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Existential Semiotics / / Eero Tarasti
| Existential Semiotics / / Eero Tarasti |
| Autore | Tarasti Eero |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, [Indiana] ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2000 |
| Descrizione fisica | 1 online resource (227 pages) |
| Disciplina | 401/.41 |
| Collana | Advances in Semiotics |
| Soggetto topico | Semiotics - Philosophy |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Title Page -- Copyright Page -- Table of Contents -- PREFACE -- PART ONE Philosophical Reflections -- 1 On the Paths of Existential Semiotics -- 2 Signs and Transcendence -- 3 Endo-/Exogenic Signs, Fields, and Worlds -- 4 Understanding, Misunderstanding, and Self-Understanding -- 5 Signs of Anxiety -- or, The Problem of the Semiotic Subject -- PART TWO In the Forest of Symbols -- 6 From Aesthetics to Ethics SEMIOTIC OBSERVATIONS ON THE MORAL ASPECTS OF ARTS, ESPECIALLY MUSIC -- 7 The "Structural" and "Existential" Styles in Twentieth-Century Arts -- 8 On the Authenticity and Inauthenticity of Art -- PART THREE The Social and Cultural Field of Signs -- 9 On Post-colonial Semiosis -- 10 Semiotics of Landscapes -- 11 Poetics of Place (Particularly in Music) -- 12 Walt Disney and Americanness AN EXISTENTIAL-SEMIOTICAL EXERCISE -- 13 " .. . and you find the right one" A NARRATOLOGICAL ANALYSIS OF AN ADVERTISING FILM -- 14 Senses, Values-and Media -- INDEX. |
| Record Nr. | UNINA-9910154725403321 |
Tarasti Eero
|
||
| Bloomington, [Indiana] ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti
| Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti |
| Autore | Tarasti Eero |
| Edizione | [Reprint 2011] |
| Pubbl/distr/stampa | The Hague, : Mouton, 1979 |
| Descrizione fisica | 1 online resource (368 p.) |
| Disciplina | 781/.1 |
| Collana | Approaches to Semiotics [AS] |
| Soggetto topico |
Music and mythology
Music - Philosophy and aesthetics Music - Semiotics |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-11-080875-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Acknowledgements -- CONTENTS -- PART ONE -- 1. Introduction -- 2. The problematics of myth -- 3. From the aesthetics of myth to the aesthetics of music -- 4. Myth as a musical reconstruction -- 5. The mythical and musical discourses (the narrative aspect) -- 6. The mythical as seme and style in music -- PART TWO -- 7. Introduction: the mythical in Liszt and Slavonic music -- 8. Wagner's Siegfried -- 9. Sibelius's Kullervo -- 10. Stravinsky's Oedipus Rex -- 11. Conclusion -- Notes -- Literature -- Index of referred musical works |
| Record Nr. | UNINA-9910462220403321 |
|
Tarasti Eero
|
||
| The Hague, : Mouton, 1979 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti
| Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti |
| Autore | Tarasti Eero |
| Edizione | [Reprint 2011] |
| Pubbl/distr/stampa | The Hague, : Mouton, 1979 |
| Descrizione fisica | 1 online resource (368 p.) |
| Disciplina | 781/.1 |
| Collana | Approaches to Semiotics [AS] |
| Soggetto topico |
Music and mythology
Music - Philosophy and aesthetics Music - Semiotics |
| ISBN | 3-11-080875-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Acknowledgements -- CONTENTS -- PART ONE -- 1. Introduction -- 2. The problematics of myth -- 3. From the aesthetics of myth to the aesthetics of music -- 4. Myth as a musical reconstruction -- 5. The mythical and musical discourses (the narrative aspect) -- 6. The mythical as seme and style in music -- PART TWO -- 7. Introduction: the mythical in Liszt and Slavonic music -- 8. Wagner's Siegfried -- 9. Sibelius's Kullervo -- 10. Stravinsky's Oedipus Rex -- 11. Conclusion -- Notes -- Literature -- Index of referred musical works |
| Record Nr. | UNINA-9910790218903321 |
|
Tarasti Eero
|
||
| The Hague, : Mouton, 1979 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti
| Myth and music [[electronic resource] ] : a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky / / Eero Tarasti |
| Autore | Tarasti Eero |
| Edizione | [Reprint 2011] |
| Pubbl/distr/stampa | The Hague, : Mouton, 1979 |
| Descrizione fisica | 1 online resource (368 p.) |
| Disciplina | 781/.1 |
| Collana | Approaches to Semiotics [AS] |
| Soggetto topico |
Music and mythology
Music - Philosophy and aesthetics Music - Semiotics |
