Nota di contenuto |
""Video Art Theory""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""Key characteristics of video art""; ""Problem of general characterization of video art""; ""Medium as a concept and the comparative and interdisciplinary approach of media""; ""Historiography of video art""; ""Classification and selection of video artworks""; ""Literature on video art""; ""References""; ""1 Immediacy versus Memory: Video Art in Relation to Television, Performance Art, and Home Video""; ""Gillian Wearing�s Trauma (2000) Juxtaposed to Joan Jonas�s Vertical Roll (1972)""
""Video Art Dealing with the Constant Movements of Audio-Visual Electronic Media, and the Immediacy and Socio-Cultural Aspects of Television""""From television and audiotape to videotape: Dynamic images interwoven with sounds""; ""Socio-cultural aspects of television interrogated by video art""; ""The Appeal of Immediacy: Video in Performance Art and Performance in Video Art""; ""Video performance defined as the use of video in performances""; ""Video performance defined as substitute for a live event""; ""Video as documentation of performances""
""The Application of the Mnemonic Ability of Video and the Relationship with Activist-Videos and Home Video""""Video as social documentation and recording tool in activism""; ""Video art and collective memory""; ""Home video as mnemonic device""; ""Notes""; ""References""; ""2 Immateriality versus Three-Dimensionality: Video Art as Sculpture, Installation Art, Projection, and Virtual Medium""; ""Lynn Hershman�s Tillie the Telerobotic Doll (1995) Juxtaposed to Andy Warhol�s Outer and Inner Space (1965)""; ""Television as an Object: Sculpture or Part of Architecture""
""Theory of boredom""""Video Art and Drawing""; ""Video Art and Painting""; ""Color in video art and the relationship between painting and avant-garde films""; ""Notes""; ""References""; ""4 Repetition and Fragmentation in Narrative: Video�s Appropriation and Subversion of Classical Cinema""; ""Candice Breitz�s Mother + Father (2005) Juxtaposed to Rodney Graham�s Vexation Island (1997) and Keren Cytter�s Corrections (2013)""; ""Aspects of Narrative in Video Art Reacting to Hollywood Films, and Views on Compulsive Repetition""; ""Theories on narrative applied to the three key works""
""Compulsive repetition""
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