Culture in translation [[electronic resource] ] : reception of Chinese literature in comparative perspective / / edited by Kwok-kan Tam, Kelly Kar-yue Chan |
Pubbl/distr/stampa | Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 895.108 |
Altri autori (Persone) |
ChanKelly Kar-yue
TamKwok-kan <1952-> |
Soggetto topico |
Chinese literature
Culture in literature Language and culture |
Soggetto genere / forma | Electronic books. |
ISBN |
1-4619-3041-3
962-7707-96-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Preface""; ""Introduction: Culture, Reception and Translation""; ""1. The Writer as Translator: On the Creative Aesthetics of Gao Xingjian""; ""2. Lady Precious Stream, Diaspora Literature, and Cultural Interpretation""; ""3. Traditions, Modernity, Parataxis and the Self: Chinese Poetry and the Anglophone Avant-Garde""; ""4. L. A. Cranmer-Byng and the Western Reception of Tang Poetry""; ""5. Translating Culture: (Re)constructing Regionalism in English Translations of Taiwan�s Regional Prose Literature""
""6. A Dilemma for the Translator: Bicultural Elements in Bilingual Texts""""7. The Role Translation Played in the Mei Lanfang US Tour in 1930""; ""8. Wild Orchid in a Secluded Valley: A Positive Image of Chinese Womanhood in Lin Yutang�s “A Nun of Taishan�""; ""9. Between Borrowing and Retention: The Translation of Zhu Shuzhen�s Poems""; ""10. From Gogol to Lu Xun and After: Politics, Culture and Reception""; ""11. Metamorphoses for Better Reception: The Chinese Translation of The Brotherhood of the Seven Kings in Hong Kong"" ""12. Love Novels in Translation: Joan Haste as an Example of Domestication""""Notes on Contributors""; ""Index"" |
Record Nr. | UNINA-9910465190203321 |
Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Culture in translation [[electronic resource] ] : reception of Chinese literature in comparative perspective / / edited by Kwok-kan Tam, Kelly Kar-yue Chan |
Pubbl/distr/stampa | Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 895.108 |
Altri autori (Persone) |
ChanKelly Kar-yue
TamKwok-kan <1952-> |
Soggetto topico |
Chinese literature
Culture in literature Language and culture |
ISBN |
1-4619-3041-3
962-7707-96-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Preface""; ""Introduction: Culture, Reception and Translation""; ""1. The Writer as Translator: On the Creative Aesthetics of Gao Xingjian""; ""2. Lady Precious Stream, Diaspora Literature, and Cultural Interpretation""; ""3. Traditions, Modernity, Parataxis and the Self: Chinese Poetry and the Anglophone Avant-Garde""; ""4. L. A. Cranmer-Byng and the Western Reception of Tang Poetry""; ""5. Translating Culture: (Re)constructing Regionalism in English Translations of Taiwan�s Regional Prose Literature""
""6. A Dilemma for the Translator: Bicultural Elements in Bilingual Texts""""7. The Role Translation Played in the Mei Lanfang US Tour in 1930""; ""8. Wild Orchid in a Secluded Valley: A Positive Image of Chinese Womanhood in Lin Yutang�s “A Nun of Taishan�""; ""9. Between Borrowing and Retention: The Translation of Zhu Shuzhen�s Poems""; ""10. From Gogol to Lu Xun and After: Politics, Culture and Reception""; ""11. Metamorphoses for Better Reception: The Chinese Translation of The Brotherhood of the Seven Kings in Hong Kong"" ""12. Love Novels in Translation: Joan Haste as an Example of Domestication""""Notes on Contributors""; ""Index"" |
Record Nr. | UNINA-9910792150203321 |
Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Culture in translation [[electronic resource] ] : reception of Chinese literature in comparative perspective / / edited by Kwok-kan Tam, Kelly Kar-yue Chan |
Pubbl/distr/stampa | Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 |
Descrizione fisica | 1 online resource (222 p.) |
Disciplina | 895.108 |
Altri autori (Persone) |
ChanKelly Kar-yue
TamKwok-kan <1952-> |
Soggetto topico |
Chinese literature
Culture in literature Language and culture |
ISBN |
1-4619-3041-3
