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Chinese Ibsenism : Reinventions of Women, Class and Nation / / by Kwok-kan Tam
| Chinese Ibsenism : Reinventions of Women, Class and Nation / / by Kwok-kan Tam |
| Autore | Tam Kwok-kan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Springer, , 2019 |
| Descrizione fisica | 1 online resource (XI, 298 p. 27 illus., 12 illus. in color.) |
| Disciplina | 792 |
| Soggetto topico |
Theater
Culture Gender Literature, Modern—20th century Applied Theatre Culture and Gender Sociology of Culture Twentieth-Century Literature |
| ISBN | 981-13-6303-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Introduction: Ibsenism and Reinventions of Chinese Culture -- Chapter 2 Modern Chinese Theatre as Public Sphere -- Chapter 3 Iconoclasm in Chinese Ibsenism -- Chapter 4 Divided Ibsenism in Divided China -- Chapter 5 Translation and the Dissemination of Ibsenism -- Chapter 6 Ibsenism as Individualism of the Self -- Chapter 7 Noraism and Class Ideology in Modern Chinese Fiction -- Chapter 8 Women and Gender in Modern Chinese Drama -- Chapter 9 Postsocialist Ibsenism Beyond Class Ideology -- Chapter 10 Reinventions of Women and Nation in Ibsen Performances -- Chapter 11 Ibsenism and Ideology in Chinese Playwriting -- Chapter 12 Conclusion: Chinese Ibsenism in the Politics of Global Literary Reception -- Chapter 13 Appendix 1: Chinese Translations and Rewritings of Ibsen’s Works -- Chapter 14 Appendix 2: Chinese Stage and Film Productions of Ibsen’s Plays -- Chapter 15 Bibliography. |
| Record Nr. | UNINA-9910483518403321 |
Tam Kwok-kan
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| Singapore : , : Springer Singapore : , : Imprint : Springer, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Englishized Subject : Postcolonial Writings in Hong Kong, Singapore and Malaysia / / by Kwok-kan Tam
| The Englishized Subject : Postcolonial Writings in Hong Kong, Singapore and Malaysia / / by Kwok-kan Tam |
| Autore | Tam Kwok-kan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Springer, , 2019 |
| Descrizione fisica | 1 online resource (157 pages) |
| Disciplina | 420 |
| Soggetto topico |
Linguistic anthropology
Economic development Southeast Asia—History Social history Linguistic Anthropology Development and Post-Colonialism History of Southeast Asia Social History |
| ISBN | 981-13-2520-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Introduction: Englishization and the New Asian Subjectivity -- 1 Post-Imperial/Postcolonial English(es) -- 2 Transnational Shakespeare -- 3 Englishization in Education and (Post/)Colonial Identity in Hong Kong -- 4 Localism in English Language Teaching in Hong Kong -- 5 Identity of the In-Between in Contemporary Hong Kong Literary Writings -- 6 The Self Between Race and Identity: Two Hong Kong Bilingual/Bicultural Plays -- 7 Bilingual Metaphor in Hong Kong and Singapore Writings -- 8 Hybridity in Language and Identity: New Englishes in Hong Kong, Singapore, and Malaysia -- 9 In Between Cultures and Nation: Writing the Self in Singapore -- 10 The Self as Hybrid Contestation: Three Autobiographical Stories from Singapore and Malaysia -- 11 Globalization as Englishization -- Bibliography -- Index. |
| Record Nr. | UNINA-9910350278803321 |
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Tam Kwok-kan
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| Singapore : , : Springer Singapore : , : Imprint : Springer, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance Arts: Research in the Age of Digital Revolution / / edited by Kwok-kan Tam
| Performance Arts: Research in the Age of Digital Revolution / / edited by Kwok-kan Tam |
| Autore | Tam Kwok-kan |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 |
| Descrizione fisica | 1 online resource (232 pages) |
| Disciplina | 792.072 |
| Collana | Digital Culture and Humanities, Challenges and Developments in a Globalized Asia |
| Soggetto topico |
Digital humanities
Culture - Study and teaching Performing arts Theater Digital media Dance Digital Humanities Visual Culture Practice-as-Research Digital and New Media Theatre and Performance Arts |
| ISBN | 981-19-9213-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Performance Arts: Research in the Age of Digital Revolution -- Part One. Virtual Reconstruction of Lost Theatres -- Chapter 1. Virtual Praxis and Theatre Research: Textual Recovery -- Chapter 2. Virtual Praxis: Conducting Performance Research in Virtual Theatres -- Chapter 3. Stardust Orientalism, Virtual Praxis and Digital Construction: “Madame Butterfly” on Ice at the Stardust Hotel, Las Vegas, 1959 -- Part Two. Spatial-History Digital Database for Humanistic Research -- Chapter 4. Coded, Transcoded, Encoded, Mapped: Reading Film Adaptations of Ibsen’s Plays in the Digital Age -- Chapter 5. Digital Ibsen: Tracing Houses and Homes in an Ibsen Play -- Chapter 6. A Performance History of Ibsen in America: Outlines, Conjunctures and Regional Diffusion -- Part Three. Digital Culture in Performance Production -- Chapter 7. Digitization and New Modes of Ibsen Studies -- Chapter 8. Artifact as Digihistory: Re-viewing Islamist Militancy -- Chapter 9. Digital Operatic Precedents in Haruki Murakami’s Killing Commendatore -- Part Four. Arts Tech and Experimentations in Stage Performance? -- Chapter 10. The Carp Fairy in the Digitalised Traditional Chinese Theatre -- Chapter 11. Rethinking the Use of Multimedia Technology in the Theatre -- Chapter 12. Staying Alive: The Plague and Performance in a Digital Age. |
| Record Nr. | UNINA-9910739473603321 |
