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Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline
| Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.43/6164 |
| Altri autori (Persone) |
WeinerRobert G. <1966->
ClineJohn |
| Soggetto topico |
Horror films - History and criticism
Thrillers (Motion pictures) - History and criticism Violence in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-71361-2
9786612713613 0-8108-7657-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. REALISM(S); CHAPTER 1. The Neorealist Transgressions of Pier Paolo Pasolini; CHAPTER 2. From Chicago to Watts by Way of Paris and Hollywood: Art-Film Influence on Melvin Van Peebles's Early Features; CHAPTER 3. At the Heart of The Heart of the World Guy Maddin in the Twenty-First Century; Part II. ITALIAN HORROR/GIALLI; CHAPTER 4. Menopausal Monsters and Sexual Transgression in Argento's Art Horror; CHAPTER 5. The More You Rape Their Senses, the Happier They Are: A History of Cannibal Holocaust
CHAPTER 6. A Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci's Zombie and Sergio Martino's Torso CHAPTER 7. Body in a Bed, Body Growing Dead: Uncanny Women in Joe D'Amato's Italian Exploitation Cinema; Part III. NEW YORK STATE OF MIND; CHAPTER 8. Bernie's "Deathwish": History and Transgression in New York City; CHAPTER 9. Troma Entertainment: The Boobs, Blood, and Brains of Reel Independence; CHAPTER 10. Exploitation Films and Success: The Half-Told Melodramas of Andy Milligan; Part IV. EXTREME EUROPEAN CINEMA CHAPTER 11. B Is for Bile, Blood, and Bones: On Corporeal Bodies in the Films of Peter Greenaway CHAPTER 12. The Films of the Vienna Action Group; CHAPTER 13. Reveries of Blood and Sand: The Cinema of Jean Rollin; CHAPTER 14. A Shadow Poet: Michael Haneke; Part V. CULTURE AT THE MARGINS; CHAPTER 15. Through the Looking Glass Darkly: Considering Theories of Nazi Film and Concepts of Transgression; CHAPTER 16. Christian Scare Films: The Unlikely Pairing of Director Ron Ormond and Preacher Estus Pirkle; CHAPTER 17. Stray Cat Rock: The Politics of Nikkatsu's "Bad Youth" Movies of the Early 1970's Part VI. CONTEMPORARY FILM CHAPTER 18. Flirting with Subversion: Mainstream Filmmaking, Transgression, and the Case of Joel Schumacher's 8MM; CHAPTER 19. HATED: GG Allin and the Murder Junkies: Scum Rock and the Unlikely Career of Todd Phillips; CHAPTER 20. Cinema of Regression: Grindhouse and the Limits of the Spectatorial Imaginary; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910458833703321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline
| Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.43/6164 |
| Altri autori (Persone) |
WeinerRobert G. <1966->
ClineJohn |
| Soggetto topico |
Horror films - History and criticism
Thrillers (Motion pictures) - History and criticism Violence in motion pictures |
| ISBN |
1-282-71361-2
9786612713613 0-8108-7657-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. REALISM(S); CHAPTER 1. The Neorealist Transgressions of Pier Paolo Pasolini; CHAPTER 2. From Chicago to Watts by Way of Paris and Hollywood: Art-Film Influence on Melvin Van Peebles's Early Features; CHAPTER 3. At the Heart of The Heart of the World Guy Maddin in the Twenty-First Century; Part II. ITALIAN HORROR/GIALLI; CHAPTER 4. Menopausal Monsters and Sexual Transgression in Argento's Art Horror; CHAPTER 5. The More You Rape Their Senses, the Happier They Are: A History of Cannibal Holocaust
