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A companion to Shakespeare and performance [[electronic resource] /] / edited by Barbara Hodgdon and W.B. Worthen
| A companion to Shakespeare and performance [[electronic resource] /] / edited by Barbara Hodgdon and W.B. Worthen |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2005 |
| Descrizione fisica | 1 online resource (706 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
HodgdonBarbara <1932->
WorthenWilliam B. <1955-> |
| Collana | Blackwell companions to literature and culture |
| ISBN |
1-78268-496-4
1-280-23726-0 9786610237265 1-4051-6506-5 0-470-99670-6 1-4051-5023-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Shakespeare and Performance; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Introduction: A Kind of History; Part I Overviews: Terms of Performance; 1 Reconstructing Love: King Lear and Theater Architecture; 2 Shakespeare's Two Bodies; 3 Ragging Twelfth Night: 1602, 1996, 2002-3; 4 On Location; 5 Where is Hamlet? Text, Performance, and Adaptation; 6 Shakespeare and the Possibilities of Postcolonial Performance; Part II Materialities: Writing and Performance; 7 The Imaginary Text, or the Curse of the Folio; 8 Shakespearean Screen/Play
9 What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet10 Editors in Love? Performing Desire in Romeo and Juliet; 11 Prefixing the Author: Print, Plays, and Performance; Part III Histories; 12 Shakespeare the Victorian; 13 Shakespeare Goes Slumming: Harlem '37 and Birmingham '97; 14 Stanislavski, Othello, and the Motives of Eloquence; 15 Shakespeare, Henry VI and the Festival of Britain; 16 Encoding/Decoding Shakespeare: Richard III at the 2002 Stratford Festival; 17 Performance as Deflection; 18 Maverick Shakespeare 19 Inheriting the Globe: The Reception of Shakespearean Space and Audience in Contemporary Reviewing20 Performing History: Henry IV, Money, and the Fashion of the Times; Part IV Performance Technologies, Cultural Technologies; 21 ''Are We Being Theatrical Yet?'': Actors, Editors, and the Possibilities of Dialogue; 22 Shakespeare on the Record; 23 SShockspeare: (Nazi) Shakespeare Goes Heil-lywood; 24 Game Space/Tragic Space: Julie Taymor's Titus; 25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture; 26 Shakespeare on Vacation; Part V Identities of Performance 27 Visions of Color: Spectacle, Spectators, and the Performance of Race 28 Shakespeare and the Fiction of the Intercultural; 29 Guying the Guys and Girling The Shrew:(Post)Feminist Fun at Shakespeare's Globe; 30 Queering the Audience: All-Male Casts in Recent Productions of Shakespeare; 31 A Thousand Shakespeare's: From Cinematic Saga to Feminist Geography or, The Escape from Iceland; 32 Conflicting Fields of Vision: Performing Self and Other in Two Intercultural Shakespeare Productions; Part VI Performing Pedagogies; 33 Teaching Through Performance 34 ''The eye of man hath not heard, / The ear of manhath not seen'': Teaching Tools for Speaking ShakespeareIndex |
| Record Nr. | UNINA-9910143297003321 |
| Malden, MA, : Blackwell Pub., 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Shakespeare and performance [[electronic resource] /] / edited by Barbara Hodgdon and W.B. Worthen
| A companion to Shakespeare and performance [[electronic resource] /] / edited by Barbara Hodgdon and W.B. Worthen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2005 |
| Descrizione fisica | 1 online resource (706 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
HodgdonBarbara <1932->
WorthenWilliam B. <1955-> |
| Collana | Blackwell companions to literature and culture |
| ISBN |
1-78268-496-4
1-280-23726-0 9786610237265 1-4051-6506-5 0-470-99670-6 1-4051-5023-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Shakespeare and Performance; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Introduction: A Kind of History; Part I Overviews: Terms of Performance; 1 Reconstructing Love: King Lear and Theater Architecture; 2 Shakespeare's Two Bodies; 3 Ragging Twelfth Night: 1602, 1996, 2002-3; 4 On Location; 5 Where is Hamlet? Text, Performance, and Adaptation; 6 Shakespeare and the Possibilities of Postcolonial Performance; Part II Materialities: Writing and Performance; 7 The Imaginary Text, or the Curse of the Folio; 8 Shakespearean Screen/Play
