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Speaking pictures [[electronic resource] ] : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell
| Speaking pictures [[electronic resource] ] : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press, 2010 |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina | 792.0942/09031 |
| Altri autori (Persone) |
VaughanVirginia Mason
CioniFernando BessellJacquelyn <1967-> |
| Soggetto topico |
Theater - England - History - 16th century
Theater - England - History - 17th century Theater - Great Britain - History English drama - Early modern and Elizabethan, 1500-1600 - History and criticism English drama - History and criticism Visual perception in literature Visualization in literature Speech in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8386-4229-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction: Verbalizing the Visual and Visualizing the Verbal""; ""Staging Arthur, the Future King: Signs of Edward, the Black Prince""; ""The Place of the Human: Shakespeare�s Stage and the Bear Garden""; ""“Most truly limned and living in your face�: Looking at Pictures in Shakespeare""; ""“Why do you bend your eye on vacancy?�:""; ""Visual Meaning and Its Absence in""; ""Mist and Fog on the Elizabethan and Jacobean Stage""; ""Signifying the “Other� in Early Modern English Drama""
""Visualizing and Performing Jewishness: Jews and “Shylocks� on Stage from the Restoration to Late Romanticism""""Dramatic Illusion and Sympathetic Curiosity in Romantic Drama""; ""The Early Modern Physical Theater""; ""The Animal Within: The Study and Application of Animal Characteristics as Part of an Actor�s Preparation for a Role""; ""Works Cited""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910456944303321 |
| Madison, NJ, : Fairleigh Dickinson University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Speaking pictures [[electronic resource] ] : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell
| Speaking pictures [[electronic resource] ] : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press, 2010 |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina | 792.0942/09031 |
| Altri autori (Persone) |
VaughanVirginia Mason
CioniFernando BessellJacquelyn <1967-> |
| Soggetto topico |
Theater - England - History - 16th century
Theater - England - History - 17th century Theater - Great Britain - History English drama - Early modern and Elizabethan, 1500-1600 - History and criticism English drama - History and criticism Visual perception in literature Visualization in literature Speech in literature |
| ISBN | 0-8386-4229-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction: Verbalizing the Visual and Visualizing the Verbal""; ""Staging Arthur, the Future King: Signs of Edward, the Black Prince""; ""The Place of the Human: Shakespeare�s Stage and the Bear Garden""; ""“Most truly limned and living in your face�: Looking at Pictures in Shakespeare""; ""“Why do you bend your eye on vacancy?�:""; ""Visual Meaning and Its Absence in""; ""Mist and Fog on the Elizabethan and Jacobean Stage""; ""Signifying the “Other� in Early Modern English Drama""
""Visualizing and Performing Jewishness: Jews and “Shylocks� on Stage from the Restoration to Late Romanticism""""Dramatic Illusion and Sympathetic Curiosity in Romantic Drama""; ""The Early Modern Physical Theater""; ""The Animal Within: The Study and Application of Animal Characteristics as Part of an Actor�s Preparation for a Role""; ""Works Cited""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910780955603321 |
| Madison, NJ, : Fairleigh Dickinson University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Speaking pictures : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell
| Speaking pictures : the visual/verbal nexus of dramatic performance / / edited by Virginia Mason Vaughan, Fernando Cioni, and Jacquelyn Bessell |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press, 2010 |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina | 792.0942/09031 |
| Altri autori (Persone) |
VaughanVirginia Mason
CioniFernando BessellJacquelyn <1967-> |
| Soggetto topico |
Theater - England - History - 16th century
Theater - England - History - 17th century Theater - Great Britain - History English drama - Early modern and Elizabethan, 1500-1600 - History and criticism English drama - History and criticism Visual perception in literature Visualization in literature Speech in literature |
| ISBN | 0-8386-4229-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction: Verbalizing the Visual and Visualizing the Verbal""; ""Staging Arthur, the Future King: Signs of Edward, the Black Prince""; ""The Place of the Human: Shakespeare�s Stage and the Bear Garden""; ""“Most truly limned and living in your face�: Looking at Pictures in Shakespeare""; ""“Why do you bend your eye on vacancy?�:""; ""Visual Meaning and Its Absence in""; ""Mist and Fog on the Elizabethan and Jacobean Stage""; ""Signifying the “Other� in Early Modern English Drama""
""Visualizing and Performing Jewishness: Jews and “Shylocks� on Stage from the Restoration to Late Romanticism""""Dramatic Illusion and Sympathetic Curiosity in Romantic Drama""; ""The Early Modern Physical Theater""; ""The Animal Within: The Study and Application of Animal Characteristics as Part of an Actor�s Preparation for a Role""; ""Works Cited""; ""Contributors""; ""Index"" |
| Record Nr. | UNINA-9910808157603321 |
| Madison, NJ, : Fairleigh Dickinson University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Tempest : a critical reader / / edited by Alden T. Vaughan and Virginia Mason Vaughan
| The Tempest : a critical reader / / edited by Alden T. Vaughan and Virginia Mason Vaughan |
| Pubbl/distr/stampa | London ; ; New York : , : Bloomsbury Arden Shakespeare, , 2014 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 822.3/3 |
| Collana | Arden Early Modern Drama Guides |
| Soggetto topico | Tragicomedy - History and criticism |
| ISBN |
1-4725-1842-X
1-4725-9396-0 1-4725-1841-1 |
| Classificazione | LIT015000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Alden T. Vaughan -- The Critical Backstory: "What's Past is Prologue" / Virginia Mason Vaughan -- A Theatre of Attraction: Colonialism, Gender, and The Tempest's Performance History / Eckart Voigts -- Recent Perspectives on The Tempest / Brinda Charry -- New Directions: Sources and Creativity in The Tempest / Andrew Gurr -- New Directions: Commedia dell'Arte, The Tempest, and Transnational Criticism / Helen Whall -- New Directions: "He needs will be Absolute Milan": The Political Thought of The Tempest / Jeffrey A. Rufo -- New Directions: Shakespeare's Revolution? The Tempest as Scientific Romance / Scott Maisano -- "Volumes that / I prize": Resources for Studying and Teaching The Tempest / N. Amos Rothschild. |
| Record Nr. | UNINA-9910786656303321 |
| London ; ; New York : , : Bloomsbury Arden Shakespeare, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Tempest : a critical reader / / edited by Alden T. Vaughan and Virginia Mason Vaughan
| The Tempest : a critical reader / / edited by Alden T. Vaughan and Virginia Mason Vaughan |
| Pubbl/distr/stampa | London ; ; New York : , : Bloomsbury Arden Shakespeare, , 2014 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 822.3/3 |
| Collana | Arden Early Modern Drama Guides |
| Soggetto topico | Tragicomedy - History and criticism |
| ISBN |
1-4725-1842-X