| ISBN | 3-11-080875-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Acknowledgements -- CONTENTS -- PART ONE -- 1. Introduction -- 2. The problematics of myth -- 3. From the aesthetics of myth to the aesthetics of music -- 4. Myth as a musical reconstruction -- 5. The mythical and musical discourses (the narrative aspect) -- 6. The mythical as seme and style in music -- PART TWO -- 7. Introduction: the mythical in Liszt and Slavonic music -- 8. Wagner's Siegfried -- 9. Sibelius's Kullervo -- 10. Stravinsky's Oedipus Rex -- 11. Conclusion -- Notes -- Literature -- Index of referred musical works |
| Record Nr. | UNINA-9910827268103321 |
|
Tarasti Eero
|
||
| The Hague, : Mouton, 1979 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sein und schein : explorations in existential semiotics / / Eero Tarasti
| Sein und schein : explorations in existential semiotics / / Eero Tarasti |
| Autore | Tarasti Eero |
| Pubbl/distr/stampa | Boston : , : De Gruyter Mouton, , [2015] |
| Descrizione fisica | 1 online resource (478 p.) |
| Disciplina | 302.2 |
| Soggetto topico | Semiotics - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-61451-635-9
1-5015-0116-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Preface to Sein und Schein -- Contents -- Chapter 1. Existential semiotics today: Sein (Being) and Schein (Appearing) -- Chapter 2. On the appearance or the present structure and existential digressions of the subject -- Chapter 3. Representation in Semiotics -- Chapter 4. The concept of genre: In general and in music -- Chapter 5. The world and its interpretation -- Chapter 6. Signs around Us – Umwelt, Semiosphere and Signscape -- Chapter 7. Semio-crises in the era of globalisation: Towards a new theory of collective and individual subjectivity -- Chapter 8. Ideologies manifesting axiologies -- Chapter 9. Semiotics of resistance: Being, memory, history, and the counter-current of signs -- Chapter 10. Culture and transcendence -- Chapter 11. A proposal for a semiotic theory of performing arts -- Chapter 12. On culinemes, gastrophemes, and other signs of cooking -- Chapter 13.A. Metaphors of nature and organicism -- Chapter 13.B. Metaphors of nature and organicism in the epistemology of music -- Chapter 14. Finland in the eyes of a semiotician -- Chapter 15. From absolute spirit to the community of interpretation: Josiah Royce (1855–1916), the American classic between Hegel and Peirce -- Chapter 16. Victoria Lady Welby – A pioneer of semiotic thought rediscovered by Susan Petrilli -- Chapter 17. Vladimir Solovyov -- Chapter 18. Russian formalism in the global semiotics – Precursor of the European branch -- Chapter 19. Wilhelm Sesemann in the context of semiotics -- Chapter 20. Roland Barthes or the birth of semiotics from the spirit of music -- Chapter 21. The right of unfunctionality – Explorations in Ponzio’s philosophical semiotics -- Chapter 22. São Paulo, Helsinki, New Delhi – The life of José Luiz Martinez -- Chapter 23. Can Semiotics be organized? Observations over a 40-year period -- Literature -- Index |
| Record Nr. | UNINA-9910464706403321 |
|
Tarasti Eero
|
||
| Boston : , : De Gruyter Mouton, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sein und schein : explorations in existential semiotics / / Eero Tarasti
| Sein und schein : explorations in existential semiotics / / Eero Tarasti |
| Autore | Tarasti Eero |
| Pubbl/distr/stampa | Boston : , : De Gruyter Mouton, , [2015] |
| Descrizione fisica | 1 online resource (478 p.) |
| Disciplina | 302.2 |
| Soggetto topico | Semiotics - Philosophy |
| ISBN |
1-61451-635-9
1-5015-0116-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Preface to Sein und Schein -- Contents -- Chapter 1. Existential semiotics today: Sein (Being) and Schein (Appearing) -- Chapter 2. On the appearance or the present structure and existential digressions of the subject -- Chapter 3. Representation in Semiotics -- Chapter 4. The concept of genre: In general and in music -- Chapter 5. The world and its interpretation -- Chapter 6. Signs around Us – Umwelt, Semiosphere and Signscape -- Chapter 7. Semio-crises in the era of globalisation: Towards a new theory of collective and individual subjectivity -- Chapter 8. Ideologies manifesting axiologies -- Chapter 9. Semiotics of resistance: Being, memory, history, and the counter-current of signs -- Chapter 10. Culture and transcendence -- Chapter 11. A proposal for a semiotic theory of performing arts -- Chapter 12. On culinemes, gastrophemes, and other signs of cooking -- Chapter 13.A. Metaphors of nature and organicism -- Chapter 13.B. Metaphors of nature and organicism in the epistemology of music -- Chapter 14. Finland in the eyes of a semiotician -- Chapter 15. From absolute spirit to the community of interpretation: