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Developing a sense of place : the role of the arts in regenerating communities / / edited by Tamara Ashley and Alexis Weedon
| Developing a sense of place : the role of the arts in regenerating communities / / edited by Tamara Ashley and Alexis Weedon |
| Pubbl/distr/stampa | London : , : UCL Press, , [2020] |
| Descrizione fisica | 1 online resource (xxii, 299 pages) : illustrations |
| Disciplina | 700.103 |
| Soggetto topico | Arts and society |
| ISBN | 1-78735-765-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910418356703321 |
| London : , : UCL Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Developing a Sense of Place : the role of the arts in regenerating communities / / edited by Tamara Ashley, Alexis Weedon
| Developing a Sense of Place : the role of the arts in regenerating communities / / edited by Tamara Ashley, Alexis Weedon |
| Pubbl/distr/stampa | London : , : University College London Press, , 2020 |
| Descrizione fisica | 1 online resource (xxii, 299 pages) |
| Disciplina | 307 |
| Soggetto topico | Community life |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Hedley Roberts -- Introduction: Sensing place, a moment to reflect -- Section 1: Case studies of place-making. 1. Eastern Angles: A sense of place on stage -- 2. Lesson drawing and community engagement: The experience of Take A Part in Plymouth -- 3. Raising the Barr -- 4. Interview with E17 Art Trail directors Laura Kerry and Morag McGuire -- Section 2: Models and methods for developing place-making through the arts. 5. A model for university-town partnership in the arts: TestBeds -- 6. The Beam archive, Wakefield -- 7. This Is Not My House: Notes on film-making, photography and my father -- 8. Notions of place in relation to freelance arts careers: A study into the work of independent dancers -- Section 3: Multidisciplinary approaches to place and contested identities. 9. Performing places: Carnival, culture and the performance of contested national identities -- 10. A sense of place: From experience to language, from the Polish traveller through a Spanish saint to an adaptation of a Zimbabwean play -- 11. The EU migrant: Britain's sense of place in English newspaper journalism -- 12. Rethinking the photographic studio as a politicised space -- 13. Creative routine and dichotomies of space -- 14. Doing things differently: Contested identity across Manchester's arts culture quarters -- 15. First, second and third: Exploring Soja's Thirdspace theory in relation to everyday arts and culture for young people -- 16. A sense of play: (Re)animating place through recreational distance running -- 17. Shiftless Shuffle from Luton: An interview with Perry Louis -- Afterword / Tamara Ashley and Alexis Weedon. |
| Altri titoli varianti | Developing a Sense of Place |
| Record Nr. | UNINA-9910512206203321 |
| London : , : University College London Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon
| Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon |
| Autore | Barnett Vincent L. |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (247 p.) |
| Disciplina | 823/.912 |
| Altri autori (Persone) | WeedonAlexis |
| Soggetto topico | Authors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-14515-1
1-317-14514-3 1-315-57906-5 1-4724-2183-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures and Tables; Acknowledgments; Introduction; 1 Becoming a Writer: Glyn's Early British Career; 2 Transatlantic Girl: Publishing in America; 3 Hollywood Star: Negotiating the Rights to Film Adaptations; 4 Three Weeks: Novel, Play and Film; 5 Contracts in Conflict: The Royalties Received from Glyn's Films; 6 It: Novella, Film and Clara Bow; 7 Back to Britain: Glyn in the 1930's; Conclusion; Appendix 1: Bibliography of Elinor Glyn's Published Works; Appendix 2: Films Made from Elinor Glyn's Stories, 1914-1930; Appendix 3: The Prospects for UK Film Production
Appendix 4: On Filmic Storytelling: Elinor Glyn Bibliography; Index |
| Record Nr. | UNINA-9910464752903321 |
Barnett Vincent L.
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| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon
| Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon |
| Autore | Barnett Vincent L. |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (247 p.) |
| Disciplina | 823/.912 |
| Altri autori (Persone) | WeedonAlexis |
| Soggetto topico | Authors |
| ISBN |
1-317-14515-1
1-317-14514-3 1-315-57906-5 1-4724-2183-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures and Tables; Acknowledgments; Introduction; 1 Becoming a Writer: Glyn's Early British Career; 2 Transatlantic Girl: Publishing in America; 3 Hollywood Star: Negotiating the Rights to Film Adaptations; 4 Three Weeks: Novel, Play and Film; 5 Contracts in Conflict: The Royalties Received from Glyn's Films; 6 It: Novella, Film and Clara Bow; 7 Back to Britain: Glyn in the 1930's; Conclusion; Appendix 1: Bibliography of Elinor Glyn's Published Works; Appendix 2: Films Made from Elinor Glyn's Stories, 1914-1930; Appendix 3: The Prospects for UK Film Production
Appendix 4: On Filmic Storytelling: Elinor Glyn Bibliography; Index |
| Record Nr. | UNINA-9910786560503321 |
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Barnett Vincent L.
