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Final Cut Pro 4 and the art of filmmaking [[electronic resource] /] / Jason Cranford Teague, David Teague
Final Cut Pro 4 and the art of filmmaking [[electronic resource] /] / Jason Cranford Teague, David Teague
Autore Teague Jason Cranford
Pubbl/distr/stampa San Francisco [Calif.], : SYBEX, c2004
Descrizione fisica 1 online resource (440 p.)
Disciplina 778.59302855369
Altri autori (Persone) TeagueDavid
TeagueJason Cranford
Soggetto topico Digital video - Editing - Data processing
Video tapes - Editing - Data processing
Soggetto genere / forma Electronic books.
ISBN 1-280-64975-5
9786610649754
1-4294-1036-1
0-470-11320-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Final Cut Pro 4 and the Art of Filmmaking; Acknowledgments; Contents; Introduction; What Is This Book About?; How Is This Book Organized?; Who Is This Book For?; What Tools Do You Need for This Book?; Installing Final Cut Pro; Part I: Getting Started; Chapter 1: Up Your Workstation; Overview; Hooking Up to a DV Deck or Camera; Hooking Up to a Media Converter Box; Installing an Analog-to-Digital Capture Card; Chapter 2: Getting to Know Final Cut Pro; Overview; Running Final Cut Pro for the First Time; Setting Your User Preferences; The Browser; The Viewer; The Timeline; The Canvas
Customizing with the Keyboard Layout and Button ListUsing the Tools and the Audio Meter; The Tool Bench and QuickView; Chapter 3: Creating Your Footage; Overview; Keeping a Camera Log; Shooting Video for Efficient Editing; Recording Audio on a Shoot; Chapter 4: Logging Your Footage; Overview; Getting to Know the Log and Capture Window; Using the Logging Tab; Using Markers with Log and Capture; Adjusting Your Clip Settings; Setting In and Out Points; Logging Your Clip for Batch Capture; Creating and Importing Batch Capture Lists; Chapter 5: Capturing and Importing Your Footage; Overview
Creating Your Capture SettingsAdjusting Your Capture Settings; Capture Now: Capturing Clips on the Fly; Capture Clip: Capturing One Clip; Batch Capture: Capturing Multiple Clips; Using OfflineRT; Using DV Start/Stop Detection; Importing Existing Media Files; A Quick Guide to Logging and Capturing; Part II Editing Your Movie; Chapter 6: Your Edit; Overview; Creating a New Sequence; Working with Clips; Adding Blank Tracks in the Timeline; Deleting Blank Tracks in the Timeline; Editing Clips into the Timeline; Editing Clips into the Timeline through the Canvas
Tightening Your Cut with Ripple Delete, Lift Delete, and Close GapChapter 7: Tools of Editing; Overview; Linking Audio and Video Clips; Working with Stereo Pairs; Creating Subclips; Chapter 8: Smart Edits; Overview; Trimming with the Mouse; Using the Razor Blade; Making Roll Edits; Making Ripple Edits; Making Slip Edits; Making Slide Edits; Editing for Speed: Slow Motion, Fast Motion, and Reverse; Part III: Adding Effects; Chapter 9: Working with Effects: Real-Time and Rendering; Overview; Adding an Effect to a Clip; Rendering Clips; Saving Your Favorite Effects; Chapter 10: Transitions
OverviewAdding Transitions; Changing a Transition's Duration; Working with Transitions; Adding Audio Transitions; Chapter 11: Filters for Color Correcting; Overview; Adding a Filter; Adjusting Brightness and Contrast; Color Manipulation with Image Control Filters; Color Correcting Poor Footage; Color Adjustments with Gamma Levels and Proc Amp; Chapter 12: the Image with Filters; Overview; Blurring the Image; Distorting the Image; Changing the Perspective; Adding a Border; Creating a Negative Image Using Invert; Stylizing Your Clip; Chapter 13: Compositing Images; Overview
Changing the Opacity of a Clip
Record Nr. UNINA-9910457585203321
Teague Jason Cranford  
San Francisco [Calif.], : SYBEX, c2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Final Cut Pro 4 and the art of filmmaking [[electronic resource] /] / Jason Cranford Teague, David Teague
Final Cut Pro 4 and the art of filmmaking [[electronic resource] /] / Jason Cranford Teague, David Teague
Autore Teague Jason Cranford
Pubbl/distr/stampa San Francisco [Calif.], : SYBEX, c2004
Descrizione fisica 1 online resource (440 p.)
