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Art and pluralism [[electronic resource] ] : Lawrence Alloway's cultural criticism / / Nigel Whiteley
| Art and pluralism [[electronic resource] ] : Lawrence Alloway's cultural criticism / / Nigel Whiteley |
| Autore | Whiteley Nigel |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2012 |
| Descrizione fisica | 1 online resource (986 p.) |
| Disciplina | 701 |
| Collana | Value art politics |
| Soggetto topico |
Art, Modern - 20th century
Pluralism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78138-614-5
1-78138-907-1 1-84631-670-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction
12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departure Section C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism 20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 1975 9. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism 5. Alloway's reputation |
| Record Nr. | UNINA-9910462746003321 |
Whiteley Nigel
|
||
| Liverpool, : Liverpool University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and pluralism [[electronic resource] ] : Lawrence Alloway's cultural criticism / / Nigel Whiteley
| Art and pluralism [[electronic resource] ] : Lawrence Alloway's cultural criticism / / Nigel Whiteley |
| Autore | Whiteley Nigel |
| Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2012 |
| Descrizione fisica | 1 online resource (xiv, 510 pages) : digital, PDF file(s) |
| Disciplina | 709.2 |
| Collana | Value, art, politics |
| Soggetto topico |
Art critics
Art - Philosophy Art, Modern - 20th century Pluralism |
| ISBN |
1-78138-614-5
1-78138-907-1 1-84631-670-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction
12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departure Section C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism 20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 1975 9. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism 5. Alloway's reputation |
| Record Nr. | UNINA-9910785520403321 |
|
Whiteley Nigel
|
||
| Liverpool : , : Liverpool University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and pluralism : Lawrence Alloway's cultural criticism / / Nigel Whiteley
| Art and pluralism : Lawrence Alloway's cultural criticism / / Nigel Whiteley |
| Autore | Whiteley Nigel |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2012 |
| Descrizione fisica | 1 online resource (xiv, 510 pages) : digital, PDF file(s) |
| Disciplina | 709.2 |
| Collana | Value art politics |
| Soggetto topico |
Art, Modern - 20th century
Pluralism |
| ISBN |
1-78138-614-5
1-78138-907-1 1-84631-670-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction
12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departure Section C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism 20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 1975 9. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism 5. Alloway's reputation |
| Record Nr. | UNINA-9910971848703321 |
|
Whiteley Nigel
|
||
| Liverpool, : Liverpool University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Design for society [[electronic resource] /] / Nigel Whiteley
| Design for society [[electronic resource] /] / Nigel Whiteley |
| Autore | Whiteley Nigel |
| Pubbl/distr/stampa | London, : Reaktion Books, 2006 |
| Descrizione fisica | 1 online resource (194 p.) |
| Disciplina |
745.4
745.4442 |
| Soggetto topico | Art and society |
| ISBN |
1-282-79585-6
9786612795855 1-86189-531-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Design for Society Cover; Imprint page; Contents; Photographic Acknowledgements; Preface; Introduction; 1 Consumer-led Design; 2 Green Design; 3 Responsible Design and Ethical Consuming; 4 Feminist Perspectives; 5 The Way Forward?; References; Select Bibliography; Index |
| Record Nr. | UNISA-996336450803316 |
|
Whiteley Nigel
|
||
| London, : Reaktion Books, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Design for society / / Nigel Whiteley
| Design for society / / Nigel Whiteley |
| Autore | Whiteley Nigel |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : Reaktion Books, 2006 |
| Descrizione fisica | 1 online resource (194 p.) |
| Disciplina |
745.4
745.4442 |
| Soggetto topico | Art and society |
| ISBN |
1-282-79585-6
9786612795855 1-86189-531-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Design for Society Cover; Imprint page; Contents; Photographic Acknowledgements; Preface; Introduction; 1 Consumer-led Design; 2 Green Design; 3 Responsible Design and Ethical Consuming; 4 Feminist Perspectives; 5 The Way Forward?; References; Select Bibliography; Index |
| Record Nr. | UNINA-9910331860403321 |
|
Whiteley Nigel
|
||
| London, : Reaktion Books, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||