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Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
Autore Wager Jans B. <1958->
Edizione [1st ed.]
Pubbl/distr/stampa Austin, : University of Texas Press, c2005
Descrizione fisica 1 online resource (203 p.)
Disciplina 791.43/6552
Soggetto topico Film noir - History and criticism
Sex role in motion pictures
Race in motion pictures
Social classes in motion pictures
Soggetto genere / forma Electronic books.
ISBN 0-292-79684-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNINA-9910451659503321
Wager Jans B. <1958->  
Austin, : University of Texas Press, c2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
Autore Wager Jans B. <1958->
Edizione [1st ed.]
Pubbl/distr/stampa Austin, : University of Texas Press, c2005
Descrizione fisica 1 online resource (203 p.)
Disciplina 791.43/6552
Soggetto topico Film noir - History and criticism
Sex role in motion pictures
Race in motion pictures
Social classes in motion pictures
ISBN 0-292-79684-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction. DAMES AND DRIVING -- Part 1: Contents and Contexts -- 1. Manning the Posts: Classic Noir, Postclassic Noir, and Postmodernism -- 2. Sexing the Paradigm: Women and Men in Noir -- 3. Racing the Paradigm: The Whiteness of Film Noir -- Part 2: Prototypes in Classic Noir -- 4. The Killers (1946): Quintessential Noir? -- 5. Out of the Past (1947): Passive Masculinity and Active Femininities -- 6. Kiss Me Deadly (1955): Apocalyptic Femmes -- Part 3: Return of the Repressed in Retro-Noir -- 7. L.A. Confidential (1997) and Casablanca (1942): Does Anything Change as Time Goes By? -- 8. Mulholland Falls (1996): Nuclear Noir as Numbskull Noir -- 9. Fight Club (1999): Retro-Noir Masquerades as Neo-Noir -- Part 4: Revision of the Repressed in Neo-Noir -- 10. Twilight (1998): Age, Beauty, and Star Power-Survival of the Fittest -- 11. Fargo (1996): A Woman Who Is Not Herself Mean- Snow-swept Highways and Margie -- 12. Jackie Brown (1997): Gender, Race, Class, and Genre -- Conclusion. Doing It for bell: Cultural Criticism and Social Change -- Notes -- Works Cited -- Index
Record Nr. UNINA-9910777573803321
Wager Jans B. <1958->  
Austin, : University of Texas Press, c2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dames in the driver's seat : rereading film noir / / Jans B. Wager
Dames in the driver's seat : rereading film noir / / Jans B. Wager
Autore Wager Jans B. <1958->
Edizione [1st ed.]
Pubbl/distr/stampa Austin, : University of Texas Press, c2005
Descrizione fisica 1 online resource (203 p.)
Disciplina 791.43/6552
Soggetto topico Film noir - History and criticism
Sex role in motion pictures
Race in motion pictures
Social classes in motion pictures
ISBN 0-292-79684-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction. DAMES AND DRIVING -- Part 1: Contents and Contexts -- 1. Manning the Posts: Classic Noir, Postclassic Noir, and Postmodernism -- 2. Sexing the Paradigm: Women and Men in Noir -- 3. Racing the Paradigm: The Whiteness of Film Noir -- Part 2: Prototypes in Classic Noir -- 4. The Killers (1946): Quintessential Noir? -- 5. Out of the Past (1947): Passive Masculinity and Active Femininities -- 6. Kiss Me Deadly (1955): Apocalyptic Femmes -- Part 3: Return of the Repressed in Retro-Noir -- 7. L.A. Confidential (1997) and Casablanca (1942): Does Anything Change as Time Goes By? -- 8. Mulholland Falls (1996): Nuclear Noir as Numbskull Noir -- 9. Fight Club (1999): Retro-Noir Masquerades as Neo-Noir -- Part 4: Revision of the Repressed in Neo-Noir -- 10. Twilight (1998): Age, Beauty, and Star Power-Survival of the Fittest -- 11. Fargo (1996): A Woman Who Is Not Herself Mean- Snow-swept Highways and Margie -- 12. Jackie Brown (1997): Gender, Race, Class, and Genre -- Conclusion. Doing It for bell: Cultural Criticism and Social Change -- Notes -- Works Cited -- Index
Record Nr. UNINA-9910814101703321
Wager Jans B. <1958->  
Austin, : University of Texas Press, c2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Jazz and cocktails : rethinking race and the sound of film noir / / Jans B. Wager
Jazz and cocktails : rethinking race and the sound of film noir / / Jans B. Wager
Autore Wager Jans B. <1958->
Edizione [First edition.]
Pubbl/distr/stampa Austin, Texas : , : University of Texas Press, , [2017]
Descrizione fisica 1 online resource (176 pages)
Disciplina 791.43/6578
Soggetto topico Jazz in motion pictures
Film noir - History and criticism
Race in motion pictures
Sound in motion pictures
Motion pictures and music
ISBN 1-4773-1228-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction: nostalgia for the Lush Life -- Pie eye's juke joint : jazz and its interpretations -- The porters and waiters club : jazz, movies, and Ogden -- Studio jazz from Harlem to Acapulco -- The Blue Gardenia, Club Pigalle, and Daniel's : charting the alienation effect in film noir -- From Elysium to Robards, from real to reel -- A Paris bar where miles innovates -- "All the very gay places" : Ellington and Strayhorn swing in northern Michigan -- Cannoy's club : "All men are evil" -- "Jeep's blues" and jazz today.
Record Nr. UNINA-9910158580303321
Wager Jans B. <1958->  
Austin, Texas : , : University of Texas Press, , [2017]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui