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The future of aesthetics : the 1996 Ryle lectures / / Francis Sparshott
| The future of aesthetics : the 1996 Ryle lectures / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina | 111/.85 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | Aesthetics |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-282-03699-8
9786612036996 1-4426-8131-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics and the future of philosophy -- Power of beauty -- Philosophy and the future of the university -- Map of knowledge -- University and the future of civilization -- Logic of criticism -- Civilization and the future of aesthetics. |
| Record Nr. | UNINA-9910780413303321 |
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The future of aesthetics : the 1996 Ryle lectures / / Francis Sparshott
| The future of aesthetics : the 1996 Ryle lectures / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina | 111/.85 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | Aesthetics |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-282-03699-8
9786612036996 1-4426-8131-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics and the future of philosophy -- Power of beauty -- Philosophy and the future of the university -- Map of knowledge -- University and the future of civilization -- Logic of criticism -- Civilization and the future of aesthetics. |
| Record Nr. | UNINA-9910821011803321 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott
| A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 |
| Descrizione fisica | xviii, 580 p. ; ; 24 cm |
| Disciplina | 792.8/01 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | Dance - Philosophy |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-282-00293-7
9786612002939 1-4426-7715-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""1 Introduction""; ""PART ONE: Kinds of Dance""; ""2 The Problem of Classification""; ""2.1 How Showbiz Did It""; ""2.2 How Libraries Do It""; ""2.3 Dances as Individuals""; ""2.4 Dimensions of Meaning""; ""2.5 Quality and Context""; ""3 Classification by Context""; ""3.1 Self-defined and Other-defined""; ""3.2 Forms of Life""; ""3.3 Amateur and Professional""; ""3.4 Regular and Irregular""; ""3.5 Audiences""; ""3.6 Dancers""; ""3.7 The Context of Art""; ""3.8 Motivations and Meanings""; ""4 Mimesis""; ""4.1 Quality: Intrinsic Classifications""
""4.2 Formal and Mimetic""""5 Expression""; ""5.1 Individual Expression""; ""5.2 Social Expression""; ""5.3 Being in the World""; ""6 Formal Principles of Movement""; ""6.1 Basic Movement Types""; ""6.2 Recapitulation""; ""7 Anatomy""; ""7.1 Feet and Hands""; ""7.2 Whole and Part""; ""8 Units and Systems""; ""8.1 Units of Movement""; ""8.2 Movement Systems""; ""9 Rhythm""; ""9.1 The Conceptual Question""; ""9.2 The Basics""; ""9.3 The Sources of Rhythm""; ""9.4 Repetition, Pattern, and Flow""; ""9.5 More Conceptual Questions""; ""9.6 The Uniqueness of Rhythms in Art""; ""10 One and Many"" ""10.1 One among Many""""10.2 Groups""; ""10.3 Chorus and Solo""; ""10.4 Couples""; ""10.5 Conclusion""; ""11 Modes of Dance Organization""; ""11.1 Narrative""; ""11.2 Music""; ""11.3 Dance Form""; ""11.4 Conclusion""; ""PART TWO: Dance and Related Fields""; ""12 Dance and Music""; ""12.1 Symbiosis""; ""12.2 The Art of Dance and the Art of Music""; ""12.3 The Relation of a Dance to Its Music""; ""12.4 Music Structure and Dance Structure""; ""13 Dance and Language""; ""13.1 Verbal Mediation""; ""13.2 