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Art and dance in dialogue : body, space, object / / Sarah Whatley [and three others] editors
| Art and dance in dialogue : body, space, object / / Sarah Whatley [and three others] editors |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2020] |
| Descrizione fisica | 1 online resource (XIV, 265 p. 11 illus.) |
| Disciplina | 743.4 |
| Soggetto topico |
Human figure in art
Art and dance Body language in art |
| ISBN | 3-030-44085-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Marie-Louise Crawley, Katerina Paramana, Imogen Racz, and Sarah Whatley -- 2. ‘Networked Commensals: Bodily, relational and performative affordances of sharing food remotely’; Cinzia Cremona -- 3. ‘Unsound Bodies: Mapping manifolds in/of the dance’; Elise Nuding -- 4. ‘TV, Body and Landscape: Nam June Paik’s Show (2016)’; Yuh, J. Hwang -- 5. ‘Please Do Not Touch: Dancing with the sculptural works of Robert Therrien’; Marie-Louise Crawley -- 6. ‘The Holding Space: Body of (as) knowledge’; Sally Doughty, Lisa Kendall, and Rachel Krische -- 7. ‘Contextualising the Developing Self in Helen Chadwick’s Ego Geometria Sum’; Imogen Racz -- 8. ‘Cutting Onions, Cooking Stew: Stabilizing the unstable in Mexico City’; Ruth Hellier -- 9. ‘Series and Relics. On the presence of remainders in performance’s museum’; Susanne Foellmer -- 10. ‘Knitting Connection with the Red Ladies: Walking, remembering, transforming’; Sophie Lally -- 11. 'A Dance After All Hell Broke Loose: Mourning as ‘Quiet’ in Ralph Lemon’s How Can You Stay in the House All Day and Not Go Anywhere?”’; Alison Bory -- 12. ‘Theatre as FOMO: Metonymic spaces of William Forsythe’s KAMMER/KAMMER’; Tamara Tomic-Vajagic -- 13. ‘Broken Homes and Haunted Houses’; Gill Perry -- 14. ‘The Monumental and the Mundane: Living with public art in London’s East End’; Robert James Sutton. |
| Record Nr. | UNINA-9910483865103321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital Echoes [[electronic resource] ] : Spaces for Intangible and Performance-based Cultural Heritage / / edited by Sarah Whatley, Rosamaria K. Cisneros, Amalia Sabiescu
| Digital Echoes [[electronic resource] ] : Spaces for Intangible and Performance-based Cultural Heritage / / edited by Sarah Whatley, Rosamaria K. Cisneros, Amalia Sabiescu |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (343 pages) : color illustrations |
| Disciplina | 306.484 |
| Soggetto topico |
Performing arts
Cultural heritage Digital media |
| ISBN | 3-319-73817-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Introduction 1 Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu Part I Critical and Reflexive Engagements.-2 Considering the Relationship Between Digitally Mediated Audience Engagement and the Dance-Making Proces.-Laura Griffiths and Ben Walmsley 3 Performing the Uncanny: Psychoanalysis, Aestheticsand the Digital Double Suparna Banerjee 4 The Implications of Technology in Dance: A Dancer’s Perspective of Moving in Media-Rich Environments Kerry Francksen -- Part II Space, Time and Memory: Digital Interventions.-5 Bark and Butterflies: Redeeming the Past—Digital Interventions into Post-Memory Adrian Palka 6 Chorotopical Art: Mediating the Atmospheres of CulturalSites to Create a New Spatial Logic Liana Psarologaki.= 7 (Ukulele) Strings of Knowledge: Tactile and Digital Interactivity with Archives and Ethnography Rachel M. Ward and Kate Hennessy -- 8 Open State: Event Spaces of Infinite Perspective Adam Benjamin and Mathew Emmet.-Part III Preserving the Intangible: New Tools and Documentation Strategies .-9 Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System Jerri Daboo.-10 Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural Archive Alvin Eng Hui Lim.-11 Mediating and Visualizing Paxton’s Material for the Spine Rebecca Stancliffe.-12 In/Tangible: The Duality of Video Documentation in Dance Heather Young Reed.-13 Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive Hing Chao, Matt Delbridge, Sarah Kenderdine, Lydia Nicholson, and Jeffrey Shaw.-Part IV Authorship, Ownership and Legal Aspects.-14 Presenting the Intangible: Curating the Intangible Cultural Heritage in the Museum Practice—Legal Aspects Teodora Konach 15 Artworks-Spawning-Artworks: Trans-Disciplinary Approaches to Artistic Spin-Offs and Evolution in the Dance and Digital Context Jordan Beth Vincent, Caitlin Vincent, Kim Vincs, Scott deLahunta, and John McCormick -- 16 Preservation and Paradox: Choreographic Authorship in the Digital Sphere Hetty Blades.-17 Dance and Law: From Indifference to Rapport Charlotte Waelde Index . |
| Record Nr. | UNINA-9910300018303321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Error, ambiguity, and creativity [[electronic resource] ] : a multidisciplinary reader / / edited by Sita Popat, Sarah Whatley
| Error, ambiguity, and creativity [[electronic resource] ] : a multidisciplinary reader / / edited by Sita Popat, Sarah Whatley |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (260 pages) |
| Disciplina | 153.35 |
| Soggetto topico |
Dance
Digital media Engineering Medicine Performing arts Digital/New Media Engineering, general Medicine/Public Health, general Performing Arts |
| ISBN | 3-030-39755-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter 1: Introduction; Sarah Whatley -- 2. Chapter 2: Creative Thought-Spaces Nested in Ambiguity; Efva Lilja -- 3. Chapter 3: Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraits; Vendela Grundell -- 4. Chapter 4: Ambiguity in psychology; Jon May -- 5. Chapter 5: Art of the Accident; Ruth Gibson and Bruno Martelli -- 6. Chapter 6: Beyond Error: Philosophy of Indeterminacy in the Age of Algorithms; Jaime del Val -- 7. Chapter 7: ‘queer, wonderful misunderstandings’: Catachresis as Aesthetic in Contemporary Poetry; Callie Gardner -- 8. Chapter 8: Medical Error: a Misnomer?; Rory O’Connor -- 9. Chapter 9: On Counter-Mapping and Media-Flânerie: Artistic Strategies in the Age of Google Earth, Google Maps, and Google Street View; Emilio Vavarella -- 10. Chapter 10: Perhaps this can not be anything (on exercises in text production and critical typography, which make use of machine-made errors in processes of visual and semantic translation); Paul Wilson -- 11. Chapter 11: Error as music composition: human and material agencies; Scott McLaughlin -- 12. Chapter 12: Crashing Creatively: Trial and Error in the Hip Hop Battle; Sherril Dodds -- 13. Chapter 13: Written in Error: Definitions and Methods for Interdisciplinary and Multidisciplinary Research; Sarah Whatley. . |
| Record Nr. | UNINA-9910483715803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||