962-7707-96-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Preface""; ""Introduction: Culture, Reception and Translation""; ""1. The Writer as Translator: On the Creative Aesthetics of Gao Xingjian""; ""2. Lady Precious Stream, Diaspora Literature, and Cultural Interpretation""; ""3. Traditions, Modernity, Parataxis and the Self: Chinese Poetry and the Anglophone Avant-Garde""; ""4. L. A. Cranmer-Byng and the Western Reception of Tang Poetry""; ""5. Translating Culture: (Re)constructing Regionalism in English Translations of Taiwan�s Regional Prose Literature""
""6. A Dilemma for the Translator: Bicultural Elements in Bilingual Texts""""7. The Role Translation Played in the Mei Lanfang US Tour in 1930""; ""8. Wild Orchid in a Secluded Valley: A Positive Image of Chinese Womanhood in Lin Yutang�s “A Nun of Taishan�""; ""9. Between Borrowing and Retention: The Translation of Zhu Shuzhen�s Poems""; ""10. From Gogol to Lu Xun and After: Politics, Culture and Reception""; ""11. Metamorphoses for Better Reception: The Chinese Translation of The Brotherhood of the Seven Kings in Hong Kong"" ""12. Love Novels in Translation: Joan Haste as an Example of Domestication""""Notes on Contributors""; ""Index"" |
Record Nr. | UNINA-9910811873903321 |
Kowloon, Hong Kong, : Open University of Hong Kong Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ibsen and the modern self [[electronic resource] /] / edited by Kwok-kan Tam, Terry Siu-han Yip, Forde Helland ; consultant, Knut Brynhildsvoll |
Pubbl/distr/stampa | Hong Kong, : Open University of Hong Kong Press, c2010 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 839 |
Altri autori (Persone) |
TamKwok-kan <1952->
YipTerry Siu-han <1956-> HellandForde <1964-> |
Collana |
University collection
Acta Ibseninan |
Soggetto topico | Self in literature |
Soggetto genere / forma | Electronic books. |
ISBN | 962-7707-81-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Foreword""; ""Acknowledgements""; ""Introduction""; ""1. Self-knowledge and aesthetic consciousness in Ibsen and Hegel""; ""2. The Gyntian self""; ""3. The concept of «I» in Henrik Ibsen�s Peer Gynt""; ""4. Reflections on the relationship between Ibsen�s character Peer Gynt and Edvard Munch�s perception of the self""; ""5. Narrative identity and a question of character in Ibsen�s Rosmersholm""; ""6. The dialogic self in A Doll�s House and The Wild Duck""; ""7. The emergence of androgynous women in A Doll�s House and The Lady from the Sea""
""8. Carp, the mermaid and the female self: Ethical thinking of gender norms in The Lady from the Sea""""9. The notion of moderation and Ibsen�s criticism of the average man""; ""10. Staging the epic self: Theatricality, philosophy and personality in Brand and Peer Gynt""; ""11. Emotions and the modern self in Ibsen�s poetry""; ""12. Danse Macabre: John Gabriel Borkman�s self in eco-critical perspective""; ""13. The child�s deformity and the mother�s role � A study of female identity in Henrik Ibsen�s Little Eyolf"" ""14. Seeing Nora in your mirror: The role of theatrical characters in the playing of self""""15. Control, surrender and self-transcendence: Notes on Shakespeare�s The Tempest and Ibsen�s The Master Builder""; ""16. Portrayal of the modern self in When We Dead Awaken""; ""17. Ibsen in Dublin: A Nordic contribution to Irish modernity""; ""18. Master in reflection: An analysis of Lin Zhaohua�s The Master Builder""; ""19. Ibsen�s Nora re-presented: Female body and identities in China Doll""; ""20. Self and non-self: A Japanese view on Brand and Peer Gynt""; ""Notes on contributors"" |
Record Nr. | UNINA-9910457014603321 |
Hong Kong, : Open University of Hong Kong Press, c2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ibsen and the modern self [[electronic resource] /] / edited by Kwok-kan Tam, Terry Siu-han Yip, Forde Helland ; consultant, Knut Brynhildsvoll |
Pubbl/distr/stampa | Hong Kong, : Open University of Hong Kong Press, c2010 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 839 |
Altri autori (Persone) |
TamKwok-kan <1952->
YipTerry Siu-han <1956-> HellandForde <1964-> |
Collana |
University collection
Acta Ibseninan |
Soggetto topico | Self in literature |
ISBN | 962-7707-81-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Foreword""; ""Acknowledgements""; ""Introduction""; ""1. Self-knowledge and aesthetic consciousness in Ibsen and Hegel""; ""2. The Gyntian self""; ""3. The concept of «I» in Henrik Ibsen�s Peer Gynt""; ""4. Reflections on the relationship between Ibsen�s character Peer Gynt and Edvard Munch�s perception of the self""; ""5. Narrative identity and a question of character in Ibsen�s Rosmersholm""; ""6. The dialogic self in A Doll�s House and The Wild Duck""; ""7. The emergence of androgynous women in A Doll�s House and The Lady from the Sea""
""8. Carp, the mermaid and the female self: Ethical thinking of gender norms in The Lady from the Sea""""9. The notion of moderation and Ibsen�s criticism of the average man""; ""10. Staging the epic self: Theatricality, philosophy and personality in Brand and Peer Gynt""; ""11. Emotions and the modern self in Ibsen�s poetry""; ""12. Danse Macabre: John Gabriel Borkman�s self in eco-critical perspective""; ""13. The child�s deformity and the mother�s role � A study of female identity in Henrik Ibsen�s Little Eyolf"" ""14. Seeing Nora in your mirror: The role of theatrical characters in the playing of self""""15. Control, surrender and self-transcendence: Notes on Shakespeare�s The Tempest and Ibsen�s The Master Builder""; ""16. Portrayal of the modern self in When We Dead Awaken""; ""17. Ibsen in Dublin: A Nordic contribution to Irish modernity""; ""18. Master in reflection: An analysis of Lin Zhaohua�s The Master Builder""; ""19. Ibsen�s Nora re-presented: Female body and identities in China Doll""; ""20. Self and non-self: A Japanese view on Brand and Peer Gynt""; ""Notes on contributors"" |
Record Nr. | UNINA-9910781244803321 |
Hong Kong, : Open University of Hong Kong Press, c2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ibsen and the modern self / / edited by Kwok-kan Tam, Terry Siu-han Yip, Forde Helland ; consultant, Knut Brynhildsvoll |
Pubbl/distr/stampa | Hong Kong, : Open University of Hong Kong Press, c2010 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 839 |
Altri autori (Persone) |
TamKwok-kan <1952->
YipTerry Siu-han <1956-> HellandForde <1964-> |
Collana |
University collection
Acta Ibseninan |
Soggetto topico | Self in literature |
ISBN | 962-7707-81-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Foreword""; ""Acknowledgements""; ""Introduction""; ""1. Self-knowledge and aesthetic consciousness in Ibsen and Hegel""; ""2. The Gyntian self""; ""3. The concept of «I» in Henrik Ibsen�s Peer Gynt""; ""4. Reflections on the relationship between Ibsen�s character Peer Gynt and Edvard Munch�s perception of the self""; ""5. Narrative identity and a question of character in Ibsen�s Rosmersholm""; ""6. The dialogic self in A Doll�s House and The Wild Duck""; ""7. The emergence of androgynous women in A Doll�s House and The Lady from the Sea""
""8. Carp, the mermaid and the female self: Ethical thinking of gender norms in The Lady from the Sea""""9. The notion of moderation and Ibsen�s criticism of the average man""; ""10. Staging the epic self: Theatricality, philosophy and personality in Brand and Peer Gynt""; ""11. Emotions and the modern self in Ibsen�s poetry""; ""12. Danse Macabre: John Gabriel Borkman�s self in eco-critical perspective""; ""13. The child�s deformity and the mother�s role � A study of female identity in Henrik Ibsen�s Little Eyolf"" ""14. Seeing Nora in your mirror: The role of theatrical characters in the playing of self""""15. Control, surrender and self-transcendence: Notes on Shakespeare�s The Tempest and Ibsen�s The Master Builder""; ""16. Portrayal of the modern self in When We Dead Awaken""; ""17. Ibsen in Dublin: A Nordic contribution to Irish modernity""; ""18. Master in reflection: An analysis of Lin Zhaohua�s The Master Builder""; ""19. Ibsen�s Nora re-presented: Female body and identities in China Doll""; ""20. Self and non-self: A Japanese view on Brand and Peer Gynt""; ""Notes on contributors"" |
Record Nr. | UNINA-9910827183703321 |
Hong Kong, : Open University of Hong Kong Press, c2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|