Josiah Royce (1855–1916), the American classic between Hegel and Peirce -- Chapter 16. Victoria Lady Welby – A pioneer of semiotic thought rediscovered by Susan Petrilli -- Chapter 17. Vladimir Solovyov -- Chapter 18. Russian formalism in the global semiotics – Precursor of the European branch -- Chapter 19. Wilhelm Sesemann in the context of semiotics -- Chapter 20. Roland Barthes or the birth of semiotics from the spirit of music -- Chapter 21. The right of unfunctionality – Explorations in Ponzio’s philosophical semiotics -- Chapter 22. São Paulo, Helsinki, New Delhi – The life of José Luiz Martinez -- Chapter 23. Can Semiotics be organized? Observations over a 40-year period -- Literature -- Index |
| Record Nr. | UNINA-9910788821703321 |
|
Tarasti Eero
|
||
| Boston : , : De Gruyter Mouton, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sein und schein : explorations in existential semiotics / / Eero Tarasti
| Sein und schein : explorations in existential semiotics / / Eero Tarasti |
| Autore | Tarasti Eero |
| Pubbl/distr/stampa | Boston : , : De Gruyter Mouton, , [2015] |
| Descrizione fisica | 1 online resource (478 p.) |
| Disciplina | 302.2 |
| Soggetto topico | Semiotics - Philosophy |
| ISBN |
1-61451-635-9
1-5015-0116-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Preface to Sein und Schein -- Contents -- Chapter 1. Existential semiotics today: Sein (Being) and Schein (Appearing) -- Chapter 2. On the appearance or the present structure and existential digressions of the subject -- Chapter 3. Representation in Semiotics -- Chapter 4. The concept of genre: In general and in music -- Chapter 5. The world and its interpretation -- Chapter 6. Signs around Us – Umwelt, Semiosphere and Signscape -- Chapter 7. Semio-crises in the era of globalisation: Towards a new theory of collective and individual subjectivity -- Chapter 8. Ideologies manifesting axiologies -- Chapter 9. Semiotics of resistance: Being, memory, history, and the counter-current of signs -- Chapter 10. Culture and transcendence -- Chapter 11. A proposal for a semiotic theory of performing arts -- Chapter 12. On culinemes, gastrophemes, and other signs of cooking -- Chapter 13.A. Metaphors of nature and organicism -- Chapter 13.B. Metaphors of nature and organicism in the epistemology of music -- Chapter 14. Finland in the eyes of a semiotician -- Chapter 15. From absolute spirit to the community of interpretation: Josiah Royce (1855–1916), the American classic between Hegel and Peirce -- Chapter 16. Victoria Lady Welby – A pioneer of semiotic thought rediscovered by Susan Petrilli -- Chapter 17. Vladimir Solovyov -- Chapter 18. Russian formalism in the global semiotics – Precursor of the European branch -- Chapter 19. Wilhelm Sesemann in the context of semiotics -- Chapter 20. Roland Barthes or the birth of semiotics from the spirit of music -- Chapter 21. The right of unfunctionality – Explorations in Ponzio’s philosophical semiotics -- Chapter 22. São Paulo, Helsinki, New Delhi – The life of José Luiz Martinez -- Chapter 23. Can Semiotics be organized? Observations over a 40-year period -- Literature -- Index |
| Record Nr. | UNINA-9910816550403321 |
|
Tarasti Eero
|
||
| Boston : , : De Gruyter Mouton, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti
| Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti |
| Autore | Tarasti Eero |
| Pubbl/distr/stampa | Berlin ; ; Boston, : De Gruyter Mouton, c2012 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina |
302.222
780.14 |
| Collana | Semiotics, communication and cognition |
| Soggetto topico |
Music - Semiotics
Music - Philosophy and aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-85709-X
1-61451-141-1 |
| Classificazione | LR 55520 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- Prelude: Music - A Philosophico-Semiotic Approach -- Chapter 1. Introduction to a Philosophy of Music -- Part I. THE CLASSICAL STYLE -- Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- Chapter 3. Existential and Transcendental Analysis of Music -- Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- Part II. The Romantic Era -- Chapter 5. The irony of romanticism -- Chapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- Chapter 9. Do Wagner's leitmotifs have a system? -- Part III. Rhetorics and Synaesthesias -- Chapter 10. Proust and Wagner -- Chapter 11. Rhetoric and Musical Discourse -- Chapter 12. The semiosis of light in music: from synaesthesias to narratives -- Chapter 13. The implicit musical semiotics of Marcel Proust -- Chapter 14. M. K. Čiurlionis and the interrelationships of arts -- Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- Part IV. In the Slavonic World -- Chapter 16. An essay on Russian music -- Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů -- Postlude I -- Chapter 18. Do Semantic Aspects of Music Have a Notation? -- Postlude II -- Chapter 19. Music - Superior Communication -- Glossary of Terms -- Bibliography -- Index of persons and musical works |
| Record Nr. | UNINA-9910452842303321 |
|
Tarasti Eero
|
||
| Berlin ; ; Boston, : De Gruyter Mouton, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti
| Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti |
| Autore | Tarasti Eero |
| Pubbl/distr/stampa | Berlin ; ; Boston, : De Gruyter Mouton, c2012 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina |
302.222
780.14 |
| Collana | Semiotics, communication and cognition |
| Soggetto topico |
Music - Semiotics
Music - Philosophy and aesthetics |
| Soggetto non controllato |
Classical Music
Communication Studies Musicology Philosophy Semiotics |
| ISBN |
1-283-85709-X
1-61451-141-1 |
| Classificazione | LR 55520 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- Prelude: Music - A Philosophico-Semiotic Approach -- Chapter 1. Introduction to a Philosophy of Music -- Part I. THE CLASSICAL STYLE -- Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- Chapter 3. Existential and Transcendental Analysis of Music -- Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- Part II. The Romantic Era -- Chapter 5. The irony of romanticism -- Chapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- Chapter 9. Do Wagner's leitmotifs have a system? -- Part III. Rhetorics and Synaesthesias -- Chapter 10. Proust and Wagner -- Chapter 11. Rhetoric and Musical Discourse -- Chapter 12. The semiosis of light in music: from synaesthesias to narratives -- Chapter 13. The implicit musical semiotics of Marcel Proust -- Chapter 14. M. K. Čiurlionis and the interrelationships of arts -- Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- Part IV. In the Slavonic World -- Chapter 16. An essay on Russian music -- Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů -- Postlude I -- Chapter 18. Do Semantic Aspects of Music Have a Notation? -- Postlude II -- Chapter 19. Music - Superior Communication -- Glossary of Terms -- Bibliography -- Index of persons and musical works |
| Record Nr. | UNINA-9910779332903321 |
|
Tarasti Eero
|
||
| Berlin ; ; Boston, : De Gruyter Mouton, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti
| Semiotics of classical music [[electronic resource] ] : how Mozart, Brahms and Wagner talk to us / / Eero Tarasti |
| Autore | Tarasti Eero |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin ; ; Boston, : De Gruyter Mouton, c2012 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina |
302.222
780.14 |
| Collana | Semiotics, communication and cognition |
| Soggetto topico |
Music - Semiotics
Music - Philosophy and aesthetics |
| Soggetto non controllato |
Classical Music
Communication Studies Musicology Philosophy Semiotics |
| ISBN |
1-283-85709-X
1-61451-141-1 |
| Classificazione | LR 55520 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- Prelude: Music - A Philosophico-Semiotic Approach -- Chapter 1. Introduction to a Philosophy of Music -- Part I. THE CLASSICAL STYLE -- Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- Chapter 3. Existential and Transcendental Analysis of Music -- Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- Part II. The Romantic Era -- Chapter 5. The irony of romanticism -- Chapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- Chapter 9. Do Wagner's leitmotifs have a system? -- Part III. Rhetorics and Synaesthesias -- Chapter 10. Proust and Wagner -- Chapter 11. Rhetoric and Musical Discourse -- Chapter 12. The semiosis of light in music: from synaesthesias to narratives -- Chapter 13. The implicit musical semiotics of Marcel Proust -- Chapter 14. M. K. Čiurlionis and the interrelationships of arts -- Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- Part IV. In the Slavonic World -- Chapter 16. An essay on Russian music -- Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů -- Postlude I -- Chapter 18. Do Semantic Aspects of Music Have a Notation? -- Postlude II -- Chapter 19. Music - Superior Communication -- Glossary of Terms -- Bibliography -- Index of persons and musical works |
| Record Nr. | UNINA-9910816184503321 |
|
Tarasti Eero
|
||
| Berlin ; ; Boston, : De Gruyter Mouton, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
