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Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham
| Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham |
| Autore | Thornham Sue |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2011 |
| Descrizione fisica | 1 online resource (vi, 361 p. ) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Film criticism Feminist films Feminist film criticism |
| ISBN |
1-4744-7322-9
0-585-15917-3 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- Introduction -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- Introduction -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Further Reading -- Part III: The Female Spectator -- Introduction -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Further Reading -- Part IV: Textual Negotiations -- Introduction -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Further Reading -- Part V: Fantasy, Horror and the Body -- Introduction -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Further Reading -- Part VI: Re-thinking Differences -- Introduction -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Further Reading -- Copyright Acknowledgements -- Index |
| Record Nr. | UNINA-9910778733903321 |
Thornham Sue
|
||
| Edinburgh : , : Edinburgh University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham
| Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham |
| Autore | Thornham Sue |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2011 |
| Descrizione fisica | 1 online resource (vi, 361 p. ) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Film criticism Feminist films Feminist film criticism |
| ISBN |
1-4744-7322-9
0-585-15917-3 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- Introduction -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- Introduction -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Further Reading -- Part III: The Female Spectator -- Introduction -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Further Reading -- Part IV: Textual Negotiations -- Introduction -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Further Reading -- Part V: Fantasy, Horror and the Body -- Introduction -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Further Reading -- Part VI: Re-thinking Differences -- Introduction -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Further Reading -- Copyright Acknowledgements -- Index |
| Record Nr. | UNINA-9910826657503321 |
|
Thornham Sue
|
||
| Edinburgh : , : Edinburgh University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||