the Twentieth Century -- The Protestant divide -- Pentecostalism: Baptism in the Holy Spirit -- American Evangelicalism: Engaged orthodoxy -- The liturgical movement -- The Jesus People: Countercultural Christianity and charismatic renewal -- Counter-awakening: New paradigms and megachurches -- Emerging identities: The rise of the Nones -- Modern dance in the twentieth century -- Subversion and expansion in mid-century concert dance -- Postmodern dance -- Liturgical dance in the twentieth century -- William Guthrie: Liturgical dance pioneer -- Margaret Taylor and the art of symbolic movement -- Sacred Dance Guild.
Carla De Sola: Shaping theology and practice of liturgical dance -- Contemporary liturgical dance -- Conclusion -- 4 "Let Us Praise His Name with Dancing": Ballet Magnificat! and the Transformation of Concert into Church -- Our testimony was confirmed among you -- Dancing devotionalism -- Reading dance in the Bible -- Performative prayers of inspiration -- Disciplining the dancing body -- Dancing Christian bodies as instruments of God -- Dancing evangelists -- Choreographing church in -- Dancing in the aisles -- Conclusion: In the world, but not of it -- 5 Servant Artists: Ad Deum Dance Company and the Transformation of Suffering -- The challenges of childhood suffering in Christianity -- Transforming suffering into sacred pain -- Dancing as a sacrifice of worship -- Choreographic apologetics -- Dancing healing prayers -- Testaments to suffering in Ad Deum's -- Conclusion: Choreographies of endurance -- 6 Befriending the Both/And: Dishman + Co. Choreography and the Transformation of the Choreographic Process -- Converting to modern dance -- Dance as a discipline of humility -- Choreographies of devotion -- Practicing love: Lifestyle evangelism and acts of service -- Fold Rhapsody: Dwelling in a threshold space -- Conclusion: Dancing the threshold -- 7 Dancing Divine Love: Karin Stevens Dance and the Transformation of the Spiritual Journey -- Sensing into | through | beyond dance and Christianity -- Practicing palimpsests of love -- Three winters, three dances, three transformations -- Dormant - Exploding Syndrome - Ashcloud -- (re)MOVE: Back Towards Again the (re)TURN Facing -- Epiphany, sea lions, and LUNG -- LUNG -- Conclusion -- Conclusion: Spiraling Outward in a Post-Christian World -- Interpersonal transformation -- Notes -- Introduction. Chapter 1 Making Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle Ages -- Chapter 2 American Christianity from the Seventeenth to the Nineteenth Century -- Chapter 3 Dancing as American and/or Christian in the Twentieth Century -- Chapter 4 "Let Us Praise His Name with Dancing": Ballet Magnificat! and the Transformation of Concert into Church -- Chapter 5 Servant Artists: Ad Deum Dance Company and the Transformation of Suffering -- Chapter 6 Befriending the Both/And: Dishman + Co. Choreography andthe Transformation of the Choreographic Process -- Chapter 7 Dancing Divine Love: Karin Stevens Dance and the 115 Transformation of the Spiritual Journey -- References -- Index -- Back Cover. |
Record Nr. | UNINA-9910795250903321 |
Wright Emily <1965-> | ||
Bristol, England : , : Intellect Ltd, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Dancing to transform : how concert dance becomes religious in American Christianity / / Emily Wright |
Autore | Wright Emily <1965-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd, , [2021] |
Descrizione fisica | 1 online resource (179 pages) |
Disciplina | 793.3 |
Soggetto topico |
Dance - Religious aspects - Christianity
Dance - Social aspects |
ISBN |
1-78938-328-5
