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The business of music [[electronic resource] /] / edited by Michael Talbot
| The business of music [[electronic resource] /] / edited by Michael Talbot |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2002 |
| Descrizione fisica | 1 online resource (336 p.) |
| Disciplina | 338.4778 |
| Altri autori (Persone) | TalbotMike (Michael) |
| Collana | Liverpool music symposium |
| Soggetto topico |
Music trade - History
Music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78138-625-0
1-84631-271-X 1-4175-6806-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Contents; Notes on Contributors; Introduction; 1: A Venetian Operatic Contract of 1714; 2: What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England; 3: The Modernisation of London Concert Life around 1900; 4: Debussy, Durand et Cie: A French Composer and His Publishers (1884-1917); 5: Nadia Boulanger (1887-1979): The Teacher in the Marketplace; 6: Copyright as a Component of the Music Industry; 7: Illegality and the Music Industry; 8: The Tarnished Image? Folk 'Industry' and Media
9: Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland10: Paying One's Dues: The Music Business, the City and Urban Regeneration; 11: Learning to Crawl:The Rapid Rise of Music Industry Education; Index of Personal Names |
| Record Nr. | UNINA-9910451782603321 |
| Liverpool, : Liverpool University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The business of music / / edited by Michael Talbot
| The business of music / / edited by Michael Talbot |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2002 |
| Descrizione fisica | 1 online resource (ix, 320 pages) : digital, PDF file(s) |
| Disciplina | 338.4778 |
| Altri autori (Persone) | TalbotMike (Michael) |
| Collana | Liverpool music symposium |
| Soggetto topico |
Music trade - History
Music - History and criticism |
| ISBN |
1-78138-625-0
1-84631-271-X 1-4175-6806-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Contents; Notes on Contributors; Introduction; 1: A Venetian Operatic Contract of 1714; 2: What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England; 3: The Modernisation of London Concert Life around 1900; 4: Debussy, Durand et Cie: A French Composer and His Publishers (1884-1917); 5: Nadia Boulanger (1887-1979): The Teacher in the Marketplace; 6: Copyright as a Component of the Music Industry; 7: Illegality and the Music Industry; 8: The Tarnished Image? Folk 'Industry' and Media
9: Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland10: Paying One's Dues: The Music Business, the City and Urban Regeneration; 11: Learning to Crawl:The Rapid Rise of Music Industry Education; Index of Personal Names |
| Record Nr. | UNINA-9910826560303321 |
| Liverpool, : Liverpool University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The musical work [[electronic resource] ] : reality or invention? / / edited by Michael Talbot
| The musical work [[electronic resource] ] : reality or invention? / / edited by Michael Talbot |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2000 |
| Descrizione fisica | 1 online resource (268 p.) |
| Disciplina |
780.1
781.1/7 |
| Altri autori (Persone) | TalbotMike (Michael) |
| Collana | Liverpool Music Symposium (Series) |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78138-775-3
1-84631-361-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Contents; Notes on Contributors; Introduction; 1: Some Thoughts on the Work in Popular Music; 2: Intertextuality and Hypertextuality in Recorded Popular Music; 3: Work-in(g)-Practice: Configurations of the Popular Music Intertext; 4: Work and Recordings:The Impact of Commercialisation and Digitalisation; 5: The Practice of Early-Nineteenth-Century Pianism; 6: Looking Back at Ourselves: The Problem with the Musical Work-Concept; 7: 'The Work':An Evaluative Charge; 8: The Work-Concept and Composer-Centredness
9: The Musical Artwork and its Materials in the Music and Aesthetics of Busoni10: Re-composing Schubert; 11: 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm'; Index of Musical Compositions and Collections; Index of Personal Names |
| Record Nr. | UNINA-9910453542703321 |
| Liverpool, : Liverpool University Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The musical work : reality or invention? / / edited by Michael Talbot
| The musical work : reality or invention? / / edited by Michael Talbot |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2000 |
| Descrizione fisica | 1 online resource (viii, 260 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | TalbotMike (Michael) |
| Collana | Liverpool Music Symposium (Series) |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - History and criticism |
| ISBN |
1-78138-775-3
1-84631-361-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Contents; Notes on Contributors; Introduction; 1: Some Thoughts on the Work in Popular Music; 2: Intertextuality and Hypertextuality in Recorded Popular Music; 3: Work-in(g)-Practice: Configurations of the Popular Music Intertext; 4: Work and Recordings:The Impact of Commercialisation and Digitalisation; 5: The Practice of Early-Nineteenth-Century Pianism; 6: Looking Back at Ourselves: The Problem with the Musical Work-Concept; 7: 'The Work':An Evaluative Charge; 8: The Work-Concept and Composer-Centredness
9: The Musical Artwork and its Materials in the Music and Aesthetics of Busoni10: Re-composing Schubert; 11: 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm'; Index of Musical Compositions and Collections; Index of Personal Names |
| Record Nr. | UNINA-9910808600903321 |
| Liverpool, : Liverpool University Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||