Disciplina 778.59302855369
Altri autori (Persone) TeagueDavid
TeagueJason Cranford
Soggetto topico Digital video - Editing - Data processing
Video tapes - Editing - Data processing
ISBN 1-280-64975-5
9786610649754
1-4294-1036-1
0-470-11320-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Final Cut Pro 4 and the Art of Filmmaking; Acknowledgments; Contents; Introduction; What Is This Book About?; How Is This Book Organized?; Who Is This Book For?; What Tools Do You Need for This Book?; Installing Final Cut Pro; Part I: Getting Started; Chapter 1: Up Your Workstation; Overview; Hooking Up to a DV Deck or Camera; Hooking Up to a Media Converter Box; Installing an Analog-to-Digital Capture Card; Chapter 2: Getting to Know Final Cut Pro; Overview; Running Final Cut Pro for the First Time; Setting Your User Preferences; The Browser; The Viewer; The Timeline; The Canvas
Customizing with the Keyboard Layout and Button ListUsing the Tools and the Audio Meter; The Tool Bench and QuickView; Chapter 3: Creating Your Footage; Overview; Keeping a Camera Log; Shooting Video for Efficient Editing; Recording Audio on a Shoot; Chapter 4: Logging Your Footage; Overview; Getting to Know the Log and Capture Window; Using the Logging Tab; Using Markers with Log and Capture; Adjusting Your Clip Settings; Setting In and Out Points; Logging Your Clip for Batch Capture; Creating and Importing Batch Capture Lists; Chapter 5: Capturing and Importing Your Footage; Overview
Creating Your Capture SettingsAdjusting Your Capture Settings; Capture Now: Capturing Clips on the Fly; Capture Clip: Capturing One Clip; Batch Capture: Capturing Multiple Clips; Using OfflineRT; Using DV Start/Stop Detection; Importing Existing Media Files; A Quick Guide to Logging and Capturing; Part II Editing Your Movie; Chapter 6: Your Edit; Overview; Creating a New Sequence; Working with Clips; Adding Blank Tracks in the Timeline; Deleting Blank Tracks in the Timeline; Editing Clips into the Timeline; Editing Clips into the Timeline through the Canvas
Tightening Your Cut with Ripple Delete, Lift Delete, and Close GapChapter 7: Tools of Editing; Overview; Linking Audio and Video Clips; Working with Stereo Pairs; Creating Subclips; Chapter 8: Smart Edits; Overview; Trimming with the Mouse; Using the Razor Blade; Making Roll Edits; Making Ripple Edits; Making Slip Edits; Making Slide Edits; Editing for Speed: Slow Motion, Fast Motion, and Reverse; Part III: Adding Effects; Chapter 9: Working with Effects: Real-Time and Rendering; Overview; Adding an Effect to a Clip; Rendering Clips; Saving Your Favorite Effects; Chapter 10: Transitions
OverviewAdding Transitions; Changing a Transition's Duration; Working with Transitions; Adding Audio Transitions; Chapter 11: Filters for Color Correcting; Overview; Adding a Filter; Adjusting Brightness and Contrast; Color Manipulation with Image Control Filters; Color Correcting Poor Footage; Color Adjustments with Gamma Levels and Proc Amp; Chapter 12: the Image with Filters; Overview; Blurring the Image; Distorting the Image; Changing the Perspective; Adding a Border; Creating a Negative Image Using Invert; Stylizing Your Clip; Chapter 13: Compositing Images; Overview
Changing the Opacity of a Clip
Record Nr. UNINA-9910784478303321
Teague Jason Cranford  
San Francisco [Calif.], : SYBEX, c2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Final Cut Pro 4 and the art of filmmaking / / Jason Cranford Teague, David Teague
Final Cut Pro 4 and the art of filmmaking / / Jason Cranford Teague, David Teague
Autore Teague Jason Cranford
Edizione [1st ed.]
Pubbl/distr/stampa San Francisco [Calif.], : SYBEX, c2004
Descrizione fisica 1 online resource (440 p.)