Gesture""; ""13.3 Dancing and Talking""; ""13.4 What Is Language?"" ""13.5 The Semiological Extension""""14 Dance and Theatre""; ""14.1 Performing Arts""; ""14.2 Dance and Drama""; ""14.3 Dance and Scene""; ""PART THREE: Aspects of Dance""; ""15 Dance Values""; ""15.1 Singularities""; ""15.2 Generalities""; ""15.3 Dance Criticism""; ""15.4 Conclusion""; ""16 Dancer and Spectator""; ""17 Learning to Dance""; ""17.1 Learning Dances""; ""17.2 Learning Dancing""; ""17.3 Learning to Dance for the Public""; ""17.4 From the Particular to the General""; ""17.5 The Solitary Dancer""; ""17.6 Conclusion""; ""18 Dance and Choreography""; ""18.1 The Basic Hierarchy"" ""18.2 Composition and Execution""""18.3 Choreography and the Dimensions of Dance""; ""18.4 What Choreographers Need to Know""; ""18.5 The Necessity of Choreography""; ""18.6 Margins of Choreography""; ""19 The Identity of a Dance""; ""19.1 Dance and Dancer""; ""19.2 Performance Type and Performance Token""; ""19.3 Performance and Performing""; ""19.4 The Identity of a Dance""; ""20 Recording Dance""; ""20.1 Score and Transcription""; ""20.2 Notation""; ""20.3 Film and Video""; ""20.4 Conclusion""; ""21 Conclusion""; ""22 Afterword: The Three Graces""; ""Notes""; ""References""; ""Index"" |
| Record Nr. | UNISA-996247985503316 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott
| A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 |
| Descrizione fisica | xviii, 580 p. ; ; 24 cm |
| Disciplina | 792.8/01 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | Dance - Philosophy |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-282-00293-7
9786612002939 1-4426-7715-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""1 Introduction""; ""PART ONE: Kinds of Dance""; ""2 The Problem of Classification""; ""2.1 How Showbiz Did It""; ""2.2 How Libraries Do It""; ""2.3 Dances as Individuals""; ""2.4 Dimensions of Meaning""; ""2.5 Quality and Context""; ""3 Classification by Context""; ""3.1 Self-defined and Other-defined""; ""3.2 Forms of Life""; ""3.3 Amateur and Professional""; ""3.4 Regular and Irregular""; ""3.5 Audiences""; ""3.6 Dancers""; ""3.7 The Context of Art""; ""3.8 Motivations and Meanings""; ""4 Mimesis""; ""4.1 Quality: Intrinsic Classifications""
""4.2 Formal and Mimetic""""5 Expression""; ""5.1 Individual Expression""; ""5.2 Social Expression""; ""5.3 Being in the World""; ""6 Formal Principles of Movement""; ""6.1 Basic Movement Types""; ""6.2 Recapitulation""; ""7 Anatomy""; ""7.1 Feet and Hands""; ""7.2 Whole and Part""; ""8 Units and Systems""; ""8.1 Units of Movement""; ""8.2 Movement Systems""; ""9 Rhythm""; ""9.1 The Conceptual Question""; ""9.2 The Basics""; ""9.3 The Sources of Rhythm""; ""9.4 Repetition, Pattern, and Flow""; ""9.5 More Conceptual Questions""; ""9.6 The Uniqueness of Rhythms in Art""; ""10 One and Many"" ""10.1 One among Many""""10.2 Groups""; ""10.3 Chorus and Solo""; ""10.4 Couples""; ""10.5 Conclusion""; ""11 Modes of Dance Organization""; ""11.1 Narrative""; ""11.2 Music""; ""11.3 Dance Form""; ""11.4 Conclusion""; ""PART TWO: Dance and Related Fields""; ""12 Dance and Music""; ""12.1 Symbiosis""; ""12.2 The Art of Dance and the Art of Music""; ""12.3 The Relation of a Dance to Its Music""; ""12.4 Music Structure and Dance Structure""; ""13 Dance and Language""; ""13.1 Verbal Mediation""; ""13.2 Gesture""; ""13.3 Dancing and Talking""; ""13.4 What Is Language?"" ""13.5 The Semiological Extension""""14 Dance and Theatre""; ""14.1 Performing Arts""; ""14.2 