1-4725-9396-0 1-4725-1841-1 |
| Classificazione | LIT015000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Alden T. Vaughan -- The Critical Backstory: "What's Past is Prologue" / Virginia Mason Vaughan -- A Theatre of Attraction: Colonialism, Gender, and The Tempest's Performance History / Eckart Voigts -- Recent Perspectives on The Tempest / Brinda Charry -- New Directions: Sources and Creativity in The Tempest / Andrew Gurr -- New Directions: Commedia dell'Arte, The Tempest, and Transnational Criticism / Helen Whall -- New Directions: "He needs will be Absolute Milan": The Political Thought of The Tempest / Jeffrey A. Rufo -- New Directions: Shakespeare's Revolution? The Tempest as Scientific Romance / Scott Maisano -- "Volumes that / I prize": Resources for Studying and Teaching The Tempest / N. Amos Rothschild. |
| Record Nr. | UNINA-9910818931303321 |
| London ; ; New York : , : Bloomsbury Arden Shakespeare, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan
| Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Arden Shakespeare, , 2020 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 822.3/3 |
| Collana | Arden Shakespeare (Critical studies) Women Making Shakespeare |
| Soggetto topico |
Feminist literary criticism
Women in literature Shakespeare studies & criticism |
| ISBN |
1-4725-3937-0
1-4725-3938-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Text -- 1 Edward III: Women and the Making of Shakespeare as Historical Dramatist Jean E. Howard -- 2 Beguiling Fictions Dympna Callaghan -- 3 'Bride-habited, but maiden-hearted': Language and Gender in The Two Noble Kinsmen Hannah Crawforth -- 4 Gender, the False Universal and Shakespeare's Comedies Hilda L. Smith -- 5 In Plain Sight: Visible Women and Early Modern Plays David Scott Kastan -- 6 Remaking the Texts: Women Editors of Shakespeare, Past and Present Valerie Wayne -- 7 'To be acknowledged, madam, is o'erpaid': Woman's Role in the Production of Scholarly Editions of Shakespeare Neil Taylor -- 8 Some Women Editors of Shakespeare: A Preliminary Sketch H. R. Woudhuysen -- 9 Bernice Kliman's Enfolded Hamlet John Lavagnino -- 10 Women Making Shakespeare - and Middleton and Jonson Suzanne Gossett -- Part Two: Reception -- 11 Juliet and the Vicissitudes of Gender Catherine Belsey -- 12 Women Painting Shakespeare: Angelica Kauffman's Text-images Keir Elam -- 13 Women Reading Witches, 1800-1850 Lucy Munro -- 14 Joanna Baillie: The Female Shakespeare Fiona Ritchie -- 15 The Girlhood of Mary Cowden Clarke Kate Chedgzoy -- 16 'A Sacred Trust': Helen Faucit, Geraldine Jewsbury, and the Idealized Shakespeare Lois Potter -- 17 Invisible Women: Mary Dunbar and The Shakespeare Birthday Book Anne Isherwood -- 18 'A marvelous convenient place': Women Reading Shakespeare in Montana, 1890-1918 Gretchen E. Minton -- 19 Remembering Charlotte Stopes Kathleen E. McLuskie -- 20 'Or was it Sh--p--re?': Shakespeare in the manuscript of Virginia Woolf's To the Lighthouse Reiko Oya -- Part Three: Performance -- 21 The Vere Street Desdemona: Othello and the Theatrical Englishwoman, 1602-1660 Clare McManus -- 22 Lady Forbes-Robertson's War Work: Gertrude Elliott and the Shakespeare Hut Performances, 1916-1919 Ailsa Grant Ferguson -- 23 Editing Olivier's Hamlet: An Interview with Helga Keller Gordon McMullan -- 24 Trusting the Words: Patsy Rodenburg, Laurence Olivier and the Women of Richard III Trudi Darby -- 25 Peggy of Anjou Russ McDonald -- 26 Women Playing Hamlet on the Spanish Stage José Manuel González -- 27 Re-making Katherina: Julia Marlowe and The Taming of the Shrew Elizabeth Schafer -- 28 Class, Identity, and Comic Choice: Bill Alexander's The Taming of the Shrew Iska Alter -- 29 Re-creating Katherina: The Taming of the Shrew at Shakespeare's Globe Farah Karim-Cooper -- 30 Ms-Directing Shakespeare at the Globe to Globe Festival, 2012 Sonia Massai -- 31 Sexing up Goneril: Feminism and Fetishization in Contemporary King Lear Performance Kevin A. Quarmby -- 32 Not Sycorax Judith Buchanan -- 33 'Miranda, where's your mother?': Female Prosperos and What They Tell Us Virginia Mason Vaughan -- 34 Joseph Cornell: A poem by John Thompson for Ann Thompson. |
