Reading postwar British and Irish poetry / / Michael Thurston and Nigel Alderman |
Autore | Thurston Michael |
Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, Massachusetts : , : Wiley, , 2014 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 821.91409 |
Altri autori (Persone) | AldermanNigel |
Collana | Wiley Blackwell reading poetry |
Soggetto topico |
English poetry - 20th century - History and criticism
English poetry - 21st century - History and criticism English poetry - Irish authors - History and criticism Poetry - Explication |
ISBN |
1-118-61986-2
1-118-61985-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Reading Postwar British and Irish Poetry; Copyright; Contents; Acknowledgments; 1 Introduction: "Postwar," "British," "Irish," and "Poetry"; 2 A Brief Historical Survey; 3 The Literary Landscape; Poetry in Universities and Schools; Faber and Faber; Different Currents in the Mainstream: Penguin Modern Poets; Widening the Mainstream: Carcanet, PN Review, and Bloodaxe; Tributaries: Poetry Presses in Wales and Ireland; Funding the Mainstream: The Arts Council and the Poetry Society; Start Your Own Revolution and Cut Out the Middleman: Poetry Workshops and Collectives
Outside the Mainstream: The English IntelligencerStreet Editions, Reality Studio, and Reality Street; 4 Histories of Forms; The Sonnet; The Elegy; Ekphrasis; 5 Poetry of Place; 6 History and Historiography; 7 Varieties of the Long Poem; The Phenomenological Long Poem; 1. "The self is seen as a reflexive project, for which the individual is responsible."; 2. "The self forms a trajectory of development from the past to the anticipated future."; 3. "The reflexivity of the self is continuous, as well as all-pervasive."; 4. "Self-identity, as a coherent phenomenon, presumes a narrative." 5. "The reflexivity of the self extends to the body."6. "The life course is seen as a series of 'passages.'"; 7. "The line of the development is internally referential."; The Fragmented "Epic"; Narrative Poems; The Lyric Sequence; The Slim Volume; 8 Subject To, Subject Of; The Upper Left : Unmarked / Continuous and Coherent; The Upper Right : Unmarked / Contingent and Constructed; The Lower Left : Marked / Continuous and Coherent; The Lower Right : Marked / Constructed and Contingent; 9 Anthologies and Groups; 10 Epilogue: Beyond "British," "Irish," and "Poetry"; Beyond "British" and "Irish" Beyond "Poetry"References; Index |
Record Nr. | UNINA-9910139039903321 |
Thurston Michael
![]() |
||
Chichester, West Sussex ; ; Malden, Massachusetts : , : Wiley, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Reading postwar British and Irish poetry / / Michael Thurston and Nigel Alderman |
Autore | Thurston Michael |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, Massachusetts : , : Wiley, , 2014 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 821.91409 |
Altri autori (Persone) | AldermanNigel |
Collana | Wiley Blackwell reading poetry |
Soggetto topico |
English poetry - 20th century - History and criticism
English poetry - 21st century - History and criticism English poetry - Irish authors - History and criticism Poetry - Explication |
ISBN |
1-118-61986-2
1-118-61985-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Reading Postwar British and Irish Poetry; Copyright; Contents; Acknowledgments; 1 Introduction: "Postwar," "British," "Irish," and "Poetry"; 2 A Brief Historical Survey; 3 The Literary Landscape; Poetry in Universities and Schools; Faber and Faber; Different Currents in the Mainstream: Penguin Modern Poets; Widening the Mainstream: Carcanet, PN Review, and Bloodaxe; Tributaries: Poetry Presses in Wales and Ireland; Funding the Mainstream: The Arts Council and the Poetry Society; Start Your Own Revolution and Cut Out the Middleman: Poetry Workshops and Collectives
Outside the Mainstream: The English IntelligencerStreet Editions, Reality Studio, and Reality Street; 4 Histories of Forms; The Sonnet; The Elegy; Ekphrasis; 5 Poetry of Place; 6 History and Historiography; 7 Varieties of the Long Poem; The Phenomenological Long Poem; 1. "The self is seen as a reflexive project, for which the individual is responsible."; 2. "The self forms a trajectory of development from the past to the anticipated future."; 3. "The reflexivity of the self is continuous, as well as all-pervasive."; 4. "Self-identity, as a coherent phenomenon, presumes a narrative." 5. "The reflexivity of the self extends to the body."6. "The life course is seen as a series of 'passages.'"; 7. "The line of the development is internally referential."; The Fragmented "Epic"; Narrative Poems; The Lyric Sequence; The Slim Volume; 8 Subject To, Subject Of; The Upper Left : Unmarked / Continuous and Coherent; The Upper Right : Unmarked / Contingent and Constructed; The Lower Left : Marked / Continuous and Coherent; The Lower Right : Marked / Constructed and Contingent; 9 Anthologies and Groups; 10 Epilogue: Beyond "British," "Irish," and "Poetry"; Beyond "British" and "Irish" Beyond "Poetry"References; Index |
Record Nr. | UNINA-9910815564103321 |
Thurston Michael
![]() |
||
Chichester, West Sussex ; ; Malden, Massachusetts : , : Wiley, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|