Applied theatre : aesthetics / / Gareth White
| Applied theatre : aesthetics / / Gareth White |
| Autore | White Gareth <1968-> |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 792.01 |
| Altri autori (Persone) |
BalfourMichael
PrestonSheila |
| Collana | Applied Theatre |
| Soggetto topico | Theater - Aesthetics |
| ISBN |
1-4725-0759-2
1-4725-1177-8 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Introduction; Applied theatre, aesthetics and the aesthetic; Terminological drift and clarity; Beauty and engagement; An applied theatre aesthetic?; The chapters; Part 1; Chapter 1 Aesthetics and the Aesthetic; What do we mean when we talk about 'Aesthetics'?; Philosophical aesthetics; Immanuel Kant and the emergence of aesthetics; The critique of aesthetics and progressive alternatives; Dewey's pragmatist aesthetics; The aesthetics of participation; Interlude: Eye Queue Hear
Chapter 2 Aesthetic Autonomy and Heteronomous AestheticsAesthetic autonomy; Genius, participation and The Radical Aesthetic; Dependent beauty; Heteronomous aesthetics; Berleant and The Aesthetic Field; Shusterman: Updating pragmatism; Johnson and aesthetic understanding; Conclusion; Part 2; Chapter 3 Dancing With Difference: Moving Towards a New Aesthetics; Beauty reflected, recollected and reconceived; Moving beyond moving: StevensonThompson; Fevered Sleep and 'Social Works': On Ageing and Men and Girls Dance; Conclusion Chapter 4 Revolutionary Beauty out of Homophobic Hate: A Reflection on the Performance I Stand Corrected Applied politricks; Applied lackaesthetics; Beauty and the senses ; Beauty and the sacred; Beautiful women, ugly feelings; Thinking beauty; Beautifully black; Beautiful moves; Looking forward; Chapter 5 Competing International Players and their Aesthetic Imperatives: The Future of Internationalized Applied Theatre Practice?; Introduction; Aesthetics; Ethnoscape - a way of looking; Refugees; International interveners; European artists; Tourists; Conclusion Chapter 6 Aesthetic Play: Between Performance and JusticeIntroduction; Gacaca as a performative; Performing justice and reconciliation - Art's sublimation (2005); Gacaca as ikinimicu (2010); Conclusion; Chapter 7 The Political Imagination and Contemporary Theatre for Youth; Introduction; Political aesthetics; Rough Theatre today; Responding to young people's lives; Imagination, popular culture, Rough Theatre; Acquiescence: The Rock Eisteddfod Challenge; Popular culture as cultural pedagogy; Chapter 8 The Aesthetics of Becoming; Applied Theatre and the Quest for Cultural Certitude IntroductionAesthetic decisions in applied theatre settings; 'Baby Bird' drama: An example of genre shifts; Quadripartite thinking/quadripartite response; Aesthetic variables within the art form of drama; Conclusion; Epilogue; Notes; Introduction; Chapter 1; Interlude; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; References; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; Index |
| Record Nr. | UNINA-9910788199603321 |
White Gareth <1968->
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : aesthetics / / Gareth White
| Applied theatre : aesthetics / / Gareth White |
| Autore | White Gareth <1968-> |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 792.01 |
| Altri autori (Persone) |
BalfourMichael
PrestonSheila |
| Collana | Applied Theatre |
| Soggetto topico | Theater - Aesthetics |
| ISBN |
1-4725-0759-2
1-4725-1177-8 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Introduction; Applied theatre, aesthetics and the aesthetic; Terminological drift and clarity; Beauty and engagement; An applied theatre aesthetic?; The chapters; Part 1; Chapter 1 Aesthetics and the Aesthetic; What do we mean when we talk about 'Aesthetics'?; Philosophical aesthetics; Immanuel Kant and the emergence of aesthetics; The critique of aesthetics and progressive alternatives; Dewey's pragmatist aesthetics; The aesthetics of participation; Interlude: Eye Queue Hear
Chapter 2 Aesthetic Autonomy and Heteronomous AestheticsAesthetic autonomy; Genius, participation and The Radical Aesthetic; Dependent beauty; Heteronomous aesthetics; Berleant and The Aesthetic Field; Shusterman: Updating pragmatism; Johnson and aesthetic understanding; Conclusion; Part 2; Chapter 3 Dancing With Difference: Moving Towards a New Aesthetics; Beauty reflected, recollected and reconceived; Moving beyond moving: StevensonThompson; Fevered Sleep and 'Social Works': On Ageing and Men and Girls Dance; Conclusion Chapter 4 Revolutionary Beauty out of Homophobic Hate: A Reflection on the Performance I Stand Corrected Applied politricks; Applied lackaesthetics; Beauty and the senses ; Beauty and the sacred; Beautiful women, ugly feelings; Thinking beauty; Beautifully black; Beautiful moves; Looking forward; Chapter 5 Competing International Players and their Aesthetic Imperatives: The Future of Internationalized Applied Theatre Practice?; Introduction; Aesthetics; Ethnoscape - a way of looking; Refugees; International interveners; European artists; Tourists; Conclusion Chapter 6 Aesthetic Play: Between Performance and JusticeIntroduction; Gacaca as a performative; Performing justice and reconciliation - Art's sublimation (2005); Gacaca as ikinimicu (2010); Conclusion; Chapter 7 The Political Imagination and Contemporary Theatre for Youth; Introduction; Political aesthetics; Rough Theatre today; Responding to young people's lives; Imagination, popular culture, Rough Theatre; Acquiescence: The Rock Eisteddfod Challenge; Popular culture as cultural pedagogy; Chapter 8 The Aesthetics of Becoming; Applied Theatre and the Quest for Cultural Certitude IntroductionAesthetic decisions in applied theatre settings; 'Baby Bird' drama: An example of genre shifts; Quadripartite thinking/quadripartite response; Aesthetic variables within the art form of drama; Conclusion; Epilogue; Notes; Introduction; Chapter 1; Interlude; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; References; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; Index |
| Record Nr. | UNINA-9910815414403321 |
White Gareth <1968->
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audience Participation in Theatre : Evolutions of the Invitation / / by Gareth White
| Audience Participation in Theatre : Evolutions of the Invitation / / by Gareth White |
| Autore | White Gareth <1968-> |
| Edizione | [2nd ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (262 pages) |
| Disciplina | 792.022 |
| Soggetto topico |
Theater - History
Performing arts Theater Audiences Contemporary Theatre and Performance Theatre and Performance Arts Fan and Audience Studies |
| ISBN |
9783031698880
3031698886 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. -Chapter1 -- Process and Procedure. -Chapter2 -- Risk and Rational Action. - Chapter3.-Irrational Interactions. -chapter 4.-Accepting the Invitation. -Chapter 5.-Evolutions of the invitation. -Conclusion. -Bibliography. |
| Record Nr. | UNINA-9910920447003321 |
White Gareth <1968->
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||