| Record Nr. | UNINA-9910788933903321 |
| London, England : , : Bloomsbury Arden Shakespeare, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan
| Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Arden Shakespeare, , 2020 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 822.3/3 |
| Collana | Arden Shakespeare (Critical studies) Women Making Shakespeare |
| Soggetto topico |
Feminist literary criticism
Women in literature Shakespeare studies & criticism |
| ISBN |
1-4725-3937-0
1-4725-3938-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Text -- 1 Edward III: Women and the Making of Shakespeare as Historical Dramatist Jean E. Howard -- 2 Beguiling Fictions Dympna Callaghan -- 3 'Bride-habited, but maiden-hearted': Language and Gender in The Two Noble Kinsmen Hannah Crawforth -- 4 Gender, the False Universal and Shakespeare's Comedies Hilda L. Smith -- 5 In Plain Sight: Visible Women and Early Modern Plays David Scott Kastan -- 6 Remaking the Texts: Women Editors of Shakespeare, Past and Present Valerie Wayne -- 7 'To be acknowledged, madam, is o'erpaid': Woman's Role in the Production of Scholarly Editions of Shakespeare Neil Taylor -- 8 Some Women Editors of Shakespeare: A Preliminary Sketch H. R. Woudhuysen -- 9 Bernice Kliman's Enfolded Hamlet John Lavagnino -- 10 Women Making Shakespeare - and Middleton and Jonson Suzanne Gossett -- Part Two: Reception -- 11 Juliet and the Vicissitudes of Gender Catherine Belsey -- 12 Women Painting Shakespeare: Angelica Kauffman's Text-images Keir Elam -- 13 Women Reading Witches, 1800-1850 Lucy Munro -- 14 Joanna Baillie: The Female Shakespeare Fiona Ritchie -- 15 The Girlhood of Mary Cowden Clarke Kate Chedgzoy -- 16 'A Sacred Trust': Helen Faucit, Geraldine Jewsbury, and the Idealized Shakespeare Lois Potter -- 17 Invisible Women: Mary Dunbar and The Shakespeare Birthday Book Anne Isherwood -- 18 'A marvelous convenient place': Women Reading Shakespeare in Montana, 1890-1918 Gretchen E. Minton -- 19 Remembering Charlotte Stopes Kathleen E. McLuskie -- 20 'Or was it Sh--p--re?': Shakespeare in the manuscript of Virginia Woolf's To the Lighthouse Reiko Oya -- Part Three: Performance -- 21 The Vere Street Desdemona: Othello and the Theatrical Englishwoman, 1602-1660 Clare McManus -- 22 Lady Forbes-Robertson's War Work: Gertrude Elliott and the Shakespeare Hut Performances, 1916-1919 Ailsa Grant Ferguson -- 23 Editing Olivier's Hamlet: An Interview with Helga Keller Gordon McMullan -- 24 Trusting the Words: Patsy Rodenburg, Laurence Olivier and the Women of Richard III Trudi Darby -- 25 Peggy of Anjou Russ McDonald -- 26 Women Playing Hamlet on the Spanish Stage José Manuel González -- 27 Re-making Katherina: Julia Marlowe and The Taming of the Shrew Elizabeth Schafer -- 28 Class, Identity, and Comic Choice: Bill Alexander's The Taming of the Shrew Iska Alter -- 29 Re-creating Katherina: The Taming of the Shrew at Shakespeare's Globe Farah Karim-Cooper -- 30 Ms-Directing Shakespeare at the Globe to Globe Festival, 2012 Sonia Massai -- 31 Sexing up Goneril: Feminism and Fetishization in Contemporary King Lear Performance Kevin A. Quarmby -- 32 Not Sycorax Judith Buchanan -- 33 'Miranda, where's your mother?': Female Prosperos and What They Tell Us Virginia Mason Vaughan -- 34 Joseph Cornell: A poem by John Thompson for Ann Thompson. |