CHAPTER 6. A Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci's Zombie and Sergio Martino's Torso CHAPTER 7. Body in a Bed, Body Growing Dead: Uncanny Women in Joe D'Amato's Italian Exploitation Cinema; Part III. NEW YORK STATE OF MIND; CHAPTER 8. Bernie's "Deathwish": History and Transgression in New York City; CHAPTER 9. Troma Entertainment: The Boobs, Blood, and Brains of Reel Independence; CHAPTER 10. Exploitation Films and Success: The Half-Told Melodramas of Andy Milligan; Part IV. EXTREME EUROPEAN CINEMA CHAPTER 11. B Is for Bile, Blood, and Bones: On Corporeal Bodies in the Films of Peter Greenaway CHAPTER 12. The Films of the Vienna Action Group; CHAPTER 13. Reveries of Blood and Sand: The Cinema of Jean Rollin; CHAPTER 14. A Shadow Poet: Michael Haneke; Part V. CULTURE AT THE MARGINS; CHAPTER 15. Through the Looking Glass Darkly: Considering Theories of Nazi Film and Concepts of Transgression; CHAPTER 16. Christian Scare Films: The Unlikely Pairing of Director Ron Ormond and Preacher Estus Pirkle; CHAPTER 17. Stray Cat Rock: The Politics of Nikkatsu's "Bad Youth" Movies of the Early 1970's Part VI. CONTEMPORARY FILM CHAPTER 18. Flirting with Subversion: Mainstream Filmmaking, Transgression, and the Case of Joel Schumacher's 8MM; CHAPTER 19. HATED: GG Allin and the Murder Junkies: Scum Rock and the Unlikely Career of Todd Phillips; CHAPTER 20. Cinema of Regression: Grindhouse and the Limits of the Spectatorial Imaginary; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910791585603321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline
| Cinema inferno [[electronic resource] ] : celluloid explosions from the cultural margins / / edited by Robert G. Weiner, John Cline |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.43/6164 |
| Altri autori (Persone) |
WeinerRobert G. <1966->
ClineJohn |
| Soggetto topico |
Horror films - History and criticism
Thrillers (Motion pictures) - History and criticism Violence in motion pictures |
| ISBN |
1-282-71361-2
9786612713613 0-8108-7657-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. REALISM(S); CHAPTER 1. The Neorealist Transgressions of Pier Paolo Pasolini; CHAPTER 2. From Chicago to Watts by Way of Paris and Hollywood: Art-Film Influence on Melvin Van Peebles's Early Features; CHAPTER 3. At the Heart of The Heart of the World Guy Maddin in the Twenty-First Century; Part II. ITALIAN HORROR/GIALLI; CHAPTER 4. Menopausal Monsters and Sexual Transgression in Argento's Art Horror; CHAPTER 5. The More You Rape Their Senses, the Happier They Are: A History of Cannibal Holocaust
CHAPTER 6. A Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci's Zombie and Sergio Martino's Torso CHAPTER 7. Body in a Bed, Body Growing Dead: Uncanny Women in Joe D'Amato's Italian Exploitation Cinema; Part III. NEW YORK STATE OF MIND; CHAPTER 8. Bernie's "Deathwish": History and Transgression in New York City; CHAPTER 9. Troma Entertainment: The Boobs, Blood, and Brains of Reel Independence; CHAPTER 10. Exploitation Films and Success: The Half-Told Melodramas of Andy Milligan; Part IV. EXTREME EUROPEAN CINEMA CHAPTER 11. B Is for Bile, Blood, and Bones: On Corporeal Bodies in the Films of Peter Greenaway CHAPTER 12. The Films of the Vienna Action Group; CHAPTER 13. Reveries of Blood and Sand: The Cinema of Jean Rollin; CHAPTER 14. A Shadow Poet: Michael Haneke; Part V. CULTURE AT THE MARGINS; CHAPTER 15. Through the Looking Glass Darkly: Considering Theories of Nazi Film and Concepts of Transgression; CHAPTER 16. Christian Scare Films: The Unlikely Pairing of Director Ron Ormond and Preacher Estus Pirkle; CHAPTER 17. Stray Cat Rock: The Politics of Nikkatsu's "Bad Youth" Movies of the Early 1970's Part VI. CONTEMPORARY FILM CHAPTER 18. Flirting with Subversion: Mainstream Filmmaking, Transgression, and the Case of Joel Schumacher's 8MM; CHAPTER 19. HATED: GG Allin and the Murder Junkies: Scum Rock and the Unlikely Career of Todd Phillips; CHAPTER 20. Cinema of Regression: Grindhouse and the Limits of the Spectatorial Imaginary; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910812761803321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner
| From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) |
ClineJohn <1981->
WeinerRobert G. <1966-> |
| Soggetto topico |
