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Haydn Studies [[electronic resource]]
| Haydn Studies [[electronic resource]] |
| Autore | Sutcliffe W. Dean |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1998 |
| Descrizione fisica | 1 online resource (359 p.) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies |
| Soggetto topico |
Composers -- Austria -- Correspondence
Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-107-17290-X
0-511-37023-7 0-511-48188-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged affection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5
3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment 1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index |
| Record Nr. | UNINA-9910459187203321 |
Sutcliffe W. Dean
|
||
| Cambridge, : Cambridge University Press, 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Haydn Studies [[electronic resource]]
| Haydn Studies [[electronic resource]] |
| Autore | Sutcliffe W. Dean |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1998 |
| Descrizione fisica | 1 online resource (359 p.) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies |
| Soggetto topico |
Composers -- Austria -- Correspondence
Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.) |
| ISBN |
1-107-17290-X
0-511-37023-7 0-511-48188-8 9780511369711 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged affection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5
3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment 1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index |
| Record Nr. | UNINA-9910792127603321 |
|
Sutcliffe W. Dean
|
||
| Cambridge, : Cambridge University Press, 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Haydn Studies [[electronic resource]]
| Haydn Studies [[electronic resource]] |
| Autore | Sutcliffe W. Dean |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1998 |
| Descrizione fisica | 1 online resource (359 p.) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies |
| Soggetto topico |
Composers -- Austria -- Correspondence
Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.) |
| ISBN |
1-107-17290-X
0-511-37023-7 0-511-48188-8 9780511369711 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged affection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5
3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment 1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index |
| Record Nr. | UNINA-9910826658903321 |
|
Sutcliffe W. Dean
|
||
| Cambridge, : Cambridge University Press, 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||