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The Palgrave Handbook of Screenwriting Studies / / edited by Rosamund Davies, Paolo Russo, Claus Tieber
| The Palgrave Handbook of Screenwriting Studies / / edited by Rosamund Davies, Paolo Russo, Claus Tieber |
| Autore | Davies Rosamund |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | xli, 818 páginas : ilustraciones ; ; 25 cm |
| Disciplina | 808.23 |
| Altri autori (Persone) |
RussoPaolo
TieberClaus |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Motion picture authorship
Motion picture industry Television broadcasting Motion pictures Screenwriting Film and Television Industry Film Theory |
| ISBN |
9783031207693
3031207696 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1.Introduction -- Part I: What Screenwriting ontology: Defining the screenplay and screenwriting -- 2. How to Think about Screenwriting -- 3. Screenplectics: Screenwriting as a Complex Adaptive System -- 4. Collaboration, Cooperation, and Authorship in Screenwriting aka How Many People Does It Take to Create an Author? -- 5. Acts of Reading: The Demands on Screenplay Reading -- 6. The Reality of (Screen) Characters -- 7. “We Come to Realize”: Screenwriting and Representations of Time -- 8. The Motion-Picture Screenplay as Data: Quantifying the Stylistic Differences Between Dialogue and Scene Text -- 9. Writer/Reader as Performer: Creating a Negotiated Narrative.-10. An Ontology of the Interactive Scripts -- PART II: When/Where Screenwriting Historiography -- 11. Historiographies of Screenwriting -- 12. They Actually Had Scripts in Silent Films? Researching Screenwriting in the Silent Era -- 13. Silent Screenwriting in Europe: Discourses on Authorship, Form, and Literature -- 14. When Women Wrote Hollywood: How Early Female Screenwriters Disappeared from the History of the Industry They Created. A Case Study of Four Female Screenwriters -- 15. Narrating with Music: Screenwriting Musical Numbers -- 16. Women Screenwriters of Early Sinophone Cinema: 1916–1949 -- 17. A Historiography of Japanese Screenwriting -- 18. Writing Social Relevance: U.S. Television Dramas in the Civil Rights Era -- 19. Horror Bubbles: Andrés Caicedo’s Weird Screenplays -- 20. Writers as Workers: The Making of a Film Trade Union in India -- 21. The Evolving Depictions of Black South Africans in the Post-Apartheid Screenwriting Tradition -- PART III: Who Screenwriting and the Screen Industries -- 22. The International Writers’ Room: A Transnational Approach to Serial Drama Development from an Italian Perspective -- 23. Writing Online Drama for Public Service Media in the Era of Streaming Platform -- 24. Screenwriting for Children and Young Audiences -- 25. Imitations of Life? A Challenge for Black Screenwriters -- 26. Beauties and Beasts: The Representation of National Identity through Characterization in Syrian-Lebanese Pan-Arab Dramas -- 27. “That’s a Chick’s Movie!”: How Women Are Excluded from Screenwriting Work -- 28. The Different American Legal Structures for Unionization of Writers for Stage and Screen -- PART IV: How Approaches to Screen Storytelling -- 29. Random Access Memories: Screenwriting for Games -- 30. “Everybody Chips in Ten Cents, and Somehow It Seems to Add Up to a Dollar”: Exploring the Visual Toolbox for Animation Story Design -- 31. The Short-Form Scripted Serial Drama: The Novice Showrunner’s New Opportunity -- 32. The Plural Protagonist. Or: How To Be Many and Why -- 33. The Haptic Encounter: Scripting Female Subjectivity -- 34. Script Development from the Inside Looking Out.Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina, 2017) -- 35. Extended How? Narrative Structure in the Short and Long Versions of The Lord of the Rings, Kingdom of Heaven, and Dances with Wolves -- PART V: How To Researching and Teaching Screenwriting: Discourses and Methods -- 36. Film Dramaturgy: A Practice and a Tool for Researchers -- 37. Screenwriting Pedagogy in the United States: In Search of the Missing Pieces -- 38. Screenwriting Manuals and Pedagogy in Italy from the 1930s to the End of the 20th Century -- 39. Screenwriting, Short Film, and Pedagogy -- 40. Screenwriters in the Academy: The Opportunities of Research-Led Practice. |
| Record Nr. | UNINA-9910736019103321 |
Davies Rosamund
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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When Music Takes Over in Film / / edited by Anna K. Windisch, Claus Tieber, Phil Powrie
| When Music Takes Over in Film / / edited by Anna K. Windisch, Claus Tieber, Phil Powrie |
| Autore | Windisch Anna K |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (265 pages) |
| Disciplina | 781.542 |
| Altri autori (Persone) |
TieberClaus
PowriePhil |
| Collana | Palgrave Studies in Audio-Visual Culture |
| Soggetto topico |
Motion pictures
Music Audio-Visual Culture |
| ISBN |
9783030891558
3030891550 |
| Classificazione | MUS000000PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- Part I. What the Musical Moment Can Do - Theoretical Approaches -- 2. The Musical Moment, Counter-Memory, Oblivion -- 3. The Crystal Song in four American Films from 2016 to 2018 -- 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) -- 5. Experiencing Romance in Musical Moments -- Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema -- 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 -- 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? -- 8. A Waltz Dream: Musical Moments in Silent Operetta Films -- 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible -- Part III. Musical Dis/Placements – Musical Moments in Global Cinema -- 10. Musical Numbers in Bollywood Cinema's Homeland and Diaspora -- 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s -- 12. De-Gendering Genre: Mayuzumi Toshirō's Avant-Garde Music in Popular Cinema.-13. Music in Nollywood Films: Schools of Thought and Performance Contexts -- 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001) -- 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010). |
| Record Nr. | UNINA-9910720083603321 |
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Windisch Anna K
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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