1-78938-329-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Dancing to Transform: How Concert Dance Becomes Religious in American Christianity -- Copyright -- Contents -- Acknowledgments -- Introduction -- Dancing | Christian -- Methodology -- Extending and expanding: Dance, religion, practice, performance -- Overview of chapters -- Conclusion -- 1 Making Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle Ages -- Greco-Roman influences -- Jewish influences -- The hymn of the dance -- The orans posture -- The Middle Ages: Dancing dominion and diversity -- Pilgrimage and labyrinths -- Elisabeth of Spalbeek -- Choreomania -- The danse macabre -- Renaissance | Reformation | Enlightenment -- European Renaissance -- Protestant Reformation -- The age of Enlightenment -- 2 American Christianity from the Seventeenth to the Nineteenth Century -- Contesting dance in America -- The Shakers -- American Methodism: Conversion and camp meetings -- The Methodist ring shout -- Institutionalization and segregation -- Native American dances: Reinvention and resilience -- The Indian Shaker Church -- The Ghost Dance -- The Holiness Movement: Walking by faith -- Conclusion -- 3 Dancing as American and/or Christian in the Twentieth Century -- The Protestant divide -- Pentecostalism: Baptism in the Holy Spirit -- American Evangelicalism: Engaged orthodoxy -- The liturgical movement -- The Jesus People: Countercultural Christianity and charismatic renewal -- Counter-awakening: New paradigms and megachurches -- Emerging identities: The rise of the Nones -- Modern dance in the twentieth century -- Subversion and expansion in mid-century concert dance -- Postmodern dance -- Liturgical dance in the twentieth century -- William Guthrie: Liturgical dance pioneer -- Margaret Taylor and the art of symbolic movement -- Sacred Dance Guild.
Carla De Sola: Shaping theology and practice of liturgical dance -- Contemporary liturgical dance -- Conclusion -- 4 "Let Us Praise His Name with Dancing": Ballet Magnificat! and the Transformation of Concert into Church -- Our testimony was confirmed among you -- Dancing devotionalism -- Reading dance in the Bible -- Performative prayers of inspiration -- Disciplining the dancing body -- Dancing Christian bodies as instruments of God -- Dancing evangelists -- Choreographing church in -- Dancing in the aisles -- Conclusion: In the world, but not of it -- 5 Servant Artists: Ad Deum Dance Company and the Transformation of Suffering -- The challenges of childhood suffering in Christianity -- Transforming suffering into sacred pain -- Dancing as a sacrifice of worship -- Choreographic apologetics -- Dancing healing prayers -- Testaments to suffering in Ad Deum's -- Conclusion: Choreographies of endurance -- 6 Befriending the Both/And: Dishman + Co. Choreography and the Transformation of the Choreographic Process -- Converting to modern dance -- Dance as a discipline of humility -- Choreographies of devotion -- Practicing love: Lifestyle evangelism and acts of service -- Fold Rhapsody: Dwelling in a threshold space -- Conclusion: Dancing the threshold -- 7 Dancing Divine Love: Karin Stevens Dance and the Transformation of the Spiritual Journey -- Sensing into | through | beyond dance and Christianity -- Practicing palimpsests of love -- Three winters, three dances, three transformations -- Dormant - Exploding Syndrome - Ashcloud -- (re)MOVE: Back Towards Again the (re)TURN Facing -- Epiphany, sea lions, and LUNG -- LUNG -- Conclusion -- Conclusion: Spiraling Outward in a Post-Christian World -- Interpersonal transformation -- Notes -- Introduction. Chapter 1 Making Christian Movements: Differentiation and Adaptation in Christianity from the Patristic Era to the Middle Ages -- Chapter 2 American Christianity from the Seventeenth to the Nineteenth Century -- Chapter 3 Dancing as American and/or Christian in the Twentieth Century -- Chapter 4 "Let Us Praise His Name with Dancing": Ballet Magnificat! and the Transformation of Concert into Church -- Chapter 5 Servant Artists: Ad Deum Dance Company and the Transformation of Suffering -- Chapter 6 Befriending the Both/And: Dishman + Co. Choreography andthe Transformation of the Choreographic Process -- Chapter 7 Dancing Divine Love: Karin Stevens Dance and the 115 Transformation of the Spiritual Journey -- References -- Index -- Back Cover. |
Record Nr. | UNINA-9910813822403321 |
Wright Emily <1965-> | ||
Bristol, England : , : Intellect Ltd, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|