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Tam Kwok-kan
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| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sight As Site in the Digital Age : Art, the Museum, and Representation
| Sight As Site in the Digital Age : Art, the Museum, and Representation |
| Autore | Tam Kwok-kan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore Pte. Limited, , 2024 |
| Descrizione fisica | 1 online resource (252 pages) |
| Collana | Digital Culture and Humanities Series |
| ISBN | 981-19-9209-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Series Preface -- Introduction -- Sites of Cultural Production -- Museums as Sites and Sights -- Sight and Digitisation of Art -- Sight and Representation -- Some Observations -- Acknowledgements -- Contents -- Chapter 1: What is a ``Site´´? Human Scales, Embodied Experiences, and the Physical-Digital Interface -- Varieties of Physical-Digital Site Interfaces -- The Digital Site and the ``Transcendence of Limitations´´ -- Physical or Digital Sites: Types of Experiential Dissonances -- What is a ``Site´´?-Conceptual Issues -- Conclusion: Living with/in Two ``Sites´´ -- References -- Chapter 2: Sight as Site: Virtual Andersen in East Asia -- Virtual Re-siting of Andersen in Shanghai -- Re-siting Andersen in Tokyo -- Re-imaginging Andersen in Korean Fantasies -- Virtual Andersen in East Asian Digital Mediatisation -- References -- Chapter 3: Archives and Museums in the Decontextualised Digital World -- Archives and Museums as Institutions -- The Distributive Principle of a Networked Society -- Research Methodology -- State Archive in Varazdin -- About the Archive -- Online Presence -- Collaboration -- Digital Connections -- Statements -- Concept -- Varazdin City Museum -- About -- Online Presence -- Collaboration -- Digital Connections -- Statements -- Concept -- Archives and Museums in the Digital World -- Conclusion -- Appendix: Interview Questions -- References -- Chapter 4: Do Museums Still Need Objects? Politics of Museums Reconsidered in the Digital Era -- The Birth of the Museum, Decolonisation, and Digitisation -- Holding onto the Physical Objects: Irreplaceable Roles Under the Digital Challenge -- Architectures and Space as Objects -- Towards a Multisensory Museum -- Conclusion: To Be or Not to Be -- References -- Chapter 5: Museums and Archives in the Age of Artificial Intelligence and Post-representation.
The Concept of the Archive and the Impact of New Technologies on Its Renewed Conceptualisation -- Hybridising the Museum and the Archive -- The Archive as a Curatorial Space and as a Mechanism of Self-Reflection: The Museum Explores Itself -- The Archive and Artificial Intelligence (AI) -- Final Notes -- References -- Chapter 6: Implicit Heritage Values in Online Collection Databases: Assessing the Presentation of Egyptian Artefacts in Art Mu... -- Digitisation, Presentation and Value -- Egyptian Artefacts and the Chauncey Murch Collections -- Methodology -- Broader Database Structures -- Object-Level Data, a Systematic Approach -- Murch Collection: Associated Sites -- Murch Collection: Bibliographic References -- Murch Collection: Provenance in the MET -- Murch Collection: Object Conditions in the BM -- Overarching Themes and Future Steps -- References -- Chapter 7: Large Datasets and the Particularity of Art: Will There Be Any Art in the Deep Learning Age? -- Generative Art/Neural Networks -- Art Criticism Today -- Judgemental AI -- AI and Migrant Mother -- AI Curators -- Conclusion -- References -- Chapter 8: Van Gogh´s Universe in the Crossways of Audiovisual Arts and Digital Technology: A Comparative Case Study from an I... -- Introduction: On/Gogh/ing Trends in Contemporary Artistic Production -- Technical and Technological Features: Mediums, Devices, and Artefacts -- An Interartistic Vocation: Painting, Music, and Poetry as Intermedial Expressions -- Final Remarks: Gogh/ing Forward and Beyond -- References -- Chapter 9: New Stage Aesthetics in the Digital Age -- New Peking Opera with 3D Effects -- Modern Dance Drama with Motion Picture Qualities -- Remarks on Technology-Enhanced Performance -- References -- Chapter 10: Luvv Bazar: Queer and Feminist Representation in Music Video After the Internet -- Arca, Reverie, 2017 -- References. Chapter 11: Demystify Twenty-First Century Creativity, Innovation and Education through Film Analysis -- The Myths -- Innovation: The Rational Part of Creativity -- Eureka Moments in Film -- Myth about Originality -- From Creativity to Innovation -- Moneyball vs. Sully -- Creative Innovation through Design Thinking -- Education for Innovation -- Conclusion -- References -- Chapter 12: Visual Art as Alternative Epistemological Approach -- Vernacular Cultures and Epistemic Oppression: A Field for Alternative Epistemologies -- A Vision from ``Below´´ as an Alternative to the On-High Vision of the Academy -- The Power of the Visual Image -- Corpus, Archive, and Artistic Manifesto -- First Artwork: De nos vies... quelques Traits (Outlines of Our Lives) -- Video Part 1: Cosmologies -- Video Part 2: Medium -- Video Part 3: Mythologies -- Video Parts 4 and 5: Aspiration/Imagination -- Second Artwork: Élévation -- Conclusion -- References -- Index. |
| Record Nr. | UNINA-9910799499003321 |
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Tam Kwok-kan
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| Singapore : , : Springer Singapore Pte. Limited, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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