9 What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet10 Editors in Love? Performing Desire in Romeo and Juliet; 11 Prefixing the Author: Print, Plays, and Performance; Part III Histories; 12 Shakespeare the Victorian; 13 Shakespeare Goes Slumming: Harlem '37 and Birmingham '97; 14 Stanislavski, Othello, and the Motives of Eloquence; 15 Shakespeare, Henry VI and the Festival of Britain; 16 Encoding/Decoding Shakespeare: Richard III at the 2002 Stratford Festival; 17 Performance as Deflection; 18 Maverick Shakespeare 19 Inheriting the Globe: The Reception of Shakespearean Space and Audience in Contemporary Reviewing20 Performing History: Henry IV, Money, and the Fashion of the Times; Part IV Performance Technologies, Cultural Technologies; 21 ''Are We Being Theatrical Yet?'': Actors, Editors, and the Possibilities of Dialogue; 22 Shakespeare on the Record; 23 SShockspeare: (Nazi) Shakespeare Goes Heil-lywood; 24 Game Space/Tragic Space: Julie Taymor's Titus; 25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture; 26 Shakespeare on Vacation; Part V Identities of Performance 27 Visions of Color: Spectacle, Spectators, and the Performance of Race 28 Shakespeare and the Fiction of the Intercultural; 29 Guying the Guys and Girling The Shrew:(Post)Feminist Fun at Shakespeare's Globe; 30 Queering the Audience: All-Male Casts in Recent Productions of Shakespeare; 31 A Thousand Shakespeare's: From Cinematic Saga to Feminist Geography or, The Escape from Iceland; 32 Conflicting Fields of Vision: Performing Self and Other in Two Intercultural Shakespeare Productions; Part VI Performing Pedagogies; 33 Teaching Through Performance 34 ''The eye of man hath not heard, / The ear of manhath not seen'': Teaching Tools for Speaking ShakespeareIndex |
| Record Nr. | UNISA-996214582203316 |
| Malden, MA, : Blackwell Pub., 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A companion to Shakespeare and performance / / edited by Barbara Hodgdon and W.B. Worthen
| A companion to Shakespeare and performance / / edited by Barbara Hodgdon and W.B. Worthen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2005 |
| Descrizione fisica | 1 online resource (706 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
HodgdonBarbara <1932->
WorthenWilliam B. <1955-> |
| Collana | Blackwell companions to literature and culture |
| ISBN |
1-78268-496-4
1-280-23726-0 9786610237265 1-4051-6506-5 0-470-99670-6 1-4051-5023-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Shakespeare and Performance; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Introduction: A Kind of History; Part I Overviews: Terms of Performance; 1 Reconstructing Love: King Lear and Theater Architecture; 2 Shakespeare's Two Bodies; 3 Ragging Twelfth Night: 1602, 1996, 2002-3; 4 On Location; 5 Where is Hamlet? Text, Performance, and Adaptation; 6 Shakespeare and the Possibilities of Postcolonial Performance; Part II Materialities: Writing and Performance; 7 The Imaginary Text, or the Curse of the Folio; 8 Shakespearean Screen/Play
9 What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet10 Editors in Love? Performing Desire in Romeo and Juliet; 11 Prefixing the Author: Print, Plays, and Performance; Part III Histories; 12 Shakespeare the Victorian; 13 Shakespeare Goes Slumming: Harlem '37 and Birmingham '97; 14 Stanislavski, Othello, and the Motives of Eloquence; 15 Shakespeare, Henry VI and the Festival of Britain; 16 Encoding/Decoding Shakespeare: Richard III at the 2002 Stratford Festival; 17 Performance as Deflection; 18 Maverick Shakespeare 19 Inheriting the Globe: The Reception of Shakespearean Space and Audience in Contemporary Reviewing20 Performing History: Henry IV, Money, and the Fashion of the Times; Part IV Performance Technologies, Cultural Technologies; 21 ''Are We Being Theatrical Yet?'': Actors, Editors, and the Possibilities of Dialogue; 22 Shakespeare on the Record; 23 SShockspeare: (Nazi) Shakespeare Goes Heil-lywood; 24 Game Space/Tragic Space: Julie Taymor's Titus; 25 Shakespeare Stiles Style: Shakespeare, Julia Stiles, and American Girl Culture; 26 Shakespeare on Vacation; Part V Identities of Performance 27 Visions of Color: Spectacle, Spectators, and the Performance of Race 28 Shakespeare and the Fiction of the Intercultural; 29 Guying the Guys and Girling The Shrew:(Post)Feminist Fun at Shakespeare's Globe; 30 Queering the Audience: All-Male Casts in Recent Productions of Shakespeare; 31 A Thousand Shakespeare's: From Cinematic Saga to Feminist Geography or, The Escape from Iceland; 32 Conflicting Fields of Vision: Performing Self and Other in Two Intercultural Shakespeare Productions; Part VI Performing Pedagogies; 33 Teaching Through Performance 34 ''The eye of man hath not heard, / The ear of manhath not seen'': Teaching Tools for Speaking ShakespeareIndex |
