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Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Soggetto topico |
Creative ability
Psychology and art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-72124-1
1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910453055903321 |
Van den Berk Tjeu
|
||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Soggetto topico |
Creative ability
Psychology and art |
| ISBN |
1-135-72735-X
0-203-72124-1 1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910779454803321 |
|
Van den Berk Tjeu
|
||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Soggetto topico |
Creative ability
Psychology and art |
| ISBN |
1-135-72735-X
0-203-72124-1 1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910812681203321 |
|
Van den Berk Tjeu
|
||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||