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Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb
| Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Pubbl/distr/stampa | Austin : , : University of Texas Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | Motion picture producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-75291-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910463732603321 |
Sperb Jason <1978->
|
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| Austin : , : University of Texas Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb
| Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Pubbl/distr/stampa | Austin : , : University of Texas Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | Motion picture producers and directors |
| ISBN |
0-292-75290-3
0-292-75291-1 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910788314703321 |
|
Sperb Jason <1978->
|
||
| Austin : , : University of Texas Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb
| Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin : , : University of Texas Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | Motion picture producers and directors |
| ISBN |
9780292752900
0292752903 9780292752917 0292752911 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910961193803321 |
|
Sperb Jason <1978->
|
||
| Austin : , : University of Texas Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910461884203321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910785933103321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||