Sensationalism in motion pictures
Exploitation films |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-71360-4
9786612713606 0-8108-7655-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. EARLY TRANSGRESSIONS; CHAPTER 1. Erotica in the Service of Social Hygiene: Sexual Enlightenment Melodramas in Austro-Hungarian and Weimar German Cinema; CHAPTER 2. Kicking against the Pricks: The Perverseness of Erich von Stroheim; CHAPTER 3. Two Helens and a Host of Tricks: Tod Browning's The Thirteenth Chair; CHAPTER 4. The Prince of Exploitation: Dwain Esper; Part II. SEXPLOITATION; CHAPTER 5. Fondling Your Eyeballs: Watching Doris Wishman; CHAPTER 6. Exploring Cinema's Sordid Side: The Films of Sonney and Friedman
CHAPTER 7. In Celebration of Going Too Far: WaterpowerCHAPTER 8. The Last Film, the Last Book: Pasolini and Sade; Part III. EXHIBITION; CHAPTER 9. Horror at the Crossroads: Class, Gender, and Taste at the Rialto; CHAPTER 10. Japanese Grindhouse: The Tobita Cinema in Osaka; CHAPTER 11. Grindhouse and Beyond; CHAPTER 12. Art and Grind in Seattle; Part IV. TRANSGRESSIVE STARS; CHAPTER 13. The Humanist Transgressions of Lon Chaney; CHAPTER 14. The Perfect Threat Arch Hall Jr., The Sadist, and the Ideal Teenager; CHAPTER 15. The History of a Sexual Revolutionary: Jamie Gillis CHAPTER 16. Cult-ural Learnings from Borat: A Model for the New Standardized Cult FilmPart V. REALITY/DOCUMENTARYTRANSGRESSIONS; CHAPTER 17. The Transgressive Toke: Art and Misdemeanor in Deadhead Imagery; CHAPTER 18. The Real Faces of Death: Art Shock in Des Morts; CHAPTER 19. The Small World of Snuff: Fetish Custom Video; CHAPTER 20. There Is Nothing More Objectionable Than Objectivity: The Films of Peter Watkins; CHAPTER 21. It's Only a Movie?: Reality as Transgression in Exploitation Cinema; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910458835303321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner
| From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) |
ClineJohn <1981->
WeinerRobert G. <1966-> |
| Soggetto topico |
Sensationalism in motion pictures
Exploitation films |
| ISBN |
1-282-71360-4
9786612713606 0-8108-7655-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. EARLY TRANSGRESSIONS; CHAPTER 1. Erotica in the Service of Social Hygiene: Sexual Enlightenment Melodramas in Austro-Hungarian and Weimar German Cinema; CHAPTER 2. Kicking against the Pricks: The Perverseness of Erich von Stroheim; CHAPTER 3. Two Helens and a Host of Tricks: Tod Browning's The Thirteenth Chair; CHAPTER 4. The Prince of Exploitation: Dwain Esper; Part II. SEXPLOITATION; CHAPTER 5. Fondling Your Eyeballs: Watching Doris Wishman; CHAPTER 6. Exploring Cinema's Sordid Side: The Films of Sonney and Friedman
CHAPTER 7. In Celebration of Going Too Far: WaterpowerCHAPTER 8. The Last Film, the Last Book: Pasolini and Sade; Part III. EXHIBITION; CHAPTER 9. Horror at the Crossroads: Class, Gender, and Taste at the Rialto; CHAPTER 10. Japanese Grindhouse: The Tobita Cinema in Osaka; CHAPTER 11. Grindhouse and Beyond; CHAPTER 12. Art and Grind in Seattle; Part IV. TRANSGRESSIVE STARS; CHAPTER 13. The Humanist Transgressions of Lon Chaney; CHAPTER 14. The Perfect Threat Arch Hall Jr., The Sadist, and the Ideal Teenager; CHAPTER 15. The History of a Sexual Revolutionary: Jamie Gillis CHAPTER 16. Cult-ural Learnings from Borat: A Model for the New Standardized Cult FilmPart V. REALITY/DOCUMENTARYTRANSGRESSIONS; CHAPTER 17. The Transgressive Toke: Art and Misdemeanor in Deadhead Imagery; CHAPTER 18. The Real Faces of Death: Art Shock in Des Morts; CHAPTER 19. The Small World of Snuff: Fetish Custom Video; CHAPTER 20. There Is Nothing More Objectionable Than Objectivity: The Films of Peter Watkins; CHAPTER 21. It's Only a Movie?: Reality as Transgression in Exploitation Cinema; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910791585703321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner
