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Administering Affect : Pop-Culture Japan and the Politics of Anxiety
| Administering Affect : Pop-Culture Japan and the Politics of Anxiety |
| Autore | White Daniel |
| Pubbl/distr/stampa | Redwood City : , : Stanford University Press, , 2022 |
| Descrizione fisica | 1 online resource (262 pages) |
| Disciplina | 306.0952 |
| Soggetto topico |
Anxiety - Political aspects - Japan
Cultural diplomacy - Japan Popular culture - Political aspects - Japan SOCIAL SCIENCE / Anthropology / Cultural & Social |
| Soggetto non controllato |
Cool Japan
Japan affect anthropology anxiety cultural diplomacy emotion nation branding popular culture soft power |
| ISBN | 1-5036-3220-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Notes on Language -- Introduction: Pop-Culture Japan and the Circuitry of Affect -- 1 Soft Power -- 2 Nation Branding -- 3 Anime Diplomacy -- 4 Kawaii Diplomacy -- 5 Administering Affect -- Conclusion: Melancholic Belonging and the Future of Pop-Culture Japan -- Notes -- References -- Index |
| Record Nr. | UNINA-9910838314103321 |
White Daniel
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| Redwood City : , : Stanford University Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film in the Anthropocene : Philosophy, Ecology, and Cybernetics / / by Daniel White
| Film in the Anthropocene : Philosophy, Ecology, and Cybernetics / / by Daniel White |
| Autore | White Daniel |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIV, 341 p. 2 illus.) |
| Disciplina | 128 |
| Soggetto topico |
Philosophy
Motion pictures Ethnology Philosophy of Man Audio-Visual Culture Cultural Anthropology |
| ISBN | 3-319-93015-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Stepping into the Play Frame—Cinema as Mammalian Communication -- 2. Janus’s Celluloid and Digital Faces: The Existential Cyborg—Autopoiēsis in Christopher Nolan’s Memento -- 3. Documentary Intertext: Robert Gardner’s Dead Birds 1964 -- 4. Cinema’s Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas -- 5. Documentary Intertext: John Marshall, The Hunters 1957 -- 6. Janus East and West: Multicultural Polyvocality—Trinh Minh-ha’s The Fourth Dimension and The Digital Film -- 7. Documentary Intertext: Trance and Dance in Bali 1951 -- 8. Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar -- 9. Documentary Intertext: André Singer’s and J. Stephen Lansing’s The Goddess and the Computer 1988 -- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film. |
| Record Nr. | UNINA-9910300622003321 |
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White Daniel
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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