Historical Theory and Methods through Popular Music, 1970–2000 [[electronic resource] ] : “Those are the New Saints” / / by Kenneth L. Shonk, Jr., Daniel Robert McClure
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| Autore: |
Shonk Jr., Kenneth L
|
| Titolo: |
Historical Theory and Methods through Popular Music, 1970–2000 [[electronic resource] ] : “Those are the New Saints” / / by Kenneth L. Shonk, Jr., Daniel Robert McClure
|
| Pubblicazione: | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Edizione: | 1st ed. 2017. |
| Descrizione fisica: | 1 online resource (320 pages) |
| Disciplina: | 780.07 |
| Soggetto topico: | Culture—Study and teaching |
| Music | |
| Popular Culture | |
| Cultural Theory | |
| Persona (resp. second.): | McClureDaniel Robert |
| Note generali: | Includes index. |
| Nota di contenuto: | 1. Introduction: Those are the new saints.- 2. “‘400 Years’: Modernity, the Longue Durée, and Jamaican Music, 1600s-1980s”.- 3.“This Charming Man: Queer and Alternative Masculinities, 1970-1994”.- 4.“Will the Wolf Survive?”: Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000.”.-5. “A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000” -- 6. “The Pride of History”: Post-Punk and the Aesthetics of Postmodernity -- 7. “Waveless—MTV and the ‘Quiet’ Feminism of the 1980s” -- 8. “Hiraeth—The Celtic Moment in 1980s Alternative Rock” -- 9. “Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era” -- 10. “No Depression: The Nostalgia and Authenticity of Alternative Country” -- 11. Conclusion. |
| Sommario/riassunto: | This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic. |
| Titolo autorizzato: | Historical Theory and Methods through Popular Music, 1970–2000 |
| ISBN: | 1-137-57072-5 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910255097003321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Pop Music, Culture and Identity, . 2634-6613