Dance and Drama""; ""14.3 Dance and Scene""; ""PART THREE: Aspects of Dance""; ""15 Dance Values""; ""15.1 Singularities""; ""15.2 Generalities""; ""15.3 Dance Criticism""; ""15.4 Conclusion""; ""16 Dancer and Spectator""; ""17 Learning to Dance""; ""17.1 Learning Dances""; ""17.2 Learning Dancing""; ""17.3 Learning to Dance for the Public""; ""17.4 From the Particular to the General""; ""17.5 The Solitary Dancer""; ""17.6 Conclusion""; ""18 Dance and Choreography""; ""18.1 The Basic Hierarchy"" ""18.2 Composition and Execution""""18.3 Choreography and the Dimensions of Dance""; ""18.4 What Choreographers Need to Know""; ""18.5 The Necessity of Choreography""; ""18.6 Margins of Choreography""; ""19 The Identity of a Dance""; ""19.1 Dance and Dancer""; ""19.2 Performance Type and Performance Token""; ""19.3 Performance and Performing""; ""19.4 The Identity of a Dance""; ""20 Recording Dance""; ""20.1 Score and Transcription""; ""20.2 Notation""; ""20.3 Film and Video""; ""20.4 Conclusion""; ""21 Conclusion""; ""22 Afterword: The Three Graces""; ""Notes""; ""References""; ""Index"" |
| Record Nr. | UNINA-9910780571503321 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott
| A measured pace : toward a philosophical understanding of the arts of dance / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 |
| Descrizione fisica | xviii, 580 p. ; ; 24 cm |
| Disciplina | 792.8/01 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | Dance - Philosophy |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-282-00293-7
9786612002939 1-4426-7715-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""1 Introduction""; ""PART ONE: Kinds of Dance""; ""2 The Problem of Classification""; ""2.1 How Showbiz Did It""; ""2.2 How Libraries Do It""; ""2.3 Dances as Individuals""; ""2.4 Dimensions of Meaning""; ""2.5 Quality and Context""; ""3 Classification by Context""; ""3.1 Self-defined and Other-defined""; ""3.2 Forms of Life""; ""3.3 Amateur and Professional""; ""3.4 Regular and Irregular""; ""3.5 Audiences""; ""3.6 Dancers""; ""3.7 The Context of Art""; ""3.8 Motivations and Meanings""; ""4 Mimesis""; ""4.1 Quality: Intrinsic Classifications""
""4.2 Formal and Mimetic""""5 Expression""; ""5.1 Individual Expression""; ""5.2 Social Expression""; ""5.3 Being in the World""; ""6 Formal Principles of Movement""; ""6.1 Basic Movement Types""; ""6.2 Recapitulation""; ""7 Anatomy""; ""7.1 Feet and Hands""; ""7.2 Whole and Part""; ""8 Units and Systems""; ""8.1 Units of Movement""; ""8.2 Movement Systems""; ""9 Rhythm""; ""9.1 The Conceptual Question""; ""9.2 The Basics""; ""9.3 The Sources of Rhythm""; ""9.4 Repetition, Pattern, and Flow""; ""9.5 More Conceptual Questions""; ""9.6 The Uniqueness of Rhythms in Art""; ""10 One and Many"" ""10.1 One among Many""""10.2 Groups""; ""10.3 Chorus and Solo""; ""10.4 Couples""; ""10.5 Conclusion""; ""11 Modes of Dance Organization""; ""11.1 Narrative""; ""11.2 Music""; ""11.3 Dance Form""; ""11.4 Conclusion""; ""PART TWO: Dance and Related Fields""; ""12 Dance and Music""; ""12.1 Symbiosis""; ""12.2 The Art of Dance and the Art of Music""; ""12.3 The Relation of a Dance to Its Music""; ""12.4 Music Structure and Dance Structure""; ""13 Dance and Language""; ""13.1 Verbal Mediation""; ""13.2 Gesture""; ""13.3 Dancing and Talking""; ""13.4 What Is Language?"" ""13.5 The Semiological Extension""""14 Dance and Theatre""; ""14.1 Performing Arts""; ""14.2 Dance and Drama""; ""14.3 Dance and Scene""; ""PART THREE: Aspects of Dance""; ""15 Dance