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| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon
| Elinor Glyn as novelist, moviemaker, glamour icon and businesswoman / / Vincent L. Barnett, Alexis Weedon |
| Autore | Barnett Vincent L. |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (247 p.) |
| Disciplina | 823/.912 |
| Altri autori (Persone) | WeedonAlexis |
| Soggetto topico | Authors |
| ISBN |
1-317-14515-1
1-317-14514-3 1-315-57906-5 1-4724-2183-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures and Tables; Acknowledgments; Introduction; 1 Becoming a Writer: Glyn's Early British Career; 2 Transatlantic Girl: Publishing in America; 3 Hollywood Star: Negotiating the Rights to Film Adaptations; 4 Three Weeks: Novel, Play and Film; 5 Contracts in Conflict: The Royalties Received from Glyn's Films; 6 It: Novella, Film and Clara Bow; 7 Back to Britain: Glyn in the 1930's; Conclusion; Appendix 1: Bibliography of Elinor Glyn's Published Works; Appendix 2: Films Made from Elinor Glyn's Stories, 1914-1930; Appendix 3: The Prospects for UK Film Production
Appendix 4: On Filmic Storytelling: Elinor Glyn Bibliography; Index |
| Record Nr. | UNINA-9910825039103321 |
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Barnett Vincent L.
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| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Transforming Faces for the Screen : Horror and Romance in The 1920s
| Transforming Faces for the Screen : Horror and Romance in The 1920s |
| Autore | Randell Karen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2023 |
| Descrizione fisica | 1 online resource (149 pages) |
| Disciplina | 791.436561 |
| Altri autori (Persone) | WeedonAlexis |
| ISBN | 3-031-40029-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Funding -- Contents -- About the Authors -- List of Figures -- Chapter 1: Introduction -- Transforming Faces for the Screen in the 1920s -- Who Were Elinor Glyn and Lon Chaney? -- The Masculine War-Body, Feminine Beauty and Cultural Difference -- 1920s Cosmetic Surgery and Beauty Culture in Film and Photography -- Beauty-and-the-Beast Myth and the Grotesque -- Chapter 2: Vilray Blair, MD, Lon Chaney and The Phantom of the Opera -- Facial Injury in Context -- The Fascination of Facial Injury Surgery -- Facial Injury and Film -- The Production of The Phantom of the Opera and the Anticipation of the Grotesque -- The Appearance of the Phantom -- Conclusion -- Chapter 3: Beauty Regimes, Facial Surgery and Elinor Glyn's Such Men Are Dangerous -- The Cosmetic Surgery and the Desire to Have 'It' -- The Moral Quandary of Surgical Transformation in 1920s Culture -- Elinor Glyn's Eternal Youth and Embodied Knowledge -- Glyn's Creative Reimagining Surgical Transformations in Story and Movie -- Such Men Are Dangerous (Hawks 1930) from the Elinor Glyn Story -- Such Men Are Dangerous as a Film about Dysmorphia, Self-transformation and Change of Identity -- Chapter 4: Masks, Prosthetics and Performance -- The Mask and the Work of Anna Coleman Ladd -- The Mask of the Red Death -- Chaney, Performance and Pain -- Conclusion -- Chapter 5: Unveiling Romance, Elinor Glyn's Man and Maid -- Elinor Glyn and Discourses of Female Beauty and Facial Disfigurement -- Post-war Narratives of Facial Disfigurement in Visual Culture -- The Face Radiates a Suggestion of Love: Elinor Glyn, Emile Coué and Embodied Knowledge -- Glyn's War and the Origin of Her Novel Man and Maid (1922) -- From Trauma to Romance in the Film Story of Man and Maid (Schertzinger 1925) -- Glyn's Embodied Knowledge and the First-Person Narrative in Man and Maid.
Chapter 6: In Conclusion, Visual Culture in the Archive -- Value of the Archive -- Bibliography -- Index. |
| Record Nr. | UNINA-9910760259803321 |
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Randell Karen
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| Cham : , : Springer International Publishing AG, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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