| From the arthouse to the grindhouse [[electronic resource] ] : highbrow and lowbrow transgression in cinema's first century / / edited by John Cline, Robert G. Weiner |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) |
ClineJohn <1981->
WeinerRobert G. <1966-> |
| Soggetto topico |
Sensationalism in motion pictures
Exploitation films |
| ISBN |
1-282-71360-4
9786612713606 0-8108-7655-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; Part I. EARLY TRANSGRESSIONS; CHAPTER 1. Erotica in the Service of Social Hygiene: Sexual Enlightenment Melodramas in Austro-Hungarian and Weimar German Cinema; CHAPTER 2. Kicking against the Pricks: The Perverseness of Erich von Stroheim; CHAPTER 3. Two Helens and a Host of Tricks: Tod Browning's The Thirteenth Chair; CHAPTER 4. The Prince of Exploitation: Dwain Esper; Part II. SEXPLOITATION; CHAPTER 5. Fondling Your Eyeballs: Watching Doris Wishman; CHAPTER 6. Exploring Cinema's Sordid Side: The Films of Sonney and Friedman
CHAPTER 7. In Celebration of Going Too Far: WaterpowerCHAPTER 8. The Last Film, the Last Book: Pasolini and Sade; Part III. EXHIBITION; CHAPTER 9. Horror at the Crossroads: Class, Gender, and Taste at the Rialto; CHAPTER 10. Japanese Grindhouse: The Tobita Cinema in Osaka; CHAPTER 11. Grindhouse and Beyond; CHAPTER 12. Art and Grind in Seattle; Part IV. TRANSGRESSIVE STARS; CHAPTER 13. The Humanist Transgressions of Lon Chaney; CHAPTER 14. The Perfect Threat Arch Hall Jr., The Sadist, and the Ideal Teenager; CHAPTER 15. The History of a Sexual Revolutionary: Jamie Gillis CHAPTER 16. Cult-ural Learnings from Borat: A Model for the New Standardized Cult FilmPart V. REALITY/DOCUMENTARYTRANSGRESSIONS; CHAPTER 17. The Transgressive Toke: Art and Misdemeanor in Deadhead Imagery; CHAPTER 18. The Real Faces of Death: Art Shock in Des Morts; CHAPTER 19. The Small World of Snuff: Fetish Custom Video; CHAPTER 20. There Is Nothing More Objectionable Than Objectivity: The Films of Peter Watkins; CHAPTER 21. It's Only a Movie?: Reality as Transgression in Exploitation Cinema; Index; About the Editors and Contributors |
| Record Nr. | UNINA-9910813679203321 |
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker
| James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars, 2011 |
| Descrizione fisica | 1 online resource (543 p.) |
| Disciplina | 791.4375 |
| Altri autori (Persone) |
BeckerJack
WeinerRobert G. <1966-> WhitfieldB. Lynn |
| Soggetto topico |
Bond, James (Fictitious character)
James Bond films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-4384-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
TABLE OF CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART II; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; PART III; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; PART IV; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; PART V; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE CHAPTER THIRTY; CHAPTER THIRTY-ONE; CHAPTER THIRTY-TWO; PART VI; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CHAPTER THIRTY-SIX; CHAPTER THIRTY-SEVEN; CHAPTER THIRTY-EIGHT; AFTERWORD; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910463210703321 |
| Newcastle upon Tyne, : Cambridge Scholars, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker
| James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars, 2011 |
| Descrizione fisica | 1 online resource (543 p.) |
| Disciplina | 791.4375 |
| Altri autori (Persone) |
BeckerJack
WeinerRobert G. <1966-> WhitfieldB. Lynn |
| Soggetto topico |
Bond, James (Fictitious character)
James Bond films - History and criticism |
| ISBN | 1-4438-4384-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
