Screening Scarlett Johansson : Gender, Genre, Stardom / / edited by Janice Loreck, Whitney Monaghan, Kirsten Stevens |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (243 pages) : illustrations |
Disciplina |
791.436522
791.43028092 |
Soggetto topico |
Celebrities
Popular Culture Motion pictures—United States Motion pictures Celebrity Studies American Cinema and TV Global Cinema and TV |
ISBN | 3-030-33196-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface – Janice Loreck, Whitney Monaghan, Kirsten Stevens -- 1. Why Scarlett Johansson? - Janice Loreck, Whitney Monaghan, Kirsten Stevens -- 2. Young Scarlett Johansson and the Liminal Perspective – Whitney Monaghan -- 3. Blank Stares and Blonde Hair: Performing Scarlett Johansson – Kirsten Stevens -- 4. “Certain only of what she didn’t want”: Scarlett Johansson as American Outsider in Woody Allen’s Match Point, Scoop and Vicky Cristina Barcelona - Edward Lamberti -- 5. “Who do you want me to be?”: Scarlett Johansson, Black Widow and Shifting Identity in the Marvel Cinematic Universe - Chris Davies -- 6. On the Off-Screen Voice: Sound and Vision in Spike Jonze’s Her – Troy Bordun -- 7. Scarlett Johansson Falling Down: Memes, Photo-sharing and (Celebrity) Personas - Daniel Palmer and Kate Warren.-8. Crossing Borders, Crossing Genders/Genres: Johansson’s Female Masquerade and Alien Transnationalism in Under the Skin - Fulvia Massimi -- 9. Man, Meat and Bêtes-machines: Scarlett Johansson in Under the Skin - Janice Loreck -- 10. ‘What We Do Defines Us’: ScarJo as War Machine - William Brown and David H Fleming -- 11. The Alien Whiteness of Scarlett Johansson – Sean Redmond. . |
Record Nr. | UNINA-9910483541003321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Transnational German cinema : encountering Germany through film and events / / Irina Herrschner, Kirsten Stevens, Benjamin Nickl, Editors |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Cham, Switzerland : , : Springer International Publishing : , : Imprint : Springer, , 2021 |
Descrizione fisica | 1 online resource (xi, 201 pages) : illustrations (chiefly colour) |
Disciplina | 384.8094309049 |
Collana | Global Germany in Transnational Dialogues |
Soggetto topico |
Motion pictures, German
Motion picture industry - Germany Film festivals Motion picture industry |
ISBN |
9783030729172
3030729176 9783030729165 3030729168 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Part I Films in Global Circuits -- Trans-national Encounters at the Berlinale: A Look From the Inside / Irina Herrschner and Kirsten Stevens -- Translation and Dissemination of German Films in China (1994-2018) / Haina Jin -- Transnational Qualities of German Cinema: An Austro/European Audience Analysis / Sibel Kaba and Deniz Özpalman -- International Feature Film Co-Productions Between Australia and Germany: An Australian Perspective / Franziska Wagenfeld and Deb Verhoeven -- ; Part II Transnational Audiences and Communities -- Tuvalu Live!: Live Re-scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context / Sarah Atkinson -- The Black German Experience in Afro-European Cinema - or How Woke Twitter Called Out Amma Asante for Romancing the Reich / Benjamin Nickl -- #Germancinema in the Eye of Instagram: Showcasing a Method Combination / Joan Ramon Rodriguez-Amat and Yulia Belinskaya -- ; Part III German Filmmakers in a Global Environment -- Intercultural Experience Through Affective Encounters: Marten Persiel’s This Ain’t California (2012) / James Cleverley -- Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal / Stefan Octavian Popescu -- Lars von Trier and German Expressionism: Understanding von Trier’s Transnational Appeal / Aleks Wansbrough -- “Denglish”, “International English”, “Garbage Language” and “Corporate Speak”: Transnational Non-language in Maren Ade’s Toni Erdmann / Blythe S. Worthy. |
Record Nr. | UNINA-9910495227003321 |
Cham, Switzerland : , : Springer International Publishing : , : Imprint : Springer, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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