Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull |
Autore | Pantenburg Volker <1973-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam University Press, 2015 |
Descrizione fisica | 1 online resource (285 pages) : illustrations |
Disciplina | 791 |
Collana |
IKKM books
Film Culture in Transition |
Soggetto topico | Motion pictures - Philosophy |
Soggetto non controllato |
essay film
harun farocki film theory jean-luc godard Photography |
ISBN | 90-485-2755-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
Record Nr. | UNISA-996379047303316 |
Pantenburg Volker <1973-> | ||
Amsterdam University Press, 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull |
Autore | Pantenburg Volker <1973-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam University Press, 2015 |
Descrizione fisica | 1 online resource (285 pages) : illustrations |
Disciplina | 791 |
Collana |
IKKM books
Film Culture in Transition |
Soggetto topico | Motion pictures - Philosophy |
Soggetto non controllato |
essay film
harun farocki film theory jean-luc godard Photography |
ISBN | 90-485-2755-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
Record Nr. | UNINA-9910131489103321 |
Pantenburg Volker <1973-> | ||
Amsterdam University Press, 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|