Values""; ""15.1 Singularities""; ""15.2 Generalities""; ""15.3 Dance Criticism""; ""15.4 Conclusion""; ""16 Dancer and Spectator""; ""17 Learning to Dance""; ""17.1 Learning Dances""; ""17.2 Learning Dancing""; ""17.3 Learning to Dance for the Public""; ""17.4 From the Particular to the General""; ""17.5 The Solitary Dancer""; ""17.6 Conclusion""; ""18 Dance and Choreography""; ""18.1 The Basic Hierarchy"" ""18.2 Composition and Execution""""18.3 Choreography and the Dimensions of Dance""; ""18.4 What Choreographers Need to Know""; ""18.5 The Necessity of Choreography""; ""18.6 Margins of Choreography""; ""19 The Identity of a Dance""; ""19.1 Dance and Dancer""; ""19.2 Performance Type and Performance Token""; ""19.3 Performance and Performing""; ""19.4 The Identity of a Dance""; ""20 Recording Dance""; ""20.1 Score and Transcription""; ""20.2 Notation""; ""20.3 Film and Video""; ""20.4 Conclusion""; ""21 Conclusion""; ""22 Afterword: The Three Graces""; ""Notes""; ""References""; ""Index"" |
| Record Nr. | UNINA-9910828184303321 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Taking life seriously : a study of the argument of the Nicomachean ethics / / Francis Sparshott
| Taking life seriously : a study of the argument of the Nicomachean ethics / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1996 |
| Descrizione fisica | 1 online resource (353 p.) |
| Disciplina | 171/.3 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | PHILOSOPHY / Ethics & Moral Philosophy |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-4426-3967-9
1-282-04538-5 9786612045387 1-4426-8032-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. What Is Best for People (I i-xii; 1094a1-1102a4) -- 2. Reason in Action (I xiii-VI; 1102a5-1145a11) -- 3. The Pathology of Practical Reason (VII; 1145a15-1154b34) -- 4. Love, Consciousness, and Society (VIII-IX; 1155a1-1172a15) -- 5. The Worth of Pleasure (X i-v; 1172a19-1176a29) -- 6. The Good Life and the Best Life: Outline of a Discourse (X vi-viii; 1176a30-1179a32) -- 7. Postscript: The Transition to Politics (X ix; 1179a33-1181b23) -- Appendix: Aristotle's World. |
| Record Nr. | UNINA-9910780663303321 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Taking life seriously : a study of the argument of the Nicomachean ethics / / Francis Sparshott
| Taking life seriously : a study of the argument of the Nicomachean ethics / / Francis Sparshott |
| Autore | Sparshott Francis Edward <1926-2015, > |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1996 |
| Descrizione fisica | 1 online resource (353 p.) |
| Disciplina | 171/.3 |
| Collana | Toronto Studies in Philosophy |
| Soggetto topico | PHILOSOPHY / Ethics & Moral Philosophy |
| Soggetto genere / forma |
Livres numeriques.
e-books. Electronic books. |
| ISBN |
1-4426-3967-9
1-282-04538-5 9786612045387 1-4426-8032-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. What Is Best for People (I i-xii; 1094a1-1102a4) -- 2. Reason in Action (I xiii-VI; 1102a5-1145a11) -- 3. The Pathology of Practical Reason (VII; 1145a15-1154b34) -- 4. Love, Consciousness, and Society (VIII-IX; 1155a1-1172a15) -- 5. The Worth of Pleasure (X i-v; 1172a19-1176a29) -- 6. The Good Life and the Best Life: Outline of a Discourse (X vi-viii; 1176a30-1179a32) -- 7. Postscript: The Transition to Politics (X ix; 1179a33-1181b23) -- Appendix: Aristotle's World. |
| Record Nr. | UNINA-9910820417003321 |
|
Sparshott Francis Edward <1926-2015, >
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||