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The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910455524703321 |
Taruskin Richard
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910777952803321 |
|
Taruskin Richard
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music from the Earliest Notations to the Sixteenth Century [[electronic resource]]
| Music from the Earliest Notations to the Sixteenth Century [[electronic resource]] |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Oxford University Press, USA, 2009 |
| Descrizione fisica | 1 online resource (2008 p.) |
| Disciplina | 780.9/02 |
| Soggetto topico |
Music -- 15th century -- History and criticism
Music -- 16th century -- History and criticism Music -- 500-1400 -- History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-979596-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright Page""; ""Dedication""; ""Contents""; ""Introduction""; ""Chapter 1 The Curtain Goes Up""; ""Chapter 2 New Styles and Forms""; ""Chapter 3 Retheorizing Music""; ""Chapter 4 Music of Feudalism and Fin' Amors""; ""Chapter 5 Polyphony in Practice And Theory""; ""Chapter 6 Notre Dame de Paris""; ""Chapter 7 Music for an Intellectual and Political Elite""; ""Chapter 8 Business Math, Politics, and Paradise: The Ars Nova""; ""Chapter 9 Machaut and His Progeny""; ""Chapter 10 "A Pleasant Place": Music of the Trecento""; ""Chapter 11 Island and Mainland""
""Chapter 12 Emblems and Dynasties""""Chapter 13 Middle and Low""; ""Chapter 14 Josquin and the Humanists""; ""Chapter 15 A Perfected Art""; ""Chapter 16 The End of Perfection""; ""Chapter 17 Commercial and Literary Music""; ""Chapter 18 Reformations and Counter-Reformations""; ""Chapter 19 Pressure of Radical Humanism""; ""Notes""; ""Art Credits""; ""Further Reading: A Checklist of Books in English""; ""Index"" |
| Record Nr. | UNINA-9910459598503321 |
|
Taruskin Richard
|
||
| Oxford University Press, USA, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music from the Earliest Notations to the Sixteenth Century [[electronic resource]]
| Music from the Earliest Notations to the Sixteenth Century [[electronic resource]] |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Oxford University Press, USA, 2009 |
| Descrizione fisica | 1 online resource (2008 p.) |
| Disciplina | 780.9/02 |
| Soggetto topico |
Music -- 15th century -- History and criticism
Music -- 16th century -- History and criticism Music -- 500-1400 -- History and criticism |
| ISBN | 0-19-979596-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright Page""; ""Dedication""; ""Contents""; ""Introduction""; ""Chapter 1 The Curtain Goes Up""; ""Chapter 2 New Styles and Forms""; ""Chapter 3 Retheorizing Music""; ""Chapter 4 Music of Feudalism and Fin' Amors""; ""Chapter 5 Polyphony in Practice And Theory""; ""Chapter 6 Notre Dame de Paris""; ""Chapter 7 Music for an Intellectual and Political Elite""; ""Chapter 8 Business Math, Politics, and Paradise: The Ars Nova""; ""Chapter 9 Machaut and His Progeny""; ""Chapter 10 "A Pleasant Place": Music of the Trecento""; ""Chapter 11 Island and Mainland""
""Chapter 12 Emblems and Dynasties""""Chapter 13 Middle and Low""; ""Chapter 14 Josquin and the Humanists""; ""Chapter 15 A Perfected Art""; ""Chapter 16 The End of Perfection""; ""Chapter 17 Commercial and Literary Music""; ""Chapter 18 Reformations and Counter-Reformations""; ""Chapter 19 Pressure of Radical Humanism""; ""Notes""; ""Art Credits""; ""Further Reading: A Checklist of Books in English""; ""Index"" |
| Record Nr. | UNINA-9910790059203321 |
|
Taruskin Richard
|
||
| Oxford University Press, USA, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the nineteenth century / / Richard Taruskin
| Music in the nineteenth century / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (2028 p.) |
| Disciplina | 780.9/034 |
| Collana | The Oxford history of western music |
| Soggetto topico | Music - 19th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-979595-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910459597703321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the nineteenth century / / Richard Taruskin
| Music in the nineteenth century / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (2028 p.) |
| Disciplina | 780.9/034 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico | Music - 19th century - History and criticism |
| ISBN | 0-19-979595-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Real worlds, and better ones -- The music trance -- Volkstümlichkeit -- Nations, states, and peoples -- Virtuosos -- Critics -- Self and other -- Midcentury -- Slavs as subjects and citizens -- Deeds of music made visible (Class of 1813, I) -- Artist, politician, farmer (Class of 1813, II) -- Cutting things down to size -- The return of the symphony -- The symphony goes (inter)national. |
| Record Nr. | UNINA-9910790059003321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the nineteenth century / / Richard Taruskin
| Music in the nineteenth century / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (2028 p.) |
| Disciplina | 780.9/034 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico | Music - 19th century - History and criticism |
| ISBN | 0-19-979595-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Real worlds, and better ones -- The music trance -- Volkstümlichkeit -- Nations, states, and peoples -- Virtuosos -- Critics -- Self and other -- Midcentury -- Slavs as subjects and citizens -- Deeds of music made visible (Class of 1813, I) -- Artist, politician, farmer (Class of 1813, II) -- Cutting things down to size -- The return of the symphony -- The symphony goes (inter)national. |
| Record Nr. | UNINA-9910824016003321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910459597203321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910790059803321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910817323203321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
