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Impossible puzzle films : a cognitive approach to contemporary complex cinema / / Miklós Kiss and Steven Willemsen
| Impossible puzzle films : a cognitive approach to contemporary complex cinema / / Miklós Kiss and Steven Willemsen |
| Autore | Kiss Miklós (College teacher) |
| Pubbl/distr/stampa | Edinburgh, [Scotland] : , : Edinburgh University Press, , 2017 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 791.43684 |
| Soggetto topico |
Motion pictures - Philosophy
Narration (Rhetoric) |
| ISBN |
1-4744-3047-3
1-4744-0674-2 1-4744-0673-4 |
| Classificazione | AP 45200 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Introduction -- I.1 In this book -- Chapter 1 Contemporary Complex Cinema -- 1.1 Complex conditions: the resurgence of narrative complexity -- 1.2 Complex cinema as brain-candy for the empowered viewer -- 1.3 Narrative taxonomies: simple, complex, puzzle plots -- Chapter 2 Cognitive Approach to Contemporary Complex Cinema -- 2.1 Why an (embodied-)cognitive approach? -- 2.2 Various forms of complexity and their effects on sense-making -- 2.3 A cognitive approach to classifying complexity -- Chapter 3 Narrative Complexity and Dissonant Cognitions -- 3.1 The concept of cognitive dissonance -- 3.2 Cognitions in dissonance: from social psychology to narrative engagement -- 3.3 Types of dissonance in narrative comprehension -- 3.4 Cognitive access to impossible storyworlds: immersed and reflected operations -- 3.5 ‘Impossibilities’ and embodied cognition -- Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies -- 4.1 Cognitive dissonance versus narrative coherence -- 4.2 Reducing dissonance: interpretation and naturalisation -- 4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings -- 4.4 Frame-switching as hermeneutic play in impossible puzzle films -- Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration -- 5.2 Impossible puzzle films and (post-)classical narration -- Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles -- 6.1 Hermeneutic play and interpretive multiplicity -- 6.2 Orientation, navigation, mapping -- 6.3 Game logic and the fascination in failure -- 6.4 Effort justification -- 6.5 Diegetisation of decoupling -- 6.6 Fascination in infinity -- 6.7 Destabilised ontological certainty -- 6.8. Eudaimonic motivations and intrinsic needs -- References -- Filmography -- Index |
| Record Nr. | UNINA-9910792834803321 |
Kiss Miklós (College teacher)
|
||
| Edinburgh, [Scotland] : , : Edinburgh University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Impossible puzzle films : a cognitive approach to contemporary complex cinema / / Miklós Kiss and Steven Willemsen
| Impossible puzzle films : a cognitive approach to contemporary complex cinema / / Miklós Kiss and Steven Willemsen |
| Autore | Kiss Miklós (College teacher) |
| Pubbl/distr/stampa | Edinburgh, [Scotland] : , : Edinburgh University Press, , 2017 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 791.43684 |
| Soggetto topico |
Motion pictures - Philosophy
Narration (Rhetoric) |
| ISBN |
1-4744-3047-3
1-4744-0674-2 1-4744-0673-4 |
| Classificazione | AP 45200 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Introduction -- I.1 In this book -- Chapter 1 Contemporary Complex Cinema -- 1.1 Complex conditions: the resurgence of narrative complexity -- 1.2 Complex cinema as brain-candy for the empowered viewer -- 1.3 Narrative taxonomies: simple, complex, puzzle plots -- Chapter 2 Cognitive Approach to Contemporary Complex Cinema -- 2.1 Why an (embodied-)cognitive approach? -- 2.2 Various forms of complexity and their effects on sense-making -- 2.3 A cognitive approach to classifying complexity -- Chapter 3 Narrative Complexity and Dissonant Cognitions -- 3.1 The concept of cognitive dissonance -- 3.2 Cognitions in dissonance: from social psychology to narrative engagement -- 3.3 Types of dissonance in narrative comprehension -- 3.4 Cognitive access to impossible storyworlds: immersed and reflected operations -- 3.5 ‘Impossibilities’ and embodied cognition -- Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies -- 4.1 Cognitive dissonance versus narrative coherence -- 4.2 Reducing dissonance: interpretation and naturalisation -- 4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings -- 4.4 Frame-switching as hermeneutic play in impossible puzzle films -- Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration -- 5.2 Impossible puzzle films and (post-)classical narration -- Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles -- 6.1 Hermeneutic play and interpretive multiplicity -- 6.2 Orientation, navigation, mapping -- 6.3 Game logic and the fascination in failure -- 6.4 Effort justification -- 6.5 Diegetisation of decoupling -- 6.6 Fascination in infinity -- 6.7 Destabilised ontological certainty -- 6.8. Eudaimonic motivations and intrinsic needs -- References -- Filmography -- Index |
| Record Nr. | UNINA-9910827274503321 |
|
Kiss Miklós (College teacher)
|
||
| Edinburgh, [Scotland] : , : Edinburgh University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||