Danish Television Drama : Global Lessons from a Small Nation / / edited by Anne Marit Waade, Eva Novrup Redvall, Pia Majbritt Jensen |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (272 pages) |
Disciplina |
791.456
301 |
Collana | Palgrave European Film and Media Studies |
Soggetto topico |
Motion pictures and television
Motion pictures—European influences Screen Studies European Cinema and TV |
ISBN | 3-030-40798-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Anne Marit Waade, Eva Novrup Redvall and Pia Majbritt Jensen: Lessons Learned from Danish Television Drama: From Screen Ideas to Value Creation in Production, Distribution and Reception -- Part 1: Global/Public Values in Danish Television Drama -- 2. Anne M. Waade: The Value Chain of Danish Television Drama Series; transnational and Cross-sectorial Perspectives -- 3. Gunhild Agger: The Golden Age: Danish Public Service Drama Series 1995–2015 -- 4. Janet McCabe: Why the World Fell for Borgen (2010-2013): Debating Democracy and the Role of Public Service Television as a (Trans)National Public Sphere in the Age of Globalisation -- 5. Sue Turnbull and Marion McCutcheon: Valuing the Global Impact of Danish TV drama series: An Australian case study -- Part 2: Small Nation Perspectives: Producing Danish Television Drama -- 6. Jakob Isak Nielsen: Stylish drama series – overt style in Danish drama series? -- 7. Kim Toft Hansen: Glocal Perspectives on Danish Television Drama -- 8. Eva Novrup Redvall: How do you educate the television writers and producers of tomorrow? A case study of one small nation approach to training television drama talent -- 9. Ruth McElroy: Bilingual crime drama as affinitive transnationalism or linguistic deracination? What Wales learned from Danish television drama. Vilde Schanke Sundet: Drama as Flagship Productions: Small Nation Television and Digital Distribution -- Part 3: Global Lessons: Distribution and Reception of Danish Television Drama -- 10. Pia M.Jensen & Ushma C. Jacobsen: Crowding proximities theory: Considering other proximities on the transnational travel of Danish television drama -- 11. Susanne Eichner & Andrea Esser: Distribution and consumption of Danish TV drama series in Germany and the UK -- 12. Matt Hills: Emotional Realism, Fandom and Saga’s End: Bron/Broen’s User-led and Broadcaster-led Transnationalisms -- 13. Lynge S. Gemzøe: Remaking Danish Television Drama in the US -- 14. Pia Majbritt Jensen: Whose success, really? Critical perspectives on whom, what and where stand to benefit from the success of Danish TV drama. |
Record Nr. | UNINA-9910483570303321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Locating Nordic Noir : From Beck to The Bridge / / by Kim Toft Hansen, Anne Marit Waade |
Autore | Toft Hansen Kim |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (IX, 313 p. 8 illus., 6 illus. in color.) |
Disciplina | 791.4 |
Collana | Palgrave European Film and Media Studies |
Soggetto topico |
Motion pictures and television
Ethnology—Europe Communication Popular culture Human geography Screen Studies European Culture Media and Communication Popular Culture Human Geography |
ISBN | 3-319-59815-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Where is Nordic Noir? -- 2. Part I: Local colour and location studies - Local colour and places on screen -- 3. Location studies: a topography of Nordic noir -- 4. Four perspectives on the Nordic region -- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone -- 6. Beck and character adaptations -- 7. Funding models and increasing transnationalism -- 8. Part III: Written for the Danish screen - The Killing and DR’s Danish model -- 9. Norskov and Danish commercial public service drama -- 10. The Team, Danish transnationalism and the local colour of Europe -- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original -- 12. Trapped and original Noir from Iceland and Norway -- 13. The Bridge, transnational co-productions and screen tourism -- 14. Con clusion: Nordic Noir beyond the Nordic. . |
Record Nr. | UNINA-9910255075603321 |
Toft Hansen Kim
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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