| Record Nr. | UNINA-9910826009903321 |
| Malden, MA, : Blackwell Pub., 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen
| Modern drama : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 |
| Descrizione fisica | 1 online resource (xiii, 212 pages) |
| Disciplina | 809.2/04 |
| Collana | Heritage |
| Soggetto topico | Drama - 20th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4426-2092-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Modern Drama/Modernity's Drama / Diamond, Elin -- Aesthetic Prejudice in Modern Drama / Sidnell, Michael J. -- Why Modern Plays Are Not Culture: Disciplinary Blind Spots / Jackson, Shannon -- Quo Vadis? Theatre Studies at the Crossroads / Fischer-Lichte, Erika -- Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage / Garner, Stanton B. -- Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama / Kruger, Loren -- Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht / Case, Sue-Ellen -- The Haunted Houses of Modernity / Savran, David -- Hauntings: Anxiety, Technology, and Gender in Peter Pan / Wilson, Ann -- Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism / Lee, Josephine -- Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop / Filewod, Alan -- August Wilson, Doubling, Madness, and Modern African-American Drama / Elam, Harry J. -- Works Cited -- Works Cited |
| Record Nr. | UNINA-9910467040703321 |
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama [[electronic resource] ] : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen
| Modern drama [[electronic resource] ] : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 |
| Descrizione fisica | 1 online resource (xiii, 212 pages) |
| Disciplina | 809.2/04 |
| Collana | Heritage |
| Soggetto topico | Drama - 20th century - History and criticism |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| ISBN |
1-4426-5863-0
1-4426-2092-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Modern Drama/Modernity's Drama / Diamond, Elin -- Aesthetic Prejudice in Modern Drama / Sidnell, Michael J. -- Why Modern Plays Are Not Culture: Disciplinary Blind Spots / Jackson, Shannon -- Quo Vadis? Theatre Studies at the Crossroads / Fischer-Lichte, Erika -- Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage / Garner, Stanton B. -- Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama / Kruger, Loren -- Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht / Case, Sue-Ellen -- The Haunted Houses of Modernity / Savran, David -- Hauntings: Anxiety, Technology, and Gender in Peter Pan / Wilson, Ann -- Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism / Lee, Josephine -- Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop / Filewod, Alan -- August Wilson, Doubling, Madness, and Modern African-American Drama / Elam, Harry J. -- Works Cited -- Works Cited |
| Record Nr. | UNINA-9910796308403321 |
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama [[electronic resource] ] : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen
| Modern drama [[electronic resource] ] : defining the field / / edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 |
| Descrizione fisica | 1 online resource (xiii, 212 pages) |
| Disciplina | 809.2/04 |
| Collana | Heritage |
| Soggetto topico | Drama - 20th century - History and criticism |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| ISBN |
1-4426-5863-0
1-4426-2092-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Modern Drama/Modernity's Drama / Diamond, Elin -- Aesthetic Prejudice in Modern Drama / Sidnell, Michael J. -- Why Modern Plays Are Not Culture: Disciplinary Blind Spots / Jackson, Shannon -- Quo Vadis? Theatre Studies at the Crossroads / Fischer-Lichte, Erika -- Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage / Garner, Stanton B. -- Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama / Kruger, Loren -- Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht / Case, Sue-Ellen -- The Haunted Houses of Modernity / Savran, David -- Hauntings: Anxiety, Technology, and Gender in Peter Pan / Wilson, Ann -- Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism / Lee, Josephine -- Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop / Filewod, Alan -- August Wilson, Doubling, Madness, and Modern African-American Drama / Elam, Harry J. -- Works Cited -- Works Cited |
| Record Nr. | UNINA-9910812991403321 |
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||