TABLE OF CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART II; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; PART III; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; PART IV; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; PART V; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE CHAPTER THIRTY; CHAPTER THIRTY-ONE; CHAPTER THIRTY-TWO; PART VI; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CHAPTER THIRTY-SIX; CHAPTER THIRTY-SEVEN; CHAPTER THIRTY-EIGHT; AFTERWORD; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910786088203321 |
| Newcastle upon Tyne, : Cambridge Scholars, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker
| James Bond in world and popular culture [[electronic resource] ] : the films are not enough / / edited by Robert G. Weiner, B. Lynn Whitfield and Jack Becker |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars, 2011 |
| Descrizione fisica | 1 online resource (543 p.) |
| Disciplina | 791.4375 |
| Altri autori (Persone) |
BeckerJack
WeinerRobert G. <1966-> WhitfieldB. Lynn |
| Soggetto topico |
Bond, James (Fictitious character)
James Bond films - History and criticism |
| ISBN | 1-4438-4384-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
TABLE OF CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART II; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; PART III; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; PART IV; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CHAPTER TWENTY-TWO; CHAPTER TWENTY-THREE; CHAPTER TWENTY-FOUR; PART V; CHAPTER TWENTY-FIVE; CHAPTER TWENTY-SIX; CHAPTER TWENTY-SEVEN; CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE CHAPTER THIRTY; CHAPTER THIRTY-ONE; CHAPTER THIRTY-TWO; PART VI; CHAPTER THIRTY-THREE; CHAPTER THIRTY-FOUR; CHAPTER THIRTY-FIVE; CHAPTER THIRTY-SIX; CHAPTER THIRTY-SEVEN; CHAPTER THIRTY-EIGHT; AFTERWORD; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910815176903321 |
| Newcastle upon Tyne, : Cambridge Scholars, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner
| The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2015] |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 741.5/973 |
| Soggetto topico |
Joker (Fictitious character)
Comic books, strips, etc - United States - History and criticism Literature and society - United States |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover ""; ""THE JOKER ""; ""Title ""; ""Copyright ""; ""CONTENTS ""; ""ACKNOWLEDGMENTS ""; ""FOREWORD ""; ""INTRODUCTION ""; ""I. THE CHANGEABLE TRICKSTER ""; ""SHIFTING MAKEUPS: The Joker as Performance Style from Romero to Ledger ""; ""DOES THE JOKER HAVE SIX-INCH TEETH? ""; ""LADY HAHA: Performativity, Super-sanity, and the Mutability of Identity ""; ""EPISODES OF MADNESS: Representations of the Joker in Television and Animation ""; ""II. THE JOKER AND THE POLITICAL ""; ""THE OBAMA-JOKER: Assembling a Populist Monster ""
""KISS WITH A FIST: The Gendered Power Struggle of the Joker and Harley Quinn """"MORE THAN THE HOOD WAS RED: The Joker as Marxist ""; ""III. THE DIGITAL JOKER ""; ""NEVER GIVE �EM WHAT THEY EXPECT: The Joker Ethos as the Zeitgeist of Contemporary Digital Subcultural Transgression ""; ""PLAYING (WITH) THE VILLAIN: Critical Play and the Joker-as-Guide in Batman: Arkham Asylum ""; ""“WHY SO SERIOUS?�: Warner Bros.� Use of the Joker in Marketing The Dark Knight ""; ""IV. JOKER THEORY ""; ""RICTUS GRINS AND GLASGOW SMILES: The Joker as Satirical Discourse "" ""THE JOKER, CLOWN PRINCE OF NOBILITY: The “Master� Criminal, Nietzsche, and the Rise of the Superman """"THE JOKER PLAYS THE KING: Archetypes of the Underworld in Grant Morrison and Dave McKean�s Arkham Asylum: A Serious House on Serious Earth ""; ""MAKING SENSE SQUARED: Iteration and Synthesis in Grant Morrison�s Joker ""; ""“YOU COMPLETE ME�: The Joker as Symptom ""; ""AFTERWORD ""; ""CONTRIBUTORS ""; ""INDEX "" |
| Record Nr. | UNINA-9910463830703321 |
| Jackson : , : University Press of Mississippi, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