| Record Nr. | UNINA-9910825559503321 |
| London, England : , : Bloomsbury Arden Shakespeare, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan
| Women making Shakespeare : text, reception, performance / / edited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan |
| Pubbl/distr/stampa | London ; ; New York : , : Bloomsbury Arden Shakespeare, , [2014] |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 822.33 |
| Altri autori (Persone) |
McMullanGordon <1962->
OrlinLena Cowen VaughanVirginia Mason |
| Collana | Arden Shakespeare (Critical studies) Women Making Shakespeare |
| Soggetto topico |
Feminist literary criticism
Women in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4725-3937-0
1-4725-3938-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FC; Half title; Related Titles; Title; Copyright; Contents; Preface Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan; Acknowledgements; Part One: Text; 1 Edward III: Women and the Making of Shakespeare as Historical Dramatist Jean E. Howard; 2 Beguiling Fictions Dympna Callaghan; 3 'Bride-habited, but maiden-hearted': Language and Gender in The Two oble Kinsmen Hannah Crawfo; 4 Gender, the False Universal and Shakespeare's Comedies Hilda L. Smith; 5 In Plain Sight: Visible Women and Early Modern Plays David Scott Kastan
6 Remaking the Texts: Women Editors of Shakespeare, Past and Present Valerie Wayne7 'To be acknowledged, madam, is o'erpaid': Woman's Role in the Production of Scholarly Editions o; 8 Some Women Editors of Shakespeare: A Preliminary Sketch H. R. Woudhuysen; 9 Bernice Kliman's Enfolded Hamlet John Lavagnino; 10 Women Making Shakespeare - and Middleton and Jonson Suzanne Gossett; Part Two: Reception; 11 Juliet and the Vicissitudes of Gender Catherine Belsey; 12 Women Painting Shakespeare: Angelica Kauffman's Text-images Keir Elam 13 Women Reading Witches, 1800-1850 Lucy Munro14 Joanna Baillie: The Female Shakespeare Fiona Ritchie; 15 The Girlhood of Mary Cowden Clarke Kate Chedgzoy; 16 'A Sacred Trust': Helen Faucit, Geraldine Jewsbury, and the Idealized Shakespeare Lois Potter; 17 Invisible Women: Mary Dunbar and The Shakespeare Birthday Book Anne Isherwood; 18 'A marvelous convenient place': Women Reading Shakespeare in Montana, 1890-1918 Gretchen E. M; 19 Remembering Charlotte Stopes Kathleen E. McLuskie 20 'Or was it Sh-p-re?': Shakespeare in the manuscript of Virginia Woolf's To the Lighthouse ReiPart Three: Performance; 21 The Vere Street Desdemona: Othello and the Theatrical Englishwoman, 1602-1660 Clare McManus; 22 Lady Forbes-Robertson's War Work: Gertrude Elliott and the Shakespeare Hut Performances, 1916-1; 23 Editing Olivier's Hamlet: An Interview with Helga Keller Gordon McMullan; 24 Trusting the Words: Patsy Rodenburg, Laurence Olivier and the Women of Richard III Trudi Darb; 25 Peggy of Anjou Russ McDonald 26 Women Playing Hamlet on the Spanish Stage José Manuel González27 Re-making Katherina: Julia Marlowe and The Taming of the Shrew Elizabeth Schafer; 28 Class, Identity, and Comic Choice: Bill Alexander's The Taming of the Shrew Iska Alter; 29 Re-creating Katherina: The Taming of the Shrew at Shakespeare's Globe Farah Karim-Cooper; 30 Ms-Directing Shakespeare at the Globe to Globe Festival, 2012 Sonia Massai; 31 Sexing up Goneril: Feminism and Fetishization in Contemporary King Lear Performance Kevin A. ; 32 Not Sycorax Judith Buchanan 33 'Miranda, where's your mother?': Female Prosperos and What They Tell Us Virginia Mason Vaugha |
| Record Nr. | UNINA-9910511758203321 |
| London ; ; New York : , : Bloomsbury Arden Shakespeare, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||