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Music in the classical world : genre, culture, and history / / Bertil van Boer
| Music in the classical world : genre, culture, and history / / Bertil van Boer |
| Autore | Van Boer Bertil H. |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (343 pages) |
| Disciplina | 780.9033 |
| Soggetto topico | Music - 18th century - History and criticism |
| ISBN |
1-351-38225-X
1-315-14557-X 1-351-38226-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; Detailed Contents; Preface; PART I Music and Style in the Classical Period; 1 Defining the Classical Period; What's in a Name?; The Chronological Conundrum; Parallels of the Late Baroque and Early Classical Periods; Definitions and the Rise of Theory, Aesthetics, and Musical Pedagogy; 2 The Emergence of the New Styles of Classical Period Music; National Styles; The Italian Style; The French Style; The German Style; Style Trends: Galant and Empfindsamkeit; Sturm und Drang: The Passionate Musical-ƯDramatic Embrace; High Classicism
PART II New Developments, Convergences, and Genres in the Classical Period3 The Expansion of the Orchestra and the Development of the Instruments; Development of Instruments and Performance Techniques; The Strings; The Woodwinds; Brass and Percussion; Keyboard Instruments; The Voice; The Expansion of the Orchestra; Performance Practice; 4 Genre as the Core of Musical Development: Orchestral Works; The Concerto and Sinfonia Concertante; The Symphony and Its Offspring; The Symphony: Social Context; The Symphony: Types and Formats; Structures and Instrumentation The Symphony Emerges, 1730-1750The Symphony in Full Bloom, 1750-1780; The Symphony of the Future, 1780-1800; The Symphony's Relatives; 5 Genre as the Core of Musical Development: Chamber Music; Music for Professionals and Amateurs: The Rise of Chamber Genres; Sonata, What Do You Want from Me?"; The Major Instrumental Chamber Genres: Duos, Trios, Quartets, Quintets, and Beyond; The Chamber Vocal Genres: The Rise of the Lied; PART III Opera! The Development of Popular, Nationalist, and Exotic Entertainment; 6 The Structure and Meaning of Italian Opera in the Classical Period Popular Opera as Musical Business and TasteBaroque Opera Versus Classical Opera: The Battle of the Genres; Opera in Italy: Old Versus New, Local Versus International; 7 Opera in France, Germany, and Elsewhere: Escaping the Past for an Exotic Future; Opera in France: From Lully to Gluck and Beyond: Crisis, Controversy, and Social Commentary; Opera in Germany: Defining Nationalism Without a Nation; Opera Goes Global: The Importance of National Cultural Definition; Turkish" Opera; Opera in England; Opera in Scandinavia; Opera in Russia; Opera in Iberia; Opera in the Americas 8 Sacred Music in the Era of SecularismChurch Music for Secular Glory or Devout Worship; Catholic Church Genres: Liturgical and Nonliturgical Music; Music in the Monasteries and Elsewhere: Serving God and the Flock; The Protestant Church Genres: The Fall of the Cantata and Rise of the Secular; Church Music of Other Realms: Between the Orthodox and Paradox; Conclusion; PART IV Capitals and Centers of Music-ƯMaking in the Classical Period; 9 Urban Musical Centers and Their Musical Establishments; The Proud Hubs: Vienna, Paris, Berlin, London; Vienna; Paris; Berlin; London |
| Record Nr. | UNINA-9910793456403321 |
Van Boer Bertil H.
|
||
| New York ; ; London : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the classical world : genre, culture, and history / / Bertil van Boer
| Music in the classical world : genre, culture, and history / / Bertil van Boer |
| Autore | Van Boer Bertil H. |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (343 pages) |
| Disciplina | 780.9033 |
| Soggetto topico | Music - 18th century - History and criticism |
| ISBN |
1-351-38225-X
1-315-14557-X 1-351-38226-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; Detailed Contents; Preface; PART I Music and Style in the Classical Period; 1 Defining the Classical Period; What's in a Name?; The Chronological Conundrum; Parallels of the Late Baroque and Early Classical Periods; Definitions and the Rise of Theory, Aesthetics, and Musical Pedagogy; 2 The Emergence of the New Styles of Classical Period Music; National Styles; The Italian Style; The French Style; The German Style; Style Trends: Galant and Empfindsamkeit; Sturm und Drang: The Passionate Musical-ƯDramatic Embrace; High Classicism
PART II New Developments, Convergences, and Genres in the Classical Period3 The Expansion of the Orchestra and the Development of the Instruments; Development of Instruments and Performance Techniques; The Strings; The Woodwinds; Brass and Percussion; Keyboard Instruments; The Voice; The Expansion of the Orchestra; Performance Practice; 4 Genre as the Core of Musical Development: Orchestral Works; The Concerto and Sinfonia Concertante; The Symphony and Its Offspring; The Symphony: Social Context; The Symphony: Types and Formats; Structures and Instrumentation The Symphony Emerges, 1730-1750The Symphony in Full Bloom, 1750-1780; The Symphony of the Future, 1780-1800; The Symphony's Relatives; 5 Genre as the Core of Musical Development: Chamber Music; Music for Professionals and Amateurs: The Rise of Chamber Genres; Sonata, What Do You Want from Me?"; The Major Instrumental Chamber Genres: Duos, Trios, Quartets, Quintets, and Beyond; The Chamber Vocal Genres: The Rise of the Lied; PART III Opera! The Development of Popular, Nationalist, and Exotic Entertainment; 6 The Structure and Meaning of Italian Opera in the Classical Period Popular Opera as Musical Business and TasteBaroque Opera Versus Classical Opera: The Battle of the Genres; Opera in Italy: Old Versus New, Local Versus International; 7 Opera in France, Germany, and Elsewhere: Escaping the Past for an Exotic Future; Opera in France: From Lully to Gluck and Beyond: Crisis, Controversy, and Social Commentary; Opera in Germany: Defining Nationalism Without a Nation; Opera Goes Global: The Importance of National Cultural Definition; Turkish" Opera; Opera in England; Opera in Scandinavia; Opera in Russia; Opera in Iberia; Opera in the Americas 8 Sacred Music in the Era of SecularismChurch Music for Secular Glory or Devout Worship; Catholic Church Genres: Liturgical and Nonliturgical Music; Music in the Monasteries and Elsewhere: Serving God and the Flock; The Protestant Church Genres: The Fall of the Cantata and Rise of the Secular; Church Music of Other Realms: Between the Orthodox and Paradox; Conclusion; PART IV Capitals and Centers of Music-ƯMaking in the Classical Period; 9 Urban Musical Centers and Their Musical Establishments; The Proud Hubs: Vienna, Paris, Berlin, London; Vienna; Paris; Berlin; London |
| Record Nr. | UNINA-9910820731503321 |
|
Van Boer Bertil H.
|
||
| New York ; ; London : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||