Disciplina 778.59302855369
Altri autori (Persone) TeagueDavid
TeagueJason Cranford
Soggetto topico Digital video - Editing - Data processing
Video tapes - Editing - Data processing
ISBN 1-280-64975-5
9786610649754
1-4294-1036-1
0-470-11320-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Final Cut Pro 4 and the Art of Filmmaking; Acknowledgments; Contents; Introduction; What Is This Book About?; How Is This Book Organized?; Who Is This Book For?; What Tools Do You Need for This Book?; Installing Final Cut Pro; Part I: Getting Started; Chapter 1: Up Your Workstation; Overview; Hooking Up to a DV Deck or Camera; Hooking Up to a Media Converter Box; Installing an Analog-to-Digital Capture Card; Chapter 2: Getting to Know Final Cut Pro; Overview; Running Final Cut Pro for the First Time; Setting Your User Preferences; The Browser; The Viewer; The Timeline; The Canvas
Customizing with the Keyboard Layout and Button ListUsing the Tools and the Audio Meter; The Tool Bench and QuickView; Chapter 3: Creating Your Footage; Overview; Keeping a Camera Log; Shooting Video for Efficient Editing; Recording Audio on a Shoot; Chapter 4: Logging Your Footage; Overview; Getting to Know the Log and Capture Window; Using the Logging Tab; Using Markers with Log and Capture; Adjusting Your Clip Settings; Setting In and Out Points; Logging Your Clip for Batch Capture; Creating and Importing Batch Capture Lists; Chapter 5: Capturing and Importing Your Footage; Overview
Creating Your Capture SettingsAdjusting Your Capture Settings; Capture Now: Capturing Clips on the Fly; Capture Clip: Capturing One Clip; Batch Capture: Capturing Multiple Clips; Using OfflineRT; Using DV Start/Stop Detection; Importing Existing Media Files; A Quick Guide to Logging and Capturing; Part II Editing Your Movie; Chapter 6: Your Edit; Overview; Creating a New Sequence; Working with Clips; Adding Blank Tracks in the Timeline; Deleting Blank Tracks in the Timeline; Editing Clips into the Timeline; Editing Clips into the Timeline through the Canvas
Tightening Your Cut with Ripple Delete, Lift Delete, and Close GapChapter 7: Tools of Editing; Overview; Linking Audio and Video Clips; Working with Stereo Pairs; Creating Subclips; Chapter 8: Smart Edits; Overview; Trimming with the Mouse; Using the Razor Blade; Making Roll Edits; Making Ripple Edits; Making Slip Edits; Making Slide Edits; Editing for Speed: Slow Motion, Fast Motion, and Reverse; Part III: Adding Effects; Chapter 9: Working with Effects: Real-Time and Rendering; Overview; Adding an Effect to a Clip; Rendering Clips; Saving Your Favorite Effects; Chapter 10: Transitions
OverviewAdding Transitions; Changing a Transition's Duration; Working with Transitions; Adding Audio Transitions; Chapter 11: Filters for Color Correcting; Overview; Adding a Filter; Adjusting Brightness and Contrast; Color Manipulation with Image Control Filters; Color Correcting Poor Footage; Color Adjustments with Gamma Levels and Proc Amp; Chapter 12: the Image with Filters; Overview; Blurring the Image; Distorting the Image; Changing the Perspective; Adding a Border; Creating a Negative Image Using Invert; Stylizing Your Clip; Chapter 13: Compositing Images; Overview
Changing the Opacity of a Clip
Altri titoli varianti Final Cut Pro 4
Final Cut Pro four
Final Cut Pro four and the art of filmmaking
Record Nr. UNINA-9910817069903321
Teague Jason Cranford  
San Francisco [Calif.], : SYBEX, c2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Photoshop 7 at your fingertips [[electronic resource] ] : get in, get out, get exactly what you need / / Jason Cranford Teague
Photoshop 7 at your fingertips [[electronic resource] ] : get in, get out, get exactly what you need / / Jason Cranford Teague
Autore Teague Jason Cranford
Pubbl/distr/stampa San Francisco, Calif., : SYBEX, c2003
Descrizione fisica 1 online resource (591 p.)
Disciplina 006.6/869
Soggetto topico Computer graphics
Soggetto genere / forma Electronic books.
ISBN 1-280-64986-0
9786610649860
0-470-11378-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Photoshop 7 at Your Fingertips: Get in, Get Out, Get Exactly What You Need; Acknowledgments; About the Authors; Contents; Introduction; Part I: PHOTOSHOP WORKSPACE; Chapter 1: Interface Overview; 1.1 The Mac Interface: OS X; 1.2 The Mac Interface: OS 9; 1.3 The Windows Interface; 1.4 The Document Window; 1.5 Interface Objects; Chapter 2: Menus; 2.1 Menu Overview; 2.2 Photoshop Menu (Mac OS X Only); 2.3 File Menu; 2.4 Edit Menu; 2.5 Image Menu; 2.6 Layer Menu; 2.7 Select Menu; 2.8 Filter Menu; 2.9 View Menu; 2.10 Window Menu; 2.11 Help Menu; Chapter 3: The Toolbox; 3.1 The Toolbox
3.2 The Tool Options Bar3.3 Marquee Tools; 3.4 Move Tool; 3.5 Lasso Tools; 3.6 Magic Wand Tool; 3.7 Crop Tool; 3.8 Slice Tools; 3.9 Restoration Tools; 3.10 Drawing Tools; 3.11 Stamp Tools; 3.12 History Brushes; 3.13 Eraser Tools; 3.14 Fill Tools; 3.15 Distortion Tools; 3.16 Exposure Tools; 3.17 Path Selection Tools; 3.18 Type Tools; 3.19 Pen Tools; 3.20 Shape Tools; 3.21 Annotation Tools; 3.22 Eyedropper and Measure Tools; 3.23 Hand Tool; 3.24 Zoom Tool; 3.25 Beyond the Tools; Chapter 4: Palettes; 4.1 Organizing Palettes; 4.2 File Browser; 4.3 Navigator Palette; 4.4 Info Palette
4.5 Color Palette4.6 Swatches Palette; 4.7 Styles Palette; 4.8 History Palette; 4.9 Actions Palette; 4.10 Tool Presets Palette; 4.11 Layers Palette; 4.12 Channels Palette; 4.13 Paths Palette; 4.14 Brushes Palette; 4.15 Character Palette; 4.16 Paragraph Palette; Chapter 5: Presets and Preferences; 5.1 Preset Manager Overview; 5.2 Setting Photoshop Preferences; 5.3 General Preferences; 5.4 File Handling Preferences; 5.5 Display & Cursors Preferences; 5.6 Transparency & Gamut Preferences; 5.7 Units & Rulers Preferences; 5.8 Guides, Grid & Slices Preferences
5.9 Plug-Ins & Scratch Disks Preferences5.10 Memory & Image Cache Preferences; 5.11 Adobe Online Preferences; Part II: UNIVERSAL PHOTOSHOP TASKS; Chapter 6: Starting an Image; 6.1 Starting a New Image; 6.2 Opening an Existing Image; 6.3 Importing Images; 6.4 Placing a Vector Image; 6.5 Changing the Canvas Size; 6.6 Setting the Image Size; 6.7 Navigating the Canvas; 6.8 Using Rulers, Guides, Grids, and Snap; 6.9 Changing Your Mind; 6.10 Printing Basics; 6.11 Adding File Information and Watermarks; 6.12 Adding Notes; 6.13 Saving an Image; Chapter 7: Managing Color and Image Mode
7.1 Image Color Basics7.2 Understanding Image Modes; 7.3 Specifying Color Settings; 7.4 Setting a Document's Color Profile; 7.5 Using Color in Channels; 7.6 Converting between Image Modes; 7.7 Converting to Bitmap Mode; 7.8 Converting to Duotone Mode; 7.9 Converting to Indexed Color Mode; 7.10 Changing the Indexed Color Table; Chapter 8: Making Selections; 8.1 Selection Basics; 8.2 Selecting a Layer or Its Contents; 8.3 Selecting Rectangular or Elliptical Areas; 8.4 Creating a Free-Form Selection; 8.5 Selecting Colors; 8.6 Refining the Selection; 8.7 Changing the Selection
8.8 Transforming a Layer or Selected Content
Record Nr. UNINA-9910456228003321
Teague Jason Cranford  
San Francisco, Calif., : SYBEX, c2003
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Photoshop 7 at your fingertips [[electronic resource] ] : get in, get out, get exactly what you need / / Jason Cranford Teague
Photoshop 7 at your fingertips [[electronic resource] ] : get in, get out, get exactly what you need / / Jason Cranford Teague
Autore Teague Jason Cranford
Pubbl/distr/stampa San Francisco, Calif., : SYBEX, c2003
Descrizione fisica 1 online resource (591 p.)
Disciplina 006.6/869
Soggetto topico Computer graphics
ISBN 1-280-64986-0
9786610649860
0-470-11378-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Photoshop 7 at Your Fingertips: Get in, Get Out, Get Exactly What You Need; Acknowledgments; About the Authors; Contents; Introduction; Part I: PHOTOSHOP WORKSPACE; Chapter 1: Interface Overview; 1.1 The Mac Interface: OS X; 1.2 The Mac Interface: OS 9; 1.3 The Windows Interface; 1.4 The Document Window; 1.5 Interface Objects; Chapter 2: Menus; 2.1 Menu Overview; 2.2 Photoshop Menu (Mac OS X Only); 2.3 File Menu; 2.4 Edit Menu; 2.5 Image Menu; 2.6 Layer Menu; 2.7 Select Menu; 2.8 Filter Menu; 2.9 View Menu; 2.10 Window Menu; 2.11 Help Menu; Chapter 3: The Toolbox; 3.1 The Toolbox
3.2 The Tool Options Bar3.3 Marquee Tools; 3.4 Move Tool; 3.5 Lasso Tools; 3.6 Magic Wand Tool; 3.7 Crop Tool; 3.8 Slice Tools; 3.9 Restoration Tools; 3.10 Drawing Tools; 3.11 Stamp Tools; 3.12 History Brushes; 3.13 Eraser Tools; 3.14 Fill Tools; 3.15 Distortion Tools; 3.16 Exposure Tools; 3.17 Path Selection Tools; 3.18 Type Tools; 3.19 Pen Tools; 3.20 Shape Tools; 3.21 Annotation Tools; 3.22 Eyedropper and Measure Tools; 3.23 Hand Tool; 3.24 Zoom Tool; 3.25 Beyond the Tools; Chapter 4: Palettes; 4.1 Organizing Palettes; 4.2 File Browser; 4.3 Navigator Palette; 4.4 Info Palette
4.5 Color Palette4.6 Swatches Palette; 4.7 Styles Palette; 4.8 History Palette; 4.9 Actions Palette; 4.10 Tool Presets Palette; 4.11 Layers Palette; 4.12 Channels Palette; 4.13 Paths Palette; 4.14 Brushes Palette; 4.15 Character Palette; 4.16 Paragraph Palette; Chapter 5: Presets and Preferences; 5.1 Preset Manager Overview; 5.2 Setting Photoshop Preferences; 5.3 General Preferences; 5.4 File Handling Preferences; 5.5 Display & Cursors Preferences; 5.6 Transparency & Gamut Preferences; 5.7 Units & Rulers Preferences; 5.8 Guides, Grid & Slices Preferences
5.9 Plug-Ins & Scratch Disks Preferences5.10 Memory & Image Cache Preferences; 5.11 Adobe Online Preferences; Part II: UNIVERSAL PHOTOSHOP TASKS; Chapter 6: Starting an Image; 6.1 Starting a New Image; 6.2 Opening an Existing Image; 6.3 Importing Images; 6.4 Placing a Vector Image; 6.5 Changing the Canvas Size; 6.6 Setting the Image Size; 6.7 Navigating the Canvas; 6.8 Using Rulers, Guides, Grids, and Snap; 6.9 Changing Your Mind; 6.10 Printing Basics; 6.11 Adding File Information and Watermarks; 6.12 Adding Notes; 6.13 Saving an Image; Chapter 7: Managing Color and Image Mode
7.1 Image Color Basics7.2 Understanding Image Modes; 7.3 Specifying Color Settings; 7.4 Setting a Document's Color Profile; 7.5 Using Color in Channels; 7.6 Converting between Image Modes; 7.7 Converting to Bitmap Mode; 7.8 Converting to Duotone Mode; 7.9 Converting to Indexed Color Mode; 7.10 Changing the Indexed Color Table; Chapter 8: Making Selections; 8.1 Selection Basics; 8.2 Selecting a Layer or Its Contents; 8.3 Selecting Rectangular or Elliptical Areas; 8.4 Creating a Free-Form Selection; 8.5 Selecting Colors; 8.6 Refining the Selection; 8.7 Changing the Selection
8.8 Transforming a Layer or Selected Content
Record Nr. UNINA-9910780268003321
Teague Jason Cranford  
San Francisco, Calif., : SYBEX, c2003
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Photoshop 7 at your fingertips : get in, get out, get exactly what you need / / Jason Cranford Teague
Photoshop 7 at your fingertips : get in, get out, get exactly what you need / / Jason Cranford Teague
Autore Teague Jason Cranford
Edizione [1st ed.]
Pubbl/distr/stampa San Francisco, Calif., : SYBEX, c2003
Descrizione fisica 1 online resource (591 p.)
Disciplina 006.6/869
Soggetto topico Computer graphics
ISBN 1-280-64986-0
9786610649860
0-470-11378-2
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Photoshop 7 at Your Fingertips: Get in, Get Out, Get Exactly What You Need; Acknowledgments; About the Authors; Contents; Introduction; Part I: PHOTOSHOP WORKSPACE; Chapter 1: Interface Overview; 1.1 The Mac Interface: OS X; 1.2 The Mac Interface: OS 9; 1.3 The Windows Interface; 1.4 The Document Window; 1.5 Interface Objects; Chapter 2: Menus; 2.1 Menu Overview; 2.2 Photoshop Menu (Mac OS X Only); 2.3 File Menu; 2.4 Edit Menu; 2.5 Image Menu; 2.6 Layer Menu; 2.7 Select Menu; 2.8 Filter Menu; 2.9 View Menu; 2.10 Window Menu; 2.11 Help Menu; Chapter 3: The Toolbox; 3.1 The Toolbox
3.2 The Tool Options Bar3.3 Marquee Tools; 3.4 Move Tool; 3.5 Lasso Tools; 3.6 Magic Wand Tool; 3.7 Crop Tool; 3.8 Slice Tools; 3.9 Restoration Tools; 3.10 Drawing Tools; 3.11 Stamp Tools; 3.12 History Brushes; 3.13 Eraser Tools; 3.14 Fill Tools; 3.15 Distortion Tools; 3.16 Exposure Tools; 3.17 Path Selection Tools; 3.18 Type Tools; 3.19 Pen Tools; 3.20 Shape Tools; 3.21 Annotation Tools; 3.22 Eyedropper and Measure Tools; 3.23 Hand Tool; 3.24 Zoom Tool; 3.25 Beyond the Tools; Chapter 4: Palettes; 4.1 Organizing Palettes; 4.2 File Browser; 4.3 Navigator Palette; 4.4 Info Palette
4.5 Color Palette4.6 Swatches Palette; 4.7 Styles Palette; 4.8 History Palette; 4.9 Actions Palette; 4.10 Tool Presets Palette; 4.11 Layers Palette; 4.12 Channels Palette; 4.13 Paths Palette; 4.14 Brushes Palette; 4.15 Character Palette; 4.16 Paragraph Palette; Chapter 5: Presets and Preferences; 5.1 Preset Manager Overview; 5.2 Setting Photoshop Preferences; 5.3 General Preferences; 5.4 File Handling Preferences; 5.5 Display & Cursors Preferences; 5.6 Transparency & Gamut Preferences; 5.7 Units & Rulers Preferences; 5.8 Guides, Grid & Slices Preferences
5.9 Plug-Ins & Scratch Disks Preferences5.10 Memory & Image Cache Preferences; 5.11 Adobe Online Preferences; Part II: UNIVERSAL PHOTOSHOP TASKS; Chapter 6: Starting an Image; 6.1 Starting a New Image; 6.2 Opening an Existing Image; 6.3 Importing Images; 6.4 Placing a Vector Image; 6.5 Changing the Canvas Size; 6.6 Setting the Image Size; 6.7 Navigating the Canvas; 6.8 Using Rulers, Guides, Grids, and Snap; 6.9 Changing Your Mind; 6.10 Printing Basics; 6.11 Adding File Information and Watermarks; 6.12 Adding Notes; 6.13 Saving an Image; Chapter 7: Managing Color and Image Mode
7.1 Image Color Basics7.2 Understanding Image Modes; 7.3 Specifying Color Settings; 7.4 Setting a Document's Color Profile; 7.5 Using Color in Channels; 7.6 Converting between Image Modes; 7.7 Converting to Bitmap Mode; 7.8 Converting to Duotone Mode; 7.9 Converting to Indexed Color Mode; 7.10 Changing the Indexed Color Table; Chapter 8: Making Selections; 8.1 Selection Basics; 8.2 Selecting a Layer or Its Contents; 8.3 Selecting Rectangular or Elliptical Areas; 8.4 Creating a Free-Form Selection; 8.5 Selecting Colors; 8.6 Refining the Selection; 8.7 Changing the Selection
8.8 Transforming a Layer or Selected Content
Record Nr. UNINA-9910813189003321
Teague Jason Cranford  
San Francisco, Calif., : SYBEX, c2003
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui