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European film theory [[electronic resource] /] / edited by Temenuga Trifonova
| European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
| Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | TrifonovaTemenuga |
| Collana | AFI film readers |
| Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
| Record Nr. | UNINA-9910455156503321 |
| London : New York, : Routledge, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European film theory [[electronic resource] /] / edited by Temenuga Trifonova
| European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
| Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | TrifonovaTemenuga |
| Collana | AFI film readers |
| Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
| ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
| Record Nr. | UNINA-9910778051303321 |
| London : New York, : Routledge, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European film theory / / edited by Temenuga Trifonova
| European film theory / / edited by Temenuga Trifonova |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | TrifonovaTemenuga |
| Collana | AFI film readers |
| Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
| ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
| Record Nr. | UNINA-9910815286103321 |
| London : New York, : Routledge, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||