Author's pen and actor's voice : playing and writing in Shakespeare's theatre / / Robert Weimann ; edited by Helen Higbee and William West [[electronic resource]] |
Autore | Weimann Robert |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
Descrizione fisica | 1 online resource (xiii, 298 pages) : digital, PDF file(s) |
Disciplina | 822.3/3 |
Collana | Cambridge studies in Renaissance literature and culture |
Soggetto topico |
Theater in literature
Acting in literature Drama - Technique |
ISBN |
1-107-12031-4
0-511-48407-0 1-280-16217-1 0-521-78735-1 0-511-32516-9 0-511-04600-6 0-511-15365-1 0-511-11866-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'. |
Altri titoli varianti | Author's Pen & Actor's Voice |
Record Nr. | UNINA-9910455320003321 |
Weimann Robert | ||
Cambridge : , : Cambridge University Press, , 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Author's pen and actor's voice : playing and writing in Shakespeare's theatre / Robert Weimann ; edited by Helen Higbee and William West |
Autore | Weimann Robert |
Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 2000 |
Descrizione fisica | 1 online resource (xiii, 298 pages) : digital, PDF file(s) |
Disciplina | 822.3/3 |
Altri autori (Persone) |
HigbeeHelen
WestWilliam N. |
Collana | Cambridge studies in Renaissance literature and culture |
Soggetto topico |
Theater in literature
Acting in literature Drama - Technique |
ISBN |
1-107-12031-4
0-511-48407-0 1-280-16217-1 0-521-78735-1 0-511-32516-9 0-511-04600-6 0-511-15365-1 0-511-11866-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Author's Pen & Actor's Voice |
Record Nr. | UNINA-9910780087703321 |
Weimann Robert | ||
Cambridge, : Cambridge University Press, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|