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Freedom from violence and lies : essays on Russian poetry and music / / by Simon Karlinsky ; edited by Robert P. Hughes, Thomas A. Koster, Richard Taruskin
| Freedom from violence and lies : essays on Russian poetry and music / / by Simon Karlinsky ; edited by Robert P. Hughes, Thomas A. Koster, Richard Taruskin |
| Autore | Karlinsky Simon |
| Pubbl/distr/stampa | Boston, MA, : Academic Studies Press, 2013 |
| Descrizione fisica | 1 online resource (502 p.) |
| Disciplina | 891.71409 |
| Altri autori (Persone) |
HughesRobert P
KosterThomas A TaruskinRichard |
| Collana | Ars Rossica |
| Soggetto topico |
Russian poetry - 20th century - History and criticism
Modernism (Literature) - Russia Music and literature |
| Soggetto genere / forma | Anthologies |
| Soggetto non controllato |
Arts
Literary Criticism Alexander Pushkin Igor Stravinsky Soviet Union |
| ISBN |
1-61811-676-2
1-61811-180-9 |
| Classificazione | KH 1307 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pushkin and romanticism -- Modernism, its past, its legacy -- Poetry abroad -- On Chaikovsky -- On Stravinsky -- On Shostakovich -- Song and dance. |
| Record Nr. | UNISA-996328043203316 |
Karlinsky Simon
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| Boston, MA, : Academic Studies Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Freedom from violence and lies : essays on Russian poetry and music / / by Simon Karlinsky ; edited by Robert P. Hughes, Thomas A. Koster, Richard Taruskin
| Freedom from violence and lies : essays on Russian poetry and music / / by Simon Karlinsky ; edited by Robert P. Hughes, Thomas A. Koster, Richard Taruskin |
| Autore | Karlinsky Simon |
| Pubbl/distr/stampa | Boston, MA, : Academic Studies Press, 2013 |
| Descrizione fisica | 1 online resource (502 pages) |
| Disciplina | 891.71409 |
| Altri autori (Persone) |
HughesRobert P
KosterThomas A TaruskinRichard |
| Collana | Ars Rossica |
| Soggetto topico |
Russian poetry - 20th century - History and criticism
Modernism (Literature) - Russia Music and literature Anthologies |
| Soggetto non controllato |
Arts
Literary Criticism Alexander Pushkin Igor Stravinsky Soviet Union |
| ISBN |
1-61811-676-2
1-61811-180-9 |
| Classificazione | KH 1307 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pushkin and romanticism -- Modernism, its past, its legacy -- Poetry abroad -- On Chaikovsky -- On Stravinsky -- On Shostakovich -- Song and dance. |
| Record Nr. | UNINA-9910251404903321 |
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Karlinsky Simon
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| Boston, MA, : Academic Studies Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the nineteenth century / / Richard Taruskin
| Music in the nineteenth century / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (2028 p.) |
| Disciplina | 780.9/034 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico | Music - 19th century - History and criticism |
| ISBN | 0-19-979595-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Real worlds, and better ones -- The music trance -- Volkstümlichkeit -- Nations, states, and peoples -- Virtuosos -- Critics -- Self and other -- Midcentury -- Slavs as subjects and citizens -- Deeds of music made visible (Class of 1813, I) -- Artist, politician, farmer (Class of 1813, II) -- Cutting things down to size -- The return of the symphony -- The symphony goes (inter)national. |
| Record Nr. | UNINA-9910790059003321 |
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Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the nineteenth century / / Richard Taruskin
| Music in the nineteenth century / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (2028 p.) |
| Disciplina | 780.9/034 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico | Music - 19th century - History and criticism |
| ISBN | 0-19-979595-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Real worlds, and better ones -- The music trance -- Volkstümlichkeit -- Nations, states, and peoples -- Virtuosos -- Critics -- Self and other -- Midcentury -- Slavs as subjects and citizens -- Deeds of music made visible (Class of 1813, I) -- Artist, politician, farmer (Class of 1813, II) -- Cutting things down to size -- The return of the symphony -- The symphony goes (inter)national. |
| Record Nr. | UNINA-9910824016003321 |
|
Taruskin Richard
